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Julia Sitkovetsky|Where Corals Lie, A Journey through Songs by Sir Edward Elgar

Where Corals Lie, A Journey through Songs by Sir Edward Elgar

Julia Sitkovetsky, Christopher Glynn

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Working in an era before Arts Council grants, public sponsorship, recording royalties, and long-term publishing deals, Elgar had to write for the public demand as much as personal satisfaction. The effort required for his large-scale works was rarely reflected in profitable income, so writing songs could be a useful way to earn money. The England of Elgar’s time favoured popular ballads, sung by well-known singers. These were then sold as sheet music, the singer’s name emblazoned on the cover, for performances given in middle-class homes. There was little demand for lengthy song cycles, or song recitals consisting entirely of "serious" repertoire in the German tradition. As a result, Elgar’s songs are often individual works, sometimes adapting instrumental works into songs (such as Land of Hope and Glory) when the commercial opportunities arose. Elgar also chose poetry that was popular and straightforward, rather than drawing on the established classical masterpieces. These songs were then transposed into numerous keys to allow performance by any voice type, designed for mass appeal and profitable sales.

Making her Chandos début, Julia Sitkovetsky is a British-American lyric-dramatic coloratura soprano with a flourishing, exciting international career. Having trained at the Guildhall School of Music and Drama, she made her professional operatic début at the age of sixteen, at Glyndebourne Festival Opera and English National Opera. Since then, she has appeared all over Europe. © Chandos

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Where Corals Lie, A Journey through Songs by Sir Edward Elgar

Julia Sitkovetsky

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Sea Pictures, Op. 37 (Edward Elgar)

1
I. Sea Slumber Song
00:04:35

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

2
II. In Haven (Capri)
00:01:44

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

3
III. Sabbath Morning at Sea
00:05:01

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

4
IV. Where Corals Lie
00:03:31

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

5
V. The Swimmer
00:05:16

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

6
Sieben Lieder: VII. The Shepherd's Song
00:02:43

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

7
Sieben Lieder: I. Like to the damask rose
00:03:07

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

8
Sieben Lieder: II. Queen Mary's Song (The Lute Song)
00:03:24

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

9
Sieben Lieder: III. A Song of Autumn
00:02:42

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

10
Sieben Lieder: VI. Rondel
00:01:36

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

11
Two Songs, Op. 60: 1, The Torch
00:01:42

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

12
Two Songs, Op. 61: 2, The River
00:03:21

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

13
Pleading, Op.48
00:02:31

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

14
The Muleteer's Serenade
00:02:28

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

15
The Self Banished
00:03:59

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

16
Speak, Music, Op. 41 No. 2
00:02:52

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

17
After, Op. 31 No. 1
00:02:42

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

18
In Moonlight
00:02:06

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

19
When the spring comes round
00:04:55

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo

2021 Chandos Records Ltd 2021 Chandos Records Ltd

20
Pansies
00:03:13

Edward Elgar, Composer - Christopher Glynn, Piano, MainArtist - Julia Sitkovetsky, MainArtist, SopranoSolo - Max Laistner, Arranger

2021 Chandos Records Ltd 2021 Chandos Records Ltd

Presentación del Álbum

Working in an era before Arts Council grants, public sponsorship, recording royalties, and long-term publishing deals, Elgar had to write for the public demand as much as personal satisfaction. The effort required for his large-scale works was rarely reflected in profitable income, so writing songs could be a useful way to earn money. The England of Elgar’s time favoured popular ballads, sung by well-known singers. These were then sold as sheet music, the singer’s name emblazoned on the cover, for performances given in middle-class homes. There was little demand for lengthy song cycles, or song recitals consisting entirely of "serious" repertoire in the German tradition. As a result, Elgar’s songs are often individual works, sometimes adapting instrumental works into songs (such as Land of Hope and Glory) when the commercial opportunities arose. Elgar also chose poetry that was popular and straightforward, rather than drawing on the established classical masterpieces. These songs were then transposed into numerous keys to allow performance by any voice type, designed for mass appeal and profitable sales.

Making her Chandos début, Julia Sitkovetsky is a British-American lyric-dramatic coloratura soprano with a flourishing, exciting international career. Having trained at the Guildhall School of Music and Drama, she made her professional operatic début at the age of sixteen, at Glyndebourne Festival Opera and English National Opera. Since then, she has appeared all over Europe. © Chandos

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