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German countertenor Andreas Scholl is known not only for his gorgeous voice, but gutsy programming, and he may never have been more gutsy than in this set of German Romantic and proto-Romantic (an important distinction of which more in a moment) songs. It's pretty clear that any of the composers included on this album would have doubled over with laughter at the idea of hearing his music sung by a countertenor, and the highly gendered quality of the music of the 19th century is one of its primary motivating forces. Thus there's real excitement in hearing that Scholl does, in fact, pull it off. Quoted in the notes, he offers the expected platitudes about how what matters in singing lieder is not voice type but connection with the music. Yet there's more than that to what's happening here. Scholl does not simply program a typical lieder recital; rather, he tailors his repertoire to his unusual voice. Haydn, with three songs, and Mozart (two) are overrepresented, and this helps bridge the acceptance gap: the simple, folklike melodies of these songs (Haydn's are in English) require less suspension of disbelief than do the full-blown Romantic pieces. Moving into Schubert, Scholl makes some interesting choices. The famed Ave Maria is a piece of sheer Italianate melody that works beautifully in Scholl's voice; it's of a piece with any number of his earlier recordings. In Der Tod und das Mädchen, D. 531 (Death and the Maiden, the source of a tremendous set of variations in one of Schubert's string quartets), Scholl sings both of the dialogic parts himself: the Maiden is his usual countertenor voice, while he sings Death as a baritone. The strangeness of this leapfrogs, as it were, that of hearing a countertenor sing Schubert. Add to these the fact that Scholl mostly avoids songs with romantic and erotic themes, and it adds up to an album that continually surprises rather than one that is trying to force something into a mold where it doesn't belong. Accompanist Tamar Halperin stays mostly out of the way, which is the right thing to do, and in all Scholl can claim another in his string of triumphs, even if it's maybe not the first one for newcomers to start out with.
© TiVo
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49 Deutsche Volkslieder - Book VI (Johannes Brahms)
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Joseph Haydn, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Anne Hunter, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Joseph Haydn, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Anne Hunter, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
49 Deutsche Volkslieder - Book III (Johannes Brahms)
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Wolfgang Amadeus Mozart, Composer - JOHANN WOLFGANG VON GOETHE, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
12 Waltzes, D.145, Op. 18 (Franz Schubert)
Franz Schubert, Composer - Mark Brown, Producer, Recording Producer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Franz Seraph Ritter von Bruchmann, Author - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Joseph Haydn, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Anne Hunter, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Mark Brown, Producer, Recording Producer - Johann Mayrhofer, Author - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
49 Deutsche Volkslieder / Book 4 (Johannes Brahms)
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Wolfgang Amadeus Mozart, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Joachim Heinrich Campe, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Matthias Claudius, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Piano Sonata No. 15 in F, K.533/494 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Mark Brown, Producer, Recording Producer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Wolfgang Amadeus Mozart, Composer - Anonymous, Adapter - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
49 Deutsche Volkslieder - Book V (Johannes Brahms)
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
49 Deutsche Volkslieder - Book I (Johannes Brahms)
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Mark Brown, Producer, Recording Producer - Heinrich Hüttenbrenner, Author - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Walter Scott, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Adam Storck, Author - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Traditional, Author - Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
6 Piano Pieces, Op. 118 (Johannes Brahms)
Johannes Brahms, Composer - Mark Brown, Producer, Recording Producer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Friedrich Rückert, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Franz Schubert, Composer - Walter Scott, Author - Mark Brown, Producer, Recording Producer - Andreas Scholl, Counter-Tenor, MainArtist, AssociatedPerformer - Adam Storck, Author - Tamar Halperin, Piano, MainArtist, AssociatedPerformer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2012 Decca Music Group Limited
Presentación del Álbum
German countertenor Andreas Scholl is known not only for his gorgeous voice, but gutsy programming, and he may never have been more gutsy than in this set of German Romantic and proto-Romantic (an important distinction of which more in a moment) songs. It's pretty clear that any of the composers included on this album would have doubled over with laughter at the idea of hearing his music sung by a countertenor, and the highly gendered quality of the music of the 19th century is one of its primary motivating forces. Thus there's real excitement in hearing that Scholl does, in fact, pull it off. Quoted in the notes, he offers the expected platitudes about how what matters in singing lieder is not voice type but connection with the music. Yet there's more than that to what's happening here. Scholl does not simply program a typical lieder recital; rather, he tailors his repertoire to his unusual voice. Haydn, with three songs, and Mozart (two) are overrepresented, and this helps bridge the acceptance gap: the simple, folklike melodies of these songs (Haydn's are in English) require less suspension of disbelief than do the full-blown Romantic pieces. Moving into Schubert, Scholl makes some interesting choices. The famed Ave Maria is a piece of sheer Italianate melody that works beautifully in Scholl's voice; it's of a piece with any number of his earlier recordings. In Der Tod und das Mädchen, D. 531 (Death and the Maiden, the source of a tremendous set of variations in one of Schubert's string quartets), Scholl sings both of the dialogic parts himself: the Maiden is his usual countertenor voice, while he sings Death as a baritone. The strangeness of this leapfrogs, as it were, that of hearing a countertenor sing Schubert. Add to these the fact that Scholl mostly avoids songs with romantic and erotic themes, and it adds up to an album that continually surprises rather than one that is trying to force something into a mold where it doesn't belong. Accompanist Tamar Halperin stays mostly out of the way, which is the right thing to do, and in all Scholl can claim another in his string of triumphs, even if it's maybe not the first one for newcomers to start out with.
© TiVo
Acerca del álbum
- 1 disco(s) - 23 pista(s)
- Duración total: 01:22:57
- Artistas principales: Andreas Scholl Tamar Halperin
- Compositor: Various Composers
- Sello: Decca Music Group Ltd.
- Género Clásica
© 2012 Decca Music Group Limited ℗ 2012 Decca Music Group Limited
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