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Wolfgang Amadeus Mozart|W.A. Mozart: Betulia liberata

W.A. Mozart: Betulia liberata

L'Orfeo Barockorchester & Michi Gaigg

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Mozart's oratorio Betulia liberata, K. 118 (he called it an "azione sacra"), is one of his least-often-performed works, and on those grounds alone this attractive performance by L'Orfeo Barockorchester and conductor Michi Gaigg is worthy of notice. Mozart composed it when he was 15 and on the road, probably for a small-scale performance in Padua, and the 27-piece orchestra used here, with natural brasses that don't overwhelm the rest of the group, has the right dimensions. The neglect of the work is a bit odd in that much less competent pieces of Mozart juvenilia have received more attention. A certain Mozartian voice is lacking, but the work could have competed (it was apparently never performed during Mozart's lifetime) with any number of Italian sacred pieces of the day; it resembles the sacred music of Johann Adolf Hasse, with well-shaped arias whose vocal acrobatics are toned down in respect for the sacred material. The weakness is probably the libretto, although it was set many times and remained in use into the 19th century. It is by Pietro Metastasio, the foremost operatic librettist of the middle 18th century, and it tells the story of the biblical Judith of Bethulia and her decapitation of Holofernes. Unfortunately, Metastasio, apparently motivated by academic Aristotelian considerations of dramatic unity, relegates the high points of the story, including the actual decapitation, to recitative narration. What's left are some rather pious arias that the cast of little-known singers, led by alto Margot Oitzinger as Judith, execute very well; Oitzinger has a light voice with an unusual timbre, and it's perfectly suited to this chamber oratorio, even if a blood-and-guts treatment rather than a chamber treatment is what the story demands. Gaigg's brisk tempi and clear textures are also entirely appropriate for this repertory, and the performances are in general at a very high level. Recommended for deep Mozart collections and for the growing legion of devotees of the Judith story.
© TiVo

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W.A. Mozart: Betulia liberata

Wolfgang Amadeus Mozart

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1
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Overtura
Michi Gaigg
00:04:03

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

2
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Popoli di Betulia"
Michi Gaigg
00:00:55

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

3
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #1, "D’ogni colpa la colpa maggiore"
Michi Gaigg
00:06:28

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

4
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "E in che sperar?"
Michi Gaigg
00:01:50

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

5
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #2, "Ma qual virtù non cede"
Michi Gaigg
00:03:02

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

6
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Già le memorie antiche"
Michi Gaigg
00:03:30

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

7
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #3, "Non hai cor"
Michi Gaigg
00:04:14

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

8
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "E qual pace sperate"
Michi Gaigg
00:02:45

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

9
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria con il Coro #4, "Pietà, se irato sei"
Michi Gaigg
00:03:38

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

10
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Chi è costei che qual sorgente aurora"
Michi Gaigg
00:03:13

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

11
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #5, "Del pari infeconda"
Michi Gaigg
00:04:54

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

12
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Oh saggia, oh santa"
Michi Gaigg
00:02:21

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

13
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria con il Coro #6, "Pietà, se irato sei"
Michi Gaigg
00:03:43

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

14
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Signor, Carmi a te viene"
Michi Gaigg
00:03:16

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

15
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #7, "Terribile d’aspetto"
Michi Gaigg
00:03:49

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

16
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Recitativo, "Ti consola, Achior"
Michi Gaigg
00:03:13

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

17
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Aria #8, "Parto inerme, e non pavento"
Michi Gaigg
00:05:46

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

18
Betulia liberata, Azione sacra in due parti, K. 118, Parte prima: Coro #9, "Oh prodigio! Oh stupor!"
Michi Gaigg
00:02:14

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

DISCO 2

1
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Troppo mal corrisponde"
Michi Gaigg
00:05:43

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

2
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #10, "Se Dio veder tu vuoi"
Michi Gaigg
00:07:15

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

3
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Confuso io son"
Michi Gaigg
00:01:27

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

4
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #11, "Quel nocchier che in gran procella"
Michi Gaigg
00:06:30

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

5
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Lungamente non dura"
Michi Gaigg
00:09:32

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

6
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #12, "Prigionier che fa ritorno"
Michi Gaigg
00:05:40

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

7
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Giuditta, Ozìa, popoli, amici"
Michi Gaigg
00:01:13

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

8
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #13, "Te solo adoro"
Michi Gaigg
00:03:49

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

9
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Di tua vittoria"
Michi Gaigg
00:00:49

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

10
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #14, "Con troppa rea viltà"
Michi Gaigg
00:05:59

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

11
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo, "Quanta cura hai di noi"
Michi Gaigg
00:02:51

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

12
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria #15, "Quei moti che senti"
Michi Gaigg
00:02:01

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

13
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Recitativo:, "Seguansi, o Carmi"
Michi Gaigg
00:00:56

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

14
Betulia liberata, Azione sacra in due parti, K. 118, Parte seconda: Aria con il Coro #16, "Lodi al gran Dio"
Michi Gaigg
00:05:58

L'Orfeo Barockorchester, MainArtist - Wolfgang Amadeus Mozart, Composer - Michi Gaigg, MainArtist

(C) 2013 Challenge Classics (P) 2013 Challenge Classics

Presentación del Álbum

Mozart's oratorio Betulia liberata, K. 118 (he called it an "azione sacra"), is one of his least-often-performed works, and on those grounds alone this attractive performance by L'Orfeo Barockorchester and conductor Michi Gaigg is worthy of notice. Mozart composed it when he was 15 and on the road, probably for a small-scale performance in Padua, and the 27-piece orchestra used here, with natural brasses that don't overwhelm the rest of the group, has the right dimensions. The neglect of the work is a bit odd in that much less competent pieces of Mozart juvenilia have received more attention. A certain Mozartian voice is lacking, but the work could have competed (it was apparently never performed during Mozart's lifetime) with any number of Italian sacred pieces of the day; it resembles the sacred music of Johann Adolf Hasse, with well-shaped arias whose vocal acrobatics are toned down in respect for the sacred material. The weakness is probably the libretto, although it was set many times and remained in use into the 19th century. It is by Pietro Metastasio, the foremost operatic librettist of the middle 18th century, and it tells the story of the biblical Judith of Bethulia and her decapitation of Holofernes. Unfortunately, Metastasio, apparently motivated by academic Aristotelian considerations of dramatic unity, relegates the high points of the story, including the actual decapitation, to recitative narration. What's left are some rather pious arias that the cast of little-known singers, led by alto Margot Oitzinger as Judith, execute very well; Oitzinger has a light voice with an unusual timbre, and it's perfectly suited to this chamber oratorio, even if a blood-and-guts treatment rather than a chamber treatment is what the story demands. Gaigg's brisk tempi and clear textures are also entirely appropriate for this repertory, and the performances are in general at a very high level. Recommended for deep Mozart collections and for the growing legion of devotees of the Judith story.
© TiVo

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