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Aurora|The Gods We Can Touch

The Gods We Can Touch

Aurora

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Whereas her debut album, All My Demons Greeting Me as a Friend, was an introspective work, and follow-ups Step 1: Infections of a Different Kind and Step 2: A Different Kind of Human concerned broader humanity, Norwegian pop star Aurora Aksnes examines behavior through the lens of mythology on her fourth album, The Gods We Can Touch. She came up with the unifying idea after writing the electro-pop ditty "Cure for Me," a song about divesting herself of shame ("I don't need a cure for me"); it made her think of Panacea, the Greek goddess of remedy. AURORA's next step was to rent a castle in the mountains to record the rest of the album (with longtime producer/co-writer Magnus Skylstad and others). Unexpectedly immediate and often warm and restrained despite its elaborate approach, The Gods We Can Touch mixes natural, live-sounding vocals and acoustic instrumental performances with ethereal processed harmonies, drum machines, synthesizers, and various programming. Committing to a more spontaneous sound, songs including "Artemis" and "Exist for Love" were reportedly first takes. The sparse "Artemis" tells its seductive narrative with a Mediterranean flair that includes fingerstyle guitar and bandoneon as well as some of those otherworldly layered vocal harmonies (and Theremin). An album highlight, "Exist for Love," is a more tender, likewise mostly acoustic, track that begins with the line "They say there is a war between the man and the woman." It soon eases into a soaring, strings-swept melody as the singer professes her love. "Exist for Love" isn't the only song here with a dreamy, almost '40s Disney-like musical romanticism that contrasts with club-ier synth-bass tracks to epic effect. Members of the latter category include "Temporary High," a dark, post-punk-shaded outing that warns of fleeting affection, and the forbidden-love anthem "Blood in the Wine," which channels a defiant electro-pop softened with piano and acoustic guitar. The album's varied textures and elevated subject matter culminates in the four-minute outro "A Little Place Called the Moon," which returns to a vintage, theatrical orchestral pop and leaves listeners on a magical note. While The Gods We Can Touch is ultimately a pop record, it only expands upon AURORA's already mystical bearing.
© Marcy Donelson /TiVo

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The Gods We Can Touch

Aurora

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1
The Forbidden Fruits Of Eden
00:00:40

Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Producer, Mixer, Engineer, Synth Bass, Synthesizer, AssociatedPerformer, StudioPersonnel

℗ 2022 Universal Music Operations Limited

2
Everything Matters
00:03:33

Jamie Hartman, Composer, Producer, Co-Producer - Aurora, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Pomme, Additional Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Magnus Skylstad, Producer, Mixer, Engineer, Programming, AssociatedPerformer, StudioPersonnel - Askjell Solstrand, Piano, AssociatedPerformer - Fredrik Svabø, Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

3
Giving In To The Love
00:03:01

Aurora, Producer, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Producer, Mixer, Drums, Organ, Recording Engineer, Synth Bass, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Fredrik Svabø, Guitar, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

4
Cure For Me
00:03:18

Aurora, Producer, Organ, Vocals, Synthesizer, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Josh Gudwin, Mixer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Drums, Engineer, Bass, Synthesizer, Programming, AssociatedPerformer, StudioPersonnel - Alexander von Mehren, Drum Machine, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

5
You Keep Me Crawling
00:02:59

Aurora, Producer, Percussion, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Producer, Mixer, Drums, Organ, Percussion, Recording Engineer, Synth Bass, Strings, Synthesizer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Fredrik Svabø, Acoustic Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

6
Exist For Love
00:04:10

Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Robin Schmidt, Mastering Engineer, StudioPersonnel - Galya Bisengalieva, Viola, Violin, AssociatedPerformer - Magnus Skylstad, Composer, Producer, Mixer, Drums, Programming, AssociatedPerformer, StudioPersonnel, Synth Pads, Bass (Vocal) - Maddie Cutter, Cello, AssociatedPerformer - Glen Roberts, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Isobel Waller-Bridge, String Arranger, AssociatedPerformer

℗ 2020 Universal Music Operations Limited

7
Heathens
00:03:45

Aurora, Producer, Percussion, Vocals, Synthesizer, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Mixer, Drums, Engineer, Percussion, Strings, Bass, Programming, AssociatedPerformer, StudioPersonnel, Synth Pads - Fredrik Svabø, Guitar, AssociatedPerformer - Odd Martin, Guitar, Percussion, AssociatedPerformer - Odd Martin Bergjord Skålnes, Composer

℗ 2021 Universal Music Operations Limited

8
The Innocent
00:03:27

Aurora, Producer, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Mixer, Drums, Engineer, Piano, Strings, Bass, Synthesizer, AssociatedPerformer, StudioPersonnel - Glen Roberts, Percussion, AssociatedPerformer, ComposerLyricist - Fredrik Svabø, Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

9
Exhale Inhale
00:03:32

Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Mixer, Engineer, Strings, Bass, Synthesizer, AssociatedPerformer, StudioPersonnel - Askjell Solstrand, Strings, AssociatedPerformer - Glen Roberts, ComposerLyricist - Fredrik Svabø, Acoustic Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

10
A Temporary High
00:03:23

Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Mixer, Drums, Engineer, Acoustic Guitar, Synth Bass, Synthesizer, AssociatedPerformer, StudioPersonnel - Kristian Fanavoll Tvedt, Electric Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

11
A Dangerous Thing
00:03:35

Aurora, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Martin Sjølie, Composer, Producer, Drums, Electric Guitar, Co-Producer, Bass, AssociatedPerformer - Magnus Skylstad, Producer, Mixer, Engineer, Percussion, Piano, Baritone Guitar, AssociatedPerformer, StudioPersonnel - Fredrik Svabø, Acoustic Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

12
Artemis
00:02:38

Aurora, Producer, Vocals, Synth Bass, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Per Arne Glorvigen, Bandoneon, AssociatedPerformer - Magnus Skylstad, Producer, Mixer, Engineer, Drum, Theremin, AssociatedPerformer, StudioPersonnel - Fredrik Svabø, Acoustic Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

13
Blood In The Wine
00:03:29

Aurora, Producer, Percussion, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Producer, Mixer, Engineer, Percussion, Co-Producer, Programming, AssociatedPerformer, StudioPersonnel - Askjell Solstrand, Producer, Drums, Piano, Co-Producer, AssociatedPerformer, ComposerLyricist - Fredrik Svabø, Composer, Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

14
This Could Be A Dream
00:04:08

Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Composer, Producer, Mixer, Engineer, Piano, Bass, Synthesizer, Drum Programming, Music Production, AssociatedPerformer, StudioPersonnel - Alexander von Mehren, Drum Machine, AssociatedPerformer - Vegard Børdal, Acoustic Guitar, Electric Guitar, AssociatedPerformer

℗ 2022 Universal Music Operations Limited

15
A Little Place Called The Moon
00:04:10

Matias Tellez, Composer, Producer, Guitar, Synthesizer, AssociatedPerformer - Aurora, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Alex Wharton, Mastering Engineer, StudioPersonnel - Magnus Skylstad, Mixer, StudioPersonnel

℗ 2022 Universal Music Operations Limited

Descripción del álbum

Whereas her debut album, All My Demons Greeting Me as a Friend, was an introspective work, and follow-ups Step 1: Infections of a Different Kind and Step 2: A Different Kind of Human concerned broader humanity, Norwegian pop star Aurora Aksnes examines behavior through the lens of mythology on her fourth album, The Gods We Can Touch. She came up with the unifying idea after writing the electro-pop ditty "Cure for Me," a song about divesting herself of shame ("I don't need a cure for me"); it made her think of Panacea, the Greek goddess of remedy. AURORA's next step was to rent a castle in the mountains to record the rest of the album (with longtime producer/co-writer Magnus Skylstad and others). Unexpectedly immediate and often warm and restrained despite its elaborate approach, The Gods We Can Touch mixes natural, live-sounding vocals and acoustic instrumental performances with ethereal processed harmonies, drum machines, synthesizers, and various programming. Committing to a more spontaneous sound, songs including "Artemis" and "Exist for Love" were reportedly first takes. The sparse "Artemis" tells its seductive narrative with a Mediterranean flair that includes fingerstyle guitar and bandoneon as well as some of those otherworldly layered vocal harmonies (and Theremin). An album highlight, "Exist for Love," is a more tender, likewise mostly acoustic, track that begins with the line "They say there is a war between the man and the woman." It soon eases into a soaring, strings-swept melody as the singer professes her love. "Exist for Love" isn't the only song here with a dreamy, almost '40s Disney-like musical romanticism that contrasts with club-ier synth-bass tracks to epic effect. Members of the latter category include "Temporary High," a dark, post-punk-shaded outing that warns of fleeting affection, and the forbidden-love anthem "Blood in the Wine," which channels a defiant electro-pop softened with piano and acoustic guitar. The album's varied textures and elevated subject matter culminates in the four-minute outro "A Little Place Called the Moon," which returns to a vintage, theatrical orchestral pop and leaves listeners on a magical note. While The Gods We Can Touch is ultimately a pop record, it only expands upon AURORA's already mystical bearing.
© Marcy Donelson /TiVo

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