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Peter Green|Whatcha Gonna Do? (Bonus Track Edition)

Whatcha Gonna Do? (Bonus Track Edition)

Peter Green

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The third album that Peter Green made after he launched a comeback in the late '70s, Whatcha Gonna Do? was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While Green's blues-rock guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move Green's sound toward mainstream soul-funk, as well as to add some uncomfortably incorporated reggae rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear Green's natural affinity for R&B in both his fluid guitar and earthy vocals on some of the better songs, like "Trying to Hit My Head Against the Wall," "Like a Hot Tomato," and "Lost My Love" (the last of which, like early Fleetwood Mac's cover of Little Willie John's "Need Your Love So Bad," makes clear Green's overlooked love of sentimental '50s American R&B/proto-soul). These would be quite acceptable from a blues-rock journeyman, but Green was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods.

© Richie Unterberger /TiVo

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Whatcha Gonna Do? (Bonus Track Edition)

Peter Green

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1
Gotta See Her Tonight
00:05:47

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

2
Promised Land
00:03:30

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

3
Bullet In the Sky
00:03:21

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

4
Give Me Back My Freedom
00:05:37

Peter Green, Composer, Performance, MainArtist - Michael Green, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

5
Last Train to San Antone
00:05:30

Peter Green, Composer, Performance, MainArtist - Michael Green, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

6
To Break Your Heart
00:03:54

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

7
Bizzy Lizzy
00:03:26

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

8
Lost My Love
00:05:23

Peter Green, Composer, Performance, MainArtist - Michael Green, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

9
Like a Hot Tomato
00:03:06

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

10
Trying to Hit My Head Against the Wall
00:03:45

Peter Green, Composer, Performance, MainArtist - Michael Green, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

11
Woman Don't
00:05:01

Peter Green, Performance, MainArtist

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

12
Whatcha Gonna Do?
00:03:48

Peter Green, Composer, Performance, MainArtist - Michael Green, Composer

© 2005 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

The third album that Peter Green made after he launched a comeback in the late '70s, Whatcha Gonna Do? was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While Green's blues-rock guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move Green's sound toward mainstream soul-funk, as well as to add some uncomfortably incorporated reggae rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear Green's natural affinity for R&B in both his fluid guitar and earthy vocals on some of the better songs, like "Trying to Hit My Head Against the Wall," "Like a Hot Tomato," and "Lost My Love" (the last of which, like early Fleetwood Mac's cover of Little Willie John's "Need Your Love So Bad," makes clear Green's overlooked love of sentimental '50s American R&B/proto-soul). These would be quite acceptable from a blues-rock journeyman, but Green was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods.

© Richie Unterberger /TiVo

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