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The Specials|Too Much Too Young (Live)

Too Much Too Young (Live)

The Specials

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Although they share the same title and were recorded during the same autumn 1979 tour, this Too Much Too Young album should not be confused with the five-song EP of the same title. The EP, as fans well know, was released in early 1980 and sped to the top of the charts. The album, regardless of its early recording date, is a much later cash-in -- cash-in because the mediocre quality of the recording gives a very distorted picture of the Specials' live sound. Anyone old enough and lucky enough to have seen them perform knows how phenomenal a presence they were on-stage: insistent beats; Horace Gentleman's heaving bass; riffs ringing out; guitar leads slashing the air; Jerry Dammers' keyboards a revelation of riffs and melody, bubbling, seething, and soaring; and the tag-team vocals as Terry Hall is chased around and down by Neville Staple and Lynval Golding. They had the fullest sound around, but you'd never know it from this. The mix is appalling: the guitars barely audible, the drums and keyboards much too far up in the mix. Those who remember their shows will cringe; those who didn't will at least get a good taste of the Specials' tag-team vocals, which were just as integral to their sound and arguably even more groundbreaking. The set leaves in the between-song patter, which is also a welcome treat. And even with its deep flaws (including misspelling "You're Wondering Now"'s title), the listener can begin to grasp the group's impact live...just. The EP is most representative of their glory, but this fills in a bit more of the picture.

© Jo-Ann Greene /TiVo

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Too Much Too Young (Live)

The Specials

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1
Monkey Man (Live At The Moonlight Club)
00:02:03

Toots Hibbert, Writer - The Specials, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Chrysalis Records Ltd., a Warner Music Group Company

2
You're Wondering Now (Live)
00:02:14

The Specials, Performance, MainArtist - Clement Dodd (Estate Of), Composer

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1992 Sanctuary Records Group Ltd., a BMG Company

3
Skinhead Moonstomp (Live)
00:02:38

The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

4
Doesn't Make It Alright (Live)
00:03:15

Jerry Dammers, Composer - The Specials, Performance, MainArtist - David Goldberg, Composer

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

5
Long Shot Kick De Bucket (Live)
00:02:58

The Pioneers, Composer - The Specials, Performance, MainArtist - George Agard, Composer - Jackie Robinson, Composer - Sydney Crooks, Composer

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

6
Blank Expression (Live)
00:02:01

Jerry Dammers, Writer - John Bradbury, Writer - Terry Hall, Writer - Lynval Golding, Writer - Horace Panter, Writer - The Specials, Performance, MainArtist - Neville Staple, Writer - Roddy Radiation, Writer

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

7
Monkey Man (Live)
00:02:53

Toots Hibbert, Writer - The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

8
Stupid Marriage (Live)
00:04:34

Mark Harrison, Composer - Jerry Dammers, Composer - Neville Staples, Composer - The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

9
Nite Klub (Live)
00:03:16

Rod Byers, Composer - Jerry Dammers, Composer - John Bradbury, Composer - Terry Hall, Composer - Neville Staples, Composer - Lynval Golding, Composer - Horace Panter, Composer - The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

10
Concrete Jungle (Live)
00:03:26

Rod Byers, Composer - The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

11
Do the Dog (Live)
00:02:07

Rufus Thomas, Composer - The Specials, Performance, MainArtist

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

12
Gangsters (Live)
00:02:41

Byers, Composer, Writer - Hall, Composer, Writer - Staples, Composer, Writer - The Specials, Performance, MainArtist - Golding, Composer, Writer - Panter, Composer, Writer - Dammer, Composer, Writer

© 2006 Sanctuary Records Group Ltd., a BMG Company ℗ 1979 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

Although they share the same title and were recorded during the same autumn 1979 tour, this Too Much Too Young album should not be confused with the five-song EP of the same title. The EP, as fans well know, was released in early 1980 and sped to the top of the charts. The album, regardless of its early recording date, is a much later cash-in -- cash-in because the mediocre quality of the recording gives a very distorted picture of the Specials' live sound. Anyone old enough and lucky enough to have seen them perform knows how phenomenal a presence they were on-stage: insistent beats; Horace Gentleman's heaving bass; riffs ringing out; guitar leads slashing the air; Jerry Dammers' keyboards a revelation of riffs and melody, bubbling, seething, and soaring; and the tag-team vocals as Terry Hall is chased around and down by Neville Staple and Lynval Golding. They had the fullest sound around, but you'd never know it from this. The mix is appalling: the guitars barely audible, the drums and keyboards much too far up in the mix. Those who remember their shows will cringe; those who didn't will at least get a good taste of the Specials' tag-team vocals, which were just as integral to their sound and arguably even more groundbreaking. The set leaves in the between-song patter, which is also a welcome treat. And even with its deep flaws (including misspelling "You're Wondering Now"'s title), the listener can begin to grasp the group's impact live...just. The EP is most representative of their glory, but this fills in a bit more of the picture.

© Jo-Ann Greene /TiVo

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