Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Polish violinist Michal Urbaniak was already well known in Europe, and somewhat famous in America, with five previous overtly commercial efforts for the Columbia and Arista labels. This album for Inner City Records showcases a much more substantive, energetic, and contemporary type of jazz music perfectly suited for the fusion-oriented '70s. With wife Urszula Dudziak singing and Zbigniew Namyslowski playing alto sax in a David Sanborn-type dialect, these three form a hummable, tuneful front line whose symmetry and sonic footprint are hard to resist. Aside from the lead performers, fans of Kenny Kirkland should take note of his presence on this album, one of his earliest works. Kirkland plays brilliantly here on Fender Rhodes electric piano, Polymoog, and miniMoog synthesizers, buoying and supporting the others in bright dimensions and shimmering tones. Though adept at the straight-ahead mainstream style, R&B-oriented jazz-rock fusion is at the equally delightful and danceable core of Urbaniak's music. The band sets the tone with the opener, "Tie Breaker," a track with active, quickly ground strokes featuring Urbaniak on the lyricon opposite Namyslowski's alto and Kirkland's busy keyboards in a tribute to the first and greatest Polish men's tennis professional, Wojtek Fibak. Dudziak, a unique-unto-herself scat singer only rivaled by Flora Purim, raises the bar even higher on "Strife," as Urbaniak's violin solo reaches for heights beyond the stratosphere. The inevitable comparisons to peer Jean-Luc Ponty rate Urbaniak favorably, as creeping bass and marching drums set up his soaring strings during "Mountaineers." Namyslowski composed most of the tracks here, with his impressive piece "Stray Sheep" strong in rhythmic content within the funky beat, but multifaceted, always changing from within, and adding a bit of Polish folk flavoring. On the other side, "Jasmine Lady" is a tiptoed walk through imagery of delicacy. The resonant Fender Rhodes work of Kirkland is ripe for the times, perfectly complementing the bandmembers by matching their dynamics beautifully with every step, never looking back, and always forging ahead. Approaching age 35 at the time of this recording, Urbaniak was no spring chicken, and had firmly established his vision and voicings. So it should come to no one's surprise how focused and concentrated this music is, not to mention that after several decades, it does not sound dated. Kudos to the Inner City label for issuing this fine effort -- highly recommended without reservation -- on CD so that listeners may relish in its exuberant qualities.
© Michael G. Nastos /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Michal Urbaniak, Primary
2016 Inner City Records Inner City Records 2016
Presentación del Álbum
Polish violinist Michal Urbaniak was already well known in Europe, and somewhat famous in America, with five previous overtly commercial efforts for the Columbia and Arista labels. This album for Inner City Records showcases a much more substantive, energetic, and contemporary type of jazz music perfectly suited for the fusion-oriented '70s. With wife Urszula Dudziak singing and Zbigniew Namyslowski playing alto sax in a David Sanborn-type dialect, these three form a hummable, tuneful front line whose symmetry and sonic footprint are hard to resist. Aside from the lead performers, fans of Kenny Kirkland should take note of his presence on this album, one of his earliest works. Kirkland plays brilliantly here on Fender Rhodes electric piano, Polymoog, and miniMoog synthesizers, buoying and supporting the others in bright dimensions and shimmering tones. Though adept at the straight-ahead mainstream style, R&B-oriented jazz-rock fusion is at the equally delightful and danceable core of Urbaniak's music. The band sets the tone with the opener, "Tie Breaker," a track with active, quickly ground strokes featuring Urbaniak on the lyricon opposite Namyslowski's alto and Kirkland's busy keyboards in a tribute to the first and greatest Polish men's tennis professional, Wojtek Fibak. Dudziak, a unique-unto-herself scat singer only rivaled by Flora Purim, raises the bar even higher on "Strife," as Urbaniak's violin solo reaches for heights beyond the stratosphere. The inevitable comparisons to peer Jean-Luc Ponty rate Urbaniak favorably, as creeping bass and marching drums set up his soaring strings during "Mountaineers." Namyslowski composed most of the tracks here, with his impressive piece "Stray Sheep" strong in rhythmic content within the funky beat, but multifaceted, always changing from within, and adding a bit of Polish folk flavoring. On the other side, "Jasmine Lady" is a tiptoed walk through imagery of delicacy. The resonant Fender Rhodes work of Kirkland is ripe for the times, perfectly complementing the bandmembers by matching their dynamics beautifully with every step, never looking back, and always forging ahead. Approaching age 35 at the time of this recording, Urbaniak was no spring chicken, and had firmly established his vision and voicings. So it should come to no one's surprise how focused and concentrated this music is, not to mention that after several decades, it does not sound dated. Kudos to the Inner City label for issuing this fine effort -- highly recommended without reservation -- on CD so that listeners may relish in its exuberant qualities.
© Michael G. Nastos /TiVo
Acerca del álbum
- 1 disco(s) - 7 pista(s)
- Duración total: 00:43:35
- Artistas principales: Michal Urbaniak
- Sello: Inner City Records
- Género Jazz
2016 Inner City Records Inner City Records 2016
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.