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Once called the Tamba Trio (they became a quartet in 1966), the Tamba 4 made its North American debut with an often adventurous recording that stretched the boundaries not only of bossa nova but of producer Creed Taylor's soundworld at A&M. The erudite composer/pianist/organist Luíz Eça was the band's intellectual spark plug; his cross-genre borrowings would eventually pave the way for present-day Latin piano virtuosos like Chucho Valdés and Gonzalo Rubalcaba. Bebeto played lively jazz flute and bass, Drio handled bass, guitar and percussion, and Ohana was the extraordinarily flexible drummer. Along with their classical pretensions and straight-ahead bossa nova swinging, the group dabbles with voodoo-like incantations that could weave a seductive spell on tunes like "Lemanjá" and "Chant of Ossanha." Their take on Jobim's "O Morro" is a lengthy, complex, structured composition with Eça's piano frequently summoning forth Ravel, Gershwin, and 20th century dissonance, finally bursting into ecstatic Brazilian swing at the close. Bebeto also sings in silky mellow Portuguese on "Flower Girl," and the foursome provides its own shadowy vocal support on several tracks. Impeccably recorded at Rudy Van Gelder's studio in New Jersey, this recording ought to be high on Brazilian jazz collectors' want lists.
© Richard S. Ginell /TiVo
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Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 UMG Recordings, Inc.
Durval Ferreira, ComposerLyricist - Luiz Freire, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.
Baden Powell, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 UMG Recordings, Inc.
Roberto Menescal, ComposerLyricist - Ronaldo Bôscoli, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 UMG Recordings, Inc.
Vinicius De Moraes, ComposerLyricist - Baden Powell, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 UMG Recordings, Inc.
Luiz Eça, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 The Verve Music Group, a Division of UMG Recordings, Inc.
Vinicius De Moraes, ComposerLyricist - Baden Powell, ComposerLyricist - Tamba 4, MainArtist - Creed Taylor, Producer
℗ 1967 UMG Recordings, Inc.
Presentación del Álbum
Once called the Tamba Trio (they became a quartet in 1966), the Tamba 4 made its North American debut with an often adventurous recording that stretched the boundaries not only of bossa nova but of producer Creed Taylor's soundworld at A&M. The erudite composer/pianist/organist Luíz Eça was the band's intellectual spark plug; his cross-genre borrowings would eventually pave the way for present-day Latin piano virtuosos like Chucho Valdés and Gonzalo Rubalcaba. Bebeto played lively jazz flute and bass, Drio handled bass, guitar and percussion, and Ohana was the extraordinarily flexible drummer. Along with their classical pretensions and straight-ahead bossa nova swinging, the group dabbles with voodoo-like incantations that could weave a seductive spell on tunes like "Lemanjá" and "Chant of Ossanha." Their take on Jobim's "O Morro" is a lengthy, complex, structured composition with Eça's piano frequently summoning forth Ravel, Gershwin, and 20th century dissonance, finally bursting into ecstatic Brazilian swing at the close. Bebeto also sings in silky mellow Portuguese on "Flower Girl," and the foursome provides its own shadowy vocal support on several tracks. Impeccably recorded at Rudy Van Gelder's studio in New Jersey, this recording ought to be high on Brazilian jazz collectors' want lists.
© Richard S. Ginell /TiVo
Acerca del álbum
- 1 disco(s) - 7 pista(s)
- Duración total: 00:33:38
- Artistas principales: Tamba 4
- Compositor: Various Composers
- Sello: Verve
- Género Jazz
© 2000 PolyGram Records Inc. ℗ 1967 UMG Recordings, Inc.
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