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Death In Vegas|The Contino Sessions

The Contino Sessions

Death In Vegas

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The amount of hype that greeted this album upon release was notable even by U.K. press terms, leading to quite an unexpected amount of overall attention upon the band's second release. Justified? Not quite -- it's important to approach this CD on its own terms, and on that level it's a good album, but not a great one. Claimed goals at being inspired by Primal Scream's Screamadelica aside, Contino doesn't achieve anything near the same sense of reach and sweep as that album did, not to releases like My Bloody Valentine's Loveless and other cited role models. The Richard Fearless/Tim Holmes combination here seems to restrict itself to production and arrangement, commissioning a variety of players, notably a key duo of guitarist Ian Button and bassist Mat Flint, to interpret their songs under their overall guidance. Button and Flint are quite good at what they do -- the two get to shine right at the start on the crawling build and freakout of "Dirge" -- but sometimes an overall mood is set without much being added to it. Slow, steady beats and breaks flesh out things reasonably enough. The band's ace in the hole lies with the series of guest vocalists, starting (perhaps unsurprisingly) with Primal Scream's Bobby Gillespie. Jesus and Mary Chain singer Jim Reid, Scottish singer Dot Allison, and punk legend Iggy Pop also take a bow, the latter guesting on the album's undoubted highlight, the aggressive, energetic "Aisha." Perhaps the most interesting move, though, is on "Aladdin's Story," with the London Community Gospel Choir taking a bow in the same way they did with Spiritualized. At base, Contino is a reasonably entertaining and sometimes quite compelling combination of slower dance aesthetics translated into rock & roll terms and sounds. It just isn't the end of the world, that's all.

© Ned Raggett /TiVo

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The Contino Sessions

Death In Vegas

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1
Dirge
00:05:43

Death In Vegas, Associated Performer, Main Artist, Mixing Engineer, Producer, Associated Performer, Mixing Engineer, Producer - Dot Allison - Matt Flint, Bass Guitar - Ian Button, Guitar - Simon Hanson, Drums - Richard Fearless, Composer, Lyricist - Tim Holmes, Composer, Lyricist - Graham Cassie, Composer, Lyricist - David Harper, Composer, Lyricist - Simon Harper, Composer, Lyricist - Daniel Whitlock, Composer, Lyricist - John Yorke, Composer, Lyricist

(P) 1999 Deconstruction Limited

2
Soul Auctioneer
00:05:59

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Bobby Gillespie, Composer, Lyricist - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer

(P) 1999 Deconstruction Limited

3
Death Threat
00:04:49

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer - Mat Flint, Bass Guitar - Ian Button, Guitar

(P) 1999 Deconstruction Limited

4
Flying
00:07:05

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - Matt Flint, Bass Guitar - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer - Ian Button, Guitar - Simon Hanson, Drums - Seamus Beaghen, Keyboards

(P) 1999 Deconstruction Limited

5
Aisha
00:05:52

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Mixing Engineer, Producer - Iggy Pop, Lyricist - Tim Holmes, Composer, Mixing Engineer, Producer - Matt Flint, Bass Guitar - Ian Button, Guitar - Simon Hanson, Drums - Steve Hellier, Composer - Seamus Beaghen, Keyboards

(P) 1999 Deconstruction Limited

6
Lever Street
00:03:38

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - Ian Button, Guitar - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer - Seamus Beaghen, Keyboards - Ali Friend, Bass

(P) 1999 Deconstruction Limited

7
Aladdin's Story
00:04:44

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - London Community Gospel Choir - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer - Matt Flint, Bass Guitar - Ian Button, Guitar - Will Blanchard, Drums - Seamus Beaghen, Keyboards - Unknown, Composer, Lyricist - Dot Allison, Vocal Arranger

(P) 1999 Deconstruction Limited

8
Broken Little Sister
00:05:18

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Mixing Engineer, Producer - Jim Reid, Lyricist - Tim Holmes, Composer, Mixing Engineer, Producer - Matt Flint, Bass Guitar - Ian Button, Composer, Guitar - Mat Flint, Composer - Will Blanchard, Drums

(P) 1999 Deconstruction Limited

9
Neptune City (Andrew Weatherall Mix)
00:04:43

Death In Vegas, Associated Performer, Main Artist, Associated Performer - Richard Fearless, Composer, Lyricist, Mixing Engineer, Producer - Matt Flint, Bass Guitar - Tim Holmes, Composer, Lyricist, Mixing Engineer, Producer - Ian Button, Guitar - Will Blanchard, Percussion - Gary Burns, Keyboards - Simon Hanson, Drums - Jim Hunt, Horn - Duncan MacKay, Horn - Andrew Weatherall, Re-Mixer

(P) 1999 Deconstruction Limited

Presentación del Álbum

The amount of hype that greeted this album upon release was notable even by U.K. press terms, leading to quite an unexpected amount of overall attention upon the band's second release. Justified? Not quite -- it's important to approach this CD on its own terms, and on that level it's a good album, but not a great one. Claimed goals at being inspired by Primal Scream's Screamadelica aside, Contino doesn't achieve anything near the same sense of reach and sweep as that album did, not to releases like My Bloody Valentine's Loveless and other cited role models. The Richard Fearless/Tim Holmes combination here seems to restrict itself to production and arrangement, commissioning a variety of players, notably a key duo of guitarist Ian Button and bassist Mat Flint, to interpret their songs under their overall guidance. Button and Flint are quite good at what they do -- the two get to shine right at the start on the crawling build and freakout of "Dirge" -- but sometimes an overall mood is set without much being added to it. Slow, steady beats and breaks flesh out things reasonably enough. The band's ace in the hole lies with the series of guest vocalists, starting (perhaps unsurprisingly) with Primal Scream's Bobby Gillespie. Jesus and Mary Chain singer Jim Reid, Scottish singer Dot Allison, and punk legend Iggy Pop also take a bow, the latter guesting on the album's undoubted highlight, the aggressive, energetic "Aisha." Perhaps the most interesting move, though, is on "Aladdin's Story," with the London Community Gospel Choir taking a bow in the same way they did with Spiritualized. At base, Contino is a reasonably entertaining and sometimes quite compelling combination of slower dance aesthetics translated into rock & roll terms and sounds. It just isn't the end of the world, that's all.

© Ned Raggett /TiVo

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