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Texas|The Hush

The Hush

Texas

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Blessed with a stylish production and sharp commercial songs, White on Blonde made Texas into superstars everywhere except America -- a situation familiar to many British acts of the '80s and '90s. Like most of their peers, Texas failed to deliver in the U.S. because of bungled promotion, since singles like "Black Eyed Boy" could have easily fit onto adult alternative radio. Texas must have been aware of this, since they switched labels in America, releasing White on Blonde's sequel The Hush near-simultaneously in the U.S. and the U.K. -- a sure sign that they were aiming for the big time. As it turns out, they pulled off a minor coup with The Hush -- they build on the strengths of White on Blonde, creating a sophisticated, sexy pop album that manages to balance commercial and creative concerns, with seemingly very little effort. It won't please longtime fans, who might be pining for a return to the rock of their early records, but the album's lush blend of melody, blue-eyed soul, dance and pop is undeniably alluring. Wisely, they take their cue from Sharleen Spiteri's hushed vocals, which are sultry but never histrionic. Some could argue that the entire affair is too self-consciously mature -- after all, the majority of the album is devoted to mid-tempo pop numbers, and even the up-tempo cuts never work up much of a sweat -- but the fact remains, few bands are capable of delivering a mainstream pop record as assured and listenable as this.
© Stephen Thomas Erlewine /TiVo

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The Hush

Texas

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1
In Our Lifetime
00:04:06

Johnny McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - MARK STENT, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - The Boilerhouse Boys, Producer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

2
Tell Me The Answer
00:03:55

Robert Hodgens, Composer - John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Boilerhouse Boys, Producer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

3
Summer Son
00:04:04

Robert Hodgens, Composer - John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - MARK STENT, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Eddie Campbell, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

4
Sunday Afternoon
00:04:21

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

5
Move In
00:04:29

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - CHICK COREA, Composer - Steve Christian, Composer, Producer - Texas, MainArtist - Sharleen Spiteri, Composer - Neville Potter, Composer - Mark Rae, Composer, Producer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

6
When We Are Together
00:03:30

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer, MixingEngineer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

7
Day After Day
00:04:37

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

8
Zero Zero
00:01:42

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Eddie Campbell, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

9
Saint
00:04:46

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

10
Girl
00:03:44

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

11
The Hush
00:04:53

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Steve Christian, Composer, Producer - Texas, MainArtist - Sharleen Spiteri, Composer - Rae & Christian, Producer - Mark Rae, Composer, Producer - Johnny Mac, Producer - Mark Rabon, Composer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

12
The Day Before I Went Away
00:04:53

John McElhone, Composer - Mark 'Spike' Stent, MixingEngineer - Michel Legrand, Composer - Marilyn Bergman, Composer - Alan Bergman, Composer - Texas, MainArtist - Sharleen Spiteri, Composer - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

13
Let Us Be Thankful
00:01:04

Johnny McElhone, BassGuitar - John McElhone, Composer - Richard Hynd, Drums - Texas, MainArtist - Sharleen Spiteri, Composer, LeadVocals - Eddie Campbell, Keyboards - Ally McErlaine, Guitar - Johnny Mac, Producer

2009 [PIAS] Recordings 2009 [PIAS] Recordings

Presentación del Álbum

Blessed with a stylish production and sharp commercial songs, White on Blonde made Texas into superstars everywhere except America -- a situation familiar to many British acts of the '80s and '90s. Like most of their peers, Texas failed to deliver in the U.S. because of bungled promotion, since singles like "Black Eyed Boy" could have easily fit onto adult alternative radio. Texas must have been aware of this, since they switched labels in America, releasing White on Blonde's sequel The Hush near-simultaneously in the U.S. and the U.K. -- a sure sign that they were aiming for the big time. As it turns out, they pulled off a minor coup with The Hush -- they build on the strengths of White on Blonde, creating a sophisticated, sexy pop album that manages to balance commercial and creative concerns, with seemingly very little effort. It won't please longtime fans, who might be pining for a return to the rock of their early records, but the album's lush blend of melody, blue-eyed soul, dance and pop is undeniably alluring. Wisely, they take their cue from Sharleen Spiteri's hushed vocals, which are sultry but never histrionic. Some could argue that the entire affair is too self-consciously mature -- after all, the majority of the album is devoted to mid-tempo pop numbers, and even the up-tempo cuts never work up much of a sweat -- but the fact remains, few bands are capable of delivering a mainstream pop record as assured and listenable as this.
© Stephen Thomas Erlewine /TiVo

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