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John Fahey|The Dance Of Death & Other Plantation Favorites

The Dance Of Death & Other Plantation Favorites

John Fahey

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The title The Dance of Death and Other Plantation Favorites might lead some to believe that this is a collection of public-domain items that go back to the Deep South of the 19th century. However, while this 1964 session does contain a song titled "Dance of Death," most of the material (including that tune) was written by Fahey himself in the early '60s. So an intriguing title is simply that: an intriguing title. Nonetheless, Fahey's music does have strong southern roots. Unaccompanied, the acoustic guitarist/instrumentalist demonstrates his love of African-American blues as well as the Anglo-American country, folk, and hillbilly music of Appalachia. This is essentially a folk album, but a folk album with strong country and blues leanings; in fact, numbers like "Worried Blues" and "Revelation on the Banks of the Pawtuxent" incorporate the slide guitar technique that came from Mississippi Delta blues. Not that Fahey limits himself to American influences -- Appalachian music is a descendent of British, Scottish, and Irish music, and Fahey is hardly unaware this. Further, Indian raga is an influence on the Fahey piece "On the Banks of the Owchita." This album makes it clear that even back in 1964 Fahey was quite original.

© Alex Henderson /TiVo

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The Dance Of Death & Other Plantation Favorites

John Fahey

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1
Wine And Roses (Album Version)
00:03:25

John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

2
How Long (Album Version)
00:02:52

John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

3
On The Banks Of The Owichita (Album Version)
00:03:48

John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

4
Worried Blues (Album Version)
00:02:20

John Fahey, Composer, MainArtist

℗ 1999 Fantasy, Inc.

5
What The Sun Said (Album Version)
00:10:07

John Fahey, Composer, MainArtist

℗ 1999 Fantasy, Inc.

6
Revelation On The Banks Of The Pawtuxent (Album Version)
00:02:32

John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

7
Poor Boy (Album Version)
00:03:16

Bukka White, ComposerLyricist - John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

8
Variations On The Coocoo (Album Version)
00:03:56

John Fahey, Arranger, Work Arranger, MainArtist - Clarence Ashley, ComposerLyricist

℗ 1999 Fantasy, Inc.

9
The Last Steam Engine Train (Album Version)
00:02:14

John Fahey, MainArtist, ComposerLyricist

℗ 1964 Takoma Records, Inc.

10
Give Me Cornbread When I'm Hungry (Album Version)
00:03:08

John Fahey, MainArtist, ComposerLyricist

℗ 1964 Takoma Records, Inc.

11
Dance Of Death (Album Version)
00:07:35

John Fahey, MainArtist, ComposerLyricist

℗ 1999 Fantasy, Inc.

12
Tulip (aka When You Wore A Tulip And I Wore A Big Red Rose) (Bonus Track)
00:02:40

Percy Wenrich, ComposerLyricist - John Fahey, Arranger, Work Arranger, MainArtist - Jack Mahoney, ComposerLyricist

℗ 1999 Fantasy, Inc.

13
Daisy (aka A Bicycle Built For Two) (Album Version)
00:01:16

John Fahey, Arranger, Work Arranger, MainArtist - Harry Dacre, ComposerLyricist

℗ 1999 Fantasy, Inc.

14
The Siege Of Sevastopol (Album Version)
00:01:19

Traditional, ComposerLyricist - John Fahey, Arranger, Work Arranger, MainArtist

℗ 1999 Fantasy, Inc.

15
Steel Guitar Rag (Album Version)
00:02:10

John Fahey, MainArtist - Sylvester Weaver, ComposerLyricist

℗ 1999 Fantasy, Inc.

Presentación del Álbum

The title The Dance of Death and Other Plantation Favorites might lead some to believe that this is a collection of public-domain items that go back to the Deep South of the 19th century. However, while this 1964 session does contain a song titled "Dance of Death," most of the material (including that tune) was written by Fahey himself in the early '60s. So an intriguing title is simply that: an intriguing title. Nonetheless, Fahey's music does have strong southern roots. Unaccompanied, the acoustic guitarist/instrumentalist demonstrates his love of African-American blues as well as the Anglo-American country, folk, and hillbilly music of Appalachia. This is essentially a folk album, but a folk album with strong country and blues leanings; in fact, numbers like "Worried Blues" and "Revelation on the Banks of the Pawtuxent" incorporate the slide guitar technique that came from Mississippi Delta blues. Not that Fahey limits himself to American influences -- Appalachian music is a descendent of British, Scottish, and Irish music, and Fahey is hardly unaware this. Further, Indian raga is an influence on the Fahey piece "On the Banks of the Owchita." This album makes it clear that even back in 1964 Fahey was quite original.

© Alex Henderson /TiVo

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