Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Crossover fans have been primed and ready for this disc. With a silky-voiced and charismatic young opera star in mezzo Denyce Graves, sultry Latin American material whose composers never worried too much about what was classical and what was popular, and first-rate jazz-sized backing groups that put the singer front and center while adding subtleties of their own, The Lost Days sounded like the album that was going to blow open a smoldering place for operatic singing on adult alternative radio.
Alas, it doesn't happen. Graves looks great lounging on a divan with bra straps and more hanging out, and her many concert-going fans may be quite happy with The Lost Days as a memento of the Graves aura. She delivers flawless tone and elegant phrasing on Astor Piazzolla's vocalise Milonga sin palabras. Accompanied by Cuban jazz pianist Chucho Valdés on Romanza de Denyce, one of several new songs composed for this project, Graves gets into the sentimental yet artful essence of old-style Cuban pop. But that's about the best of it -- Graves barely adjusts her vocal vocabulary to match the words she's singing or the style she's singing in. She displays her low register on pianist Eliane Elias' Haabiá-Tupi, but on a sensual piece of seduction dreaming that requires a bit of a growl of its own, Piazzolla's Yo soy María, Graves doesn't go for the gusto. When she sings "If the bandoneón excites me, I bite it hard on the mouth," it's not believable -- Graves doesn't step out of her ultra-smooth sound far enough to convince anyone that she means what she's singing. So it goes with Villa-Lobos and Carlos Guastavino and José María Vitier: with a lot of music whose rhythmic excitement ought to generate more magnetism than Graves delivers here.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Pablo Aslan, Bass - Susan Palma, Flute - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Horacio Ferrer, Lyricist - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Hector del Curto, Performer - Astor Piazzolla, Composer
(P) 2002 BMG Music
Memo Acevedo, Percussion - Leo Grinhauz, Acoustic Cello - John Amira, Percussion - José María Vitíer, Composer - José María Vitíer, Piano - Jay Elfenbein, Bass - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Marcos Granados, Flute - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Silvia Rodríguez Rivero, Lyricist
(P) 2002 BMG Music
Pablo Aslan, Bass - Susan Palma, Flute - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Mario Trejo, Lyricist - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Hector del Curto, Performer - Astor Piazzolla, Composer
(P) 2002 BMG Music
Marc Johnson, Bass - Eliane Elias, Piano - Eliane Elias, Lyricist - Eliane Elias, Composer - Denyce Graves, Mezzo-Soprano - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Satoshi Takeishi, Drums - Ettore Stratta, Producer
(P) 2002 BMG Music
José Pedroni, Lyricist - Leo Grinhauz, Acoustic Cello - Nick Danielson, Violin - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Carlos Guastavino, Composer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Paquito D'Rivera, Clarinet
(P) 2002 BMG Music
Memo Acevedo, Percussion - Leo Grinhauz, Acoustic Cello - John Amira, Percussion - Pablo Aslan, Bass - José María Vitíer, Composer - José María Vitíer, Piano - Jay Elfenbein, Bass - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Marcos Granados, Flute - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Silvia Rodríguez Rivero, Lyricist
(P) 2002 BMG Music
Heitor Villa-Lobos, Composer - Alfredo Ferreira, Lyricist - Marc Johnson, Bass - Eliane Elias, Piano - Eliane Elias, Arranger - Denyce Graves, Mezzo-Soprano - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Satoshi Takeishi, Drums - Ettore Stratta, Producer
(P) 2002 BMG Music
Ana María Chouhy Aguirre, Lyricist - Leo Grinhauz, Acoustic Cello - Pablo Aslan, Bass - Susan Palma, Flute - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Carlos Guastavino, Composer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer
(P) 2002 BMG Music
Denyce Graves, Mezzo-Soprano - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Ettore Stratta, Producer - Chucho Valdés, Composer - Chucho Valdés, Lyricist - Chucho Valdés, Piano
(P) 2002 BMG Music
Heitor Villa-Lobos, Composer - Marc Johnson, Bass - Eliane Elias, Piano - Eliane Elias, Arranger - Denyce Graves, Mezzo-Soprano - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Satoshi Takeishi, Drums - Traditional, Lyricist - Ettore Stratta, Producer
(P) 2002 BMG Music
José Pedroni, Lyricist - Leo Grinhauz, Acoustic Cello - Nick Danielson, Violin - Pablo Aslan, Bass - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Carlos Guastavino, Composer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Paquito D'Rivera, Clarinet
(P) 2002 BMG Music
Pablo Aslan, Bass - Susan Palma, Flute - Pablo Ziegler, Arranger - Pablo Ziegler, Piano - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Unknown, Lyricist - Hector del Curto, Performer - Astor Piazzolla, Composer
(P) 2002 BMG Music
Denyce Graves, Mezzo-Soprano - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Ettore Stratta, Producer - Chucho Valdés, Composer - Chucho Valdés, Lyricist - Chucho Valdés, Piano
(P) 2002 BMG Music
Memo Acevedo, Percussion - Leo Grinhauz, Acoustic Cello - John Amira, Percussion - Pablo Aslan, Bass - José María Vitíer, Composer - José María Vitíer, Piano - Jay Elfenbein, Bass - Denyce Graves, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Recording Engineer - Josiah Gluck, Mixing Engineer - Silvia Rodríguez Rivero, Lyricist
(P) 2002 BMG Music
Presentación del Álbum
Crossover fans have been primed and ready for this disc. With a silky-voiced and charismatic young opera star in mezzo Denyce Graves, sultry Latin American material whose composers never worried too much about what was classical and what was popular, and first-rate jazz-sized backing groups that put the singer front and center while adding subtleties of their own, The Lost Days sounded like the album that was going to blow open a smoldering place for operatic singing on adult alternative radio.
Alas, it doesn't happen. Graves looks great lounging on a divan with bra straps and more hanging out, and her many concert-going fans may be quite happy with The Lost Days as a memento of the Graves aura. She delivers flawless tone and elegant phrasing on Astor Piazzolla's vocalise Milonga sin palabras. Accompanied by Cuban jazz pianist Chucho Valdés on Romanza de Denyce, one of several new songs composed for this project, Graves gets into the sentimental yet artful essence of old-style Cuban pop. But that's about the best of it -- Graves barely adjusts her vocal vocabulary to match the words she's singing or the style she's singing in. She displays her low register on pianist Eliane Elias' Haabiá-Tupi, but on a sensual piece of seduction dreaming that requires a bit of a growl of its own, Piazzolla's Yo soy María, Graves doesn't go for the gusto. When she sings "If the bandoneón excites me, I bite it hard on the mouth," it's not believable -- Graves doesn't step out of her ultra-smooth sound far enough to convince anyone that she means what she's singing. So it goes with Villa-Lobos and Carlos Guastavino and José María Vitier: with a lot of music whose rhythmic excitement ought to generate more magnetism than Graves delivers here.
© TiVo
Acerca del álbum
- 1 disco(s) - 14 pista(s)
- Duración total: 00:57:49
- Artistas principales: Denyce Graves
- Compositor: Various Composers
- Sello: RCA Red Seal
- Género Clásica
(P) 2002 BMG
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.