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Tori Amos - Under The Pink (Deluxe Edition)

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Under The Pink (Deluxe Edition)

Tori Amos

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Idioma disponible: inglés

Tori Amos'second full-length solo effort has often been considered a transitional album, a building on the success of Little Earthquakes that enabled her to pursue increasingly more adventurous releases in later years. As such, it has been unfairly neglected when in fact it has as good a claim as any to be one of the strongest, and maybe even the strongest, record she has put out. Able to appeal to a mass audience without being shoehorned into the incipient "adult album alternative" format that sprang to life in the mid-1990s, Amos combines some of her strongest melodies and lyrics with especially haunting and powerful arrangements to create an artistic success that stands on its own two feet. The best-known tracks are the two contemporaneous singles "God," a wicked critique of the deity armed with a stiff, heavy funk-rock arrangement, and "Cornflake Girl," a waltz-paced number with an unnerving whistle and stuttering vocal hook. While both memorable, they're actually among the weaker tracks when compared to some of the great numbers elsewhere on Under the Pink (other numbers that more openly misfire are "The Waitress," a strident and slightly bizarre rant at such a figure, and "Yes, Anastasia," which starts off nicely but runs a little too long). Opening number "Pretty Good Year" captures nostalgia and drama perfectly, a simple piano with light strings suddenly exploding into full orchestration before calming again. "Bells for Her" and "Icicle" both showcase what Amos can do with prepared piano, and "Past the Mission," with Trent Reznor guesting on gentle, affecting backing vocals, shifts between loping country and a beautifully arranged chorus. The secret winner, though, would have to be "Baker Baker," just Amos and piano, detailing the story of a departed love and working its cooking metaphor in just the right way. ~ Ned Raggett

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Under The Pink (Deluxe Edition)

Tori Amos

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1
Pretty Good Year (2015 Remaster) 00:03:26

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

2
God (2015 Remaster) 00:03:56

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

3
Bells for Her (2015 Remaster) 00:05:19

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

4
Past the Mission (2015 Remaster) 00:04:06

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

5
Baker Baker (2015 Remaster) 00:03:20

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

6
The Wrong Band (2015 Remaster) 00:03:02

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

7
The Waitress (2015 Remaster) 00:03:09

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

8
Cornflake Girl (2015 Remaster) 00:05:05

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

9
Icicle (2015 Remaster) 00:05:47

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

10
Cloud on My Tongue (2015 Remaster) 00:04:44

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

11
Space Dog (2015 Remaster) 00:05:10

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

12
Yes, Anastasia (2015 Remaster) 00:09:35

Tori Amos, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

DISCO 2

1
Sister Janet (2015 Remaster) 00:04:01

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

2
Honey (2015 Remaster) 00:03:44

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

3
Daisy Dead Petals (2015 Remaster) 00:03:02

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

4
Over It (2015 Remaster) 00:02:10

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

5
Black Swan (2015 Remaster) 00:04:01

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

6
Home on the Range (With Cherokee Addition) (2015 Remaster) 00:05:20

Eric Rosse, Producer - KEVIN KILLEN, Mixer - Tori Amos, Producer, Arranger, Writer, MainArtist - Cherokee Addition, Vocals, FeaturedArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

7
All the Girls Hate Her (2015 Remaster) 00:02:22

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist

2015 Atlantic Recording Corporation 1994 Atlantic Records

8
God (The C J Bolland Remix; 2015 Remaster) 00:05:58

Eric Rosse, Producer - Tori Amos, Producer, Writer, MainArtist - C J Bolland, Remix

2015 Atlantic Recording Corporation 1994 Atlantic Records

9
Here, in My Head (Live from Colston Hall, Bristol, 7 March 1994; 2015 Remaster) 00:06:00

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

10
Upside Down (Live; 2015 Remaster) 00:04:57

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

11
Past the Mission (Live from Vic Theatre, Chicago, 24 March 1994; 2015 Remaster) 00:04:14

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

12
Icicle (Live from Wadsworth Theatre, Los Angeles, 22 March 1994; 2015 Remaster) 00:04:47

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

13
Flying Dutchman (Live from Vic Theatre, Chicago, 24 March 1994; 2015 Remaster) 00:06:16

Eric Rosse, Producer, Mixer - Tori Amos, Composer, Producer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

14
Winter (Live from Free Trade Hall, Manchester, 1 March 1994; 2015 Remaster) 00:06:19

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

15
The Waitress (Live from the Sanders Theatre, Boston, 31 March 1994; 2015 Remaster) 00:03:25

Eric Rosse, Producer, Mixer - Tori Amos, Producer, Writer, MainArtist - Mark Hawley, Engineer

2015 Atlantic Recording Corporation 1994 Atlantic Records

Descripción del álbum

Tori Amos'second full-length solo effort has often been considered a transitional album, a building on the success of Little Earthquakes that enabled her to pursue increasingly more adventurous releases in later years. As such, it has been unfairly neglected when in fact it has as good a claim as any to be one of the strongest, and maybe even the strongest, record she has put out. Able to appeal to a mass audience without being shoehorned into the incipient "adult album alternative" format that sprang to life in the mid-1990s, Amos combines some of her strongest melodies and lyrics with especially haunting and powerful arrangements to create an artistic success that stands on its own two feet. The best-known tracks are the two contemporaneous singles "God," a wicked critique of the deity armed with a stiff, heavy funk-rock arrangement, and "Cornflake Girl," a waltz-paced number with an unnerving whistle and stuttering vocal hook. While both memorable, they're actually among the weaker tracks when compared to some of the great numbers elsewhere on Under the Pink (other numbers that more openly misfire are "The Waitress," a strident and slightly bizarre rant at such a figure, and "Yes, Anastasia," which starts off nicely but runs a little too long). Opening number "Pretty Good Year" captures nostalgia and drama perfectly, a simple piano with light strings suddenly exploding into full orchestration before calming again. "Bells for Her" and "Icicle" both showcase what Amos can do with prepared piano, and "Past the Mission," with Trent Reznor guesting on gentle, affecting backing vocals, shifts between loping country and a beautifully arranged chorus. The secret winner, though, would have to be "Baker Baker," just Amos and piano, detailing the story of a departed love and working its cooking metaphor in just the right way. ~ Ned Raggett

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