Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Elbowed out of the Clash, Mick Jones responded forcefully with Big Audio Dynamite, a modernist audio-terrorist outfit whose 1985 debut, This Is Big Audio Dynamite, seemed all the more futuristic when compared to Joe Strummer’s reductionist retro rejiggering of the Clash on Cut the Crap. Strummer may have been intent on shedding every experimental element of the Clash’s prime, but Jones, in collaboration with longtime friend filmmaker Don Letts, picked up where Sandinista! left off, anchoring BAD in dance and rap, building the group’s debut on layers of samples and drum machines. As is often the case, what was once forward-looking seems inextricably tied to its time in retrospect and the clanking electro rhythms, Sergio Leone samples, chicken-scratch guitars, bleating synths, and six-minute songs of This Is Big Audio Dynamite evoke 1985 in a way few other records do. Nevertheless, BAD’s boldness remains impressive, even visionary, pointing toward the cut-n-paste masterpieces of the late ‘80s and early ‘90s, and since Jones did not abandon his innate gift for hooks -- if anything, he found ways to create rhythmic hooks as well as melodic ones -- it’s quite accessible for an album that is, at its core, avant-rock. [Legacy’s 2010 double-disc expansion of This Is Big Audio Dynamite remasters the original eight-track LP and adds a second 12-track CD. Befitting BAD’s futuristic dance bent, almost all of these are 12" remixes of the album’s singles -- “Medicine Show,” “E=MC2,” and “The Bottom Line” -- including no less than four previously unreleased mixes -- and there’s also the outtake “Electric Vandal,” plus the B-sides “Albert Einstein Meets the Human Beatbox” and “This is Big Audio Dynamite,” with every last one of these 12 songs extending the modernist sampledelia of the album proper.]
© Stephen Thomas Erlewine /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - D. Letts, Composer - Leo Williams, Bass - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Guitar, Producer - Don Letts - Michael Jones, Composer, Lyricist - Paul Smykle, Engineer - Leo Williams, Bass - Robin Banks, Composer, Lyricist - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Big Audio Dynamite, Associated Performer, Main Artist - Mick Jones, Composer, Guitar, Producer - Don Letts - Paul Smykle, Engineer - Leo Williams, Bass - D. Letts, Composer - Renny Hill, Assistant Engineer - Greg Roberts, Drums - Johnny Shinas, Assistant Engineer - Dan Donovan, Keyboards
(P) 1985 Columbia Records, a division of Sony Music Entertainment
Presentación del Álbum
Elbowed out of the Clash, Mick Jones responded forcefully with Big Audio Dynamite, a modernist audio-terrorist outfit whose 1985 debut, This Is Big Audio Dynamite, seemed all the more futuristic when compared to Joe Strummer’s reductionist retro rejiggering of the Clash on Cut the Crap. Strummer may have been intent on shedding every experimental element of the Clash’s prime, but Jones, in collaboration with longtime friend filmmaker Don Letts, picked up where Sandinista! left off, anchoring BAD in dance and rap, building the group’s debut on layers of samples and drum machines. As is often the case, what was once forward-looking seems inextricably tied to its time in retrospect and the clanking electro rhythms, Sergio Leone samples, chicken-scratch guitars, bleating synths, and six-minute songs of This Is Big Audio Dynamite evoke 1985 in a way few other records do. Nevertheless, BAD’s boldness remains impressive, even visionary, pointing toward the cut-n-paste masterpieces of the late ‘80s and early ‘90s, and since Jones did not abandon his innate gift for hooks -- if anything, he found ways to create rhythmic hooks as well as melodic ones -- it’s quite accessible for an album that is, at its core, avant-rock. [Legacy’s 2010 double-disc expansion of This Is Big Audio Dynamite remasters the original eight-track LP and adds a second 12-track CD. Befitting BAD’s futuristic dance bent, almost all of these are 12" remixes of the album’s singles -- “Medicine Show,” “E=MC2,” and “The Bottom Line” -- including no less than four previously unreleased mixes -- and there’s also the outtake “Electric Vandal,” plus the B-sides “Albert Einstein Meets the Human Beatbox” and “This is Big Audio Dynamite,” with every last one of these 12 songs extending the modernist sampledelia of the album proper.]
© Stephen Thomas Erlewine /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:43:08
- Artistas principales: Big Audio Dynamite
- Compositor: Various Composers
- Sello: Columbia
- Género Pop/Rock Pop
1985 CBS INC.
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.