Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Each Caribbean country has its own Afro-Latin dance rhythms that influenced its concert music as well as its popular styles, but Venezuela's contributions have always been somewhat neglected internationally in comparison with Colombian cumbia or Dominican merengue. This survey of Venezuelan dance piano pieces by pianist Clara Rodríguez, covering short works from the late 19th century until the present day, attempts to remedy the situation. Her enthusiastic if wholly unedited booklet notes (in English only) quote guitarist John Williams: "Listen to it with two rhythms going simultaneously -- a six-eight over a three-four. To really play this, you need to do the African thing -- move your body with the complex pulse. It's not good tapping your feet like a European. There's a European influence here, but the guts of it is Indian plus African." Williams was referring to the music in general, but his statement is especially applicable to the most common genre on the album, the joropo. This rhythm is little known outside of Venezuela, and it's easy to understand why after hearing this album: if you think of the cumbia, which has become a virtual lingua franca of dance music south of U.S. Interstate 20, as the simplest of all Caribbean rhythms, the joropo may well be the most complex. As Rodríguez points out, "it consists of strongly accented rhythms and often makes use of hemiola but unlike the other Venezuelan dances, no single rhythmic pattern is associated with it"; it takes a variety of forms, all exploiting additive rhythms and hemiola tensions. Aside from the joropo there are waltzes, a merengue, a pasaje llanero, and the still more complex ritmo orquidea in Antonio Lauro's Diversión (track 11). The thematic and harmonic structure of the music is simple, setting off the tricky rhythms that appear even in the waltzes. A fascinating glimpse into one of Latin America's less-appreciated musical cultures, recommended for anyone with an interest in the music of the region.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Clara Rodriguez, MainArtist - Luisa Elena Paesano, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Evencio Castellanos, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Federico Vollmer, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Ramon Delgado Palacios, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Luisa Elena Paesano, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Federico Vollmer, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Federico Ruiz, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Maria Luisa Escobar, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Federico Ruiz, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Miguel Astor, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Pablo Camcaro, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Antonio Lauro, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Antonio Lauro, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Juan Carlos Núñez, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Modesta Bor, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Modesta Bor, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Antonio Lauro, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Ricardo Teruel, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Francisco Delfín Pacheco, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Luis Laguna, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Pedro Elias Gutierrez, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Pablo Camacaro, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Simón Díaz, Composer - Clara Rodriguez, MainArtist
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Manuel Yanez, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Clara Rodriguez, MainArtist - Heraclio Fernandez, Composer
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Presentación del Álbum
Each Caribbean country has its own Afro-Latin dance rhythms that influenced its concert music as well as its popular styles, but Venezuela's contributions have always been somewhat neglected internationally in comparison with Colombian cumbia or Dominican merengue. This survey of Venezuelan dance piano pieces by pianist Clara Rodríguez, covering short works from the late 19th century until the present day, attempts to remedy the situation. Her enthusiastic if wholly unedited booklet notes (in English only) quote guitarist John Williams: "Listen to it with two rhythms going simultaneously -- a six-eight over a three-four. To really play this, you need to do the African thing -- move your body with the complex pulse. It's not good tapping your feet like a European. There's a European influence here, but the guts of it is Indian plus African." Williams was referring to the music in general, but his statement is especially applicable to the most common genre on the album, the joropo. This rhythm is little known outside of Venezuela, and it's easy to understand why after hearing this album: if you think of the cumbia, which has become a virtual lingua franca of dance music south of U.S. Interstate 20, as the simplest of all Caribbean rhythms, the joropo may well be the most complex. As Rodríguez points out, "it consists of strongly accented rhythms and often makes use of hemiola but unlike the other Venezuelan dances, no single rhythmic pattern is associated with it"; it takes a variety of forms, all exploiting additive rhythms and hemiola tensions. Aside from the joropo there are waltzes, a merengue, a pasaje llanero, and the still more complex ritmo orquidea in Antonio Lauro's Diversión (track 11). The thematic and harmonic structure of the music is simple, setting off the tricky rhythms that appear even in the waltzes. A fascinating glimpse into one of Latin America's less-appreciated musical cultures, recommended for anyone with an interest in the music of the region.
© TiVo
Acerca del álbum
- 1 disco(s) - 25 pista(s)
- Duración total: 01:14:09
- Artistas principales: Clara Rodriguez
- Compositor: Various Composers
- Sello: Nimbus Alliance
- Género Clásica
(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.