Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Telarc's album of music of remembrance has as its centerpiece John Adams' On the Transmigration of Souls and includes Barber's Adagio for Strings in its string orchestra and choral versions, John Corigliano's 1965 Elegy, and the first recording of Jennifer Higdon's Dooryard Bloom. Perhaps outstanding among Adams' achievements in his work is that it does not trivialize the events of 9/11. Its visceral impact is virtually impossible to separate from the event it memorializes; it may be decades, or generations, until it can be heard with any objectivity. For those for whom the memory of 9/11 is raw and vivid, Adams' piece has the power to evoke a tumult of memories and emotions that can leave the listener drained. The ultimate impression that it leaves, though, is one in which love prevails.
Nonesuch was wise in its premiere recording of the work in 2004 to release it on a CD by itself, even though it lasts only 25 minutes. It's easy to understand Telarc's impulse to include it in a collection of elegiac music of solemn recollection, but its specific gravity gives it a weight that makes it seem out of place paired with the undeniably lovely, lyrical, neo-Romantic works that take up the rest of the disc. Surprisingly, even the choral version of the exquisite Barber Adagio that closes the disc comes across with diminished impact, following in the wake of the Adams. Jennifer Higdon's hugely ambitious Dooryard Bloom, a setting of a large section of Whitman's lament for Lincoln, "When Lilacs Last in the Dooryard Bloom'd," is written for a soloist who sings almost without break for 24 minutes. It's a daunting task, because there are simply so many words so densely packed with meanings that even the most attentive audience would have difficulty absorbing them and maintaining focus. Higdon's vocal writing is consistently lyrical, but the piece lacks the kind of purposeful and comprehensible structure, emotional clarity, and memorable musical gestures that give similar works, like Barber's Knoxville: Summer of 1915 and Adams' The Wound Dresser, such enduring power. It ultimately has the effect of an earnest meandering, lovely in its details, but lacking a sense of direction. Robert Spano, leads the Atlanta Symphony Orchestra and Choruses and the Gwinnett Young Singers in impassioned performances of each of the pieces, and baritone Nmon Ford sings the Whitman narrative with fervor. The sound is spectacularly clear and atmospheric.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Samuel Barber, ComposerLyricist - Atlanta Symphony Orchestra, Orchestra, MainArtist - Robert Spano, Conductor, MainArtist - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Producer, Editor, Assistant Producer, StudioPersonnel - Fyodor Cherniavsky, Producer, Assistant Producer - Bill McKinney, Asst. Recording Engineer, StudioPersonnel - Jeff Gazdacko, Asst. Recording Engineer, StudioPersonnel
℗ 2009 Telarc International Corp.
Jennifer Higdon, ComposerLyricist - Atlanta Symphony Orchestra, Orchestra, MainArtist - Robert Spano, Conductor, MainArtist - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Nmon Ford, Baritone, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Producer, Editor, Assistant Producer, StudioPersonnel - Fyodor Cherniavsky, Producer, Assistant Producer - Bill McKinney, Asst. Recording Engineer, StudioPersonnel - Jeff Gazdacko, Asst. Recording Engineer, StudioPersonnel
℗ 2009 Telarc International Corp.
John Corigliano, ComposerLyricist - Atlanta Symphony Orchestra, Orchestra, MainArtist - Robert Spano, Conductor, MainArtist - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Producer, Editor, Assistant Producer, StudioPersonnel - Fyodor Cherniavsky, Producer, Assistant Producer - Bill McKinney, Asst. Recording Engineer, StudioPersonnel - Jeff Gazdacko, Asst. Recording Engineer, StudioPersonnel
℗ 2009 Telarc International Corp.
Atlanta Symphony Orchestra & Chorus, Chorus, MainArtist, AssociatedPerformer - John Adams, ComposerLyricist - Atlanta Symphony Orchestra, Orchestra, MainArtist - Robert Spano, Conductor, MainArtist - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Producer, Editor, Assistant Producer, StudioPersonnel - Fyodor Cherniavsky, Producer, Assistant Producer - Bill McKinney, Asst. Recording Engineer, StudioPersonnel - Jeff Gazdacko, Asst. Recording Engineer, StudioPersonnel - Gwinnett Young Singers, Chorus, MainArtist, AssociatedPerformer
℗ 2009 Telarc International Corp.
Samuel Barber, ComposerLyricist - Norman Mackenzie, Chorus Director, MainArtist, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Thomas C. Moore, Producer, Editor, Assistant Producer, StudioPersonnel - Fyodor Cherniavsky, Producer, Assistant Producer - Atlanta Symphony Orchestra Chamber Chorus, Chorus, MainArtist, AssociatedPerformer - Bill McKinney, Asst. Recording Engineer, StudioPersonnel - Jeff Gazdacko, Asst. Recording Engineer, StudioPersonnel
℗ 2009 Telarc International Corp.
Presentación del Álbum
Telarc's album of music of remembrance has as its centerpiece John Adams' On the Transmigration of Souls and includes Barber's Adagio for Strings in its string orchestra and choral versions, John Corigliano's 1965 Elegy, and the first recording of Jennifer Higdon's Dooryard Bloom. Perhaps outstanding among Adams' achievements in his work is that it does not trivialize the events of 9/11. Its visceral impact is virtually impossible to separate from the event it memorializes; it may be decades, or generations, until it can be heard with any objectivity. For those for whom the memory of 9/11 is raw and vivid, Adams' piece has the power to evoke a tumult of memories and emotions that can leave the listener drained. The ultimate impression that it leaves, though, is one in which love prevails.
Nonesuch was wise in its premiere recording of the work in 2004 to release it on a CD by itself, even though it lasts only 25 minutes. It's easy to understand Telarc's impulse to include it in a collection of elegiac music of solemn recollection, but its specific gravity gives it a weight that makes it seem out of place paired with the undeniably lovely, lyrical, neo-Romantic works that take up the rest of the disc. Surprisingly, even the choral version of the exquisite Barber Adagio that closes the disc comes across with diminished impact, following in the wake of the Adams. Jennifer Higdon's hugely ambitious Dooryard Bloom, a setting of a large section of Whitman's lament for Lincoln, "When Lilacs Last in the Dooryard Bloom'd," is written for a soloist who sings almost without break for 24 minutes. It's a daunting task, because there are simply so many words so densely packed with meanings that even the most attentive audience would have difficulty absorbing them and maintaining focus. Higdon's vocal writing is consistently lyrical, but the piece lacks the kind of purposeful and comprehensible structure, emotional clarity, and memorable musical gestures that give similar works, like Barber's Knoxville: Summer of 1915 and Adams' The Wound Dresser, such enduring power. It ultimately has the effect of an earnest meandering, lovely in its details, but lacking a sense of direction. Robert Spano, leads the Atlanta Symphony Orchestra and Choruses and the Gwinnett Young Singers in impassioned performances of each of the pieces, and baritone Nmon Ford sings the Whitman narrative with fervor. The sound is spectacularly clear and atmospheric.
© TiVo
Acerca del álbum
- 1 disco(s) - 5 pista(s)
- Duración total: 01:12:20
- Artista principal: Robert Spano
- Compositor: Various Composers
- Sello: Telarc
- Género Clásica
© 2009 Telarc International Corp. ℗ 2009 Telarc International Corp.
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.