Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
One of the best known of the Japanese instruments, the koto is a kind of long zither with movable bridges offering different tunings, and its history stretches over 12 centuries. To master it is a long and complex task, but Nanae Yoshimura obviously has the talent. In this volume she tackles pieces from the core classical repertoire for the instrument, covering the period between two great koto masters, Yatsuhashi Kengyo (1614-1685) and Miyagi Michio (1894-1956). There's real richness in the material, with "Kaede-No-Hana" a particular standout with its peculiar changes and frequent, rippling lines that cascade and tumble delightfully. It's also especially exacting, demanding two players, one for the high part and singing (in this case Yoshimura) and another for the low part (Fukami Satomi). The shamisen and shakahuchi also feature on the disc, especially on "Onoe-No-Matsu," where its clipped tones form an interesting contrast to the more regal koto to create a textured whole. The six pieces form an overview, if not a truly comprehensive look at an important part of the music for the koto, especially as it comes into modern times, and the ideas expand while still remaining rooted in history. In that regard, "Onoe-No-Matsu" is perhaps the most interesting composition here, daring yet seductive, as the instruments dance around each other in the compelling middle section while "Seoto" flirts with Western ideas and atonality. For those who've merely heard the koto as the glassy tinkling in Japanese films, this forms a fuller picture of the instrument's history and possibilities.
© Chris Nickson /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Shiki-no-kyoku (Kengyo yatsuhashi)
Nanae Yoshimura, MainArtist - Kengyo Yatsuhashi, Composer
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Hachidan (Kengyo yatsuhashi)
Nanae Yoshimura, MainArtist - Kengyo Yatsuhashi, Composer
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Kaede-no-hana (Harue Matsuzaka)
Satomi Fukami, MainArtist - Nanae Yoshimura, MainArtist - Harue Matsuzaka, Composer
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Onoe-no-matsu (Traditional)
Michio Miyagi, Composer - Satomi Fukami, MainArtist - Nanae Yoshimura, MainArtist - Kengyo Yatsuhashi, Composer - Harue Matsuzaka, Composer
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Seoto (Michio Miyagi)
Michio Miyagi, Composer - Nanae Yoshimura, MainArtist - JASRAC, MusicPublisher
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Haru no Umi (Michio Miyagi)
Kifu Mitsuhashi, MainArtist - Michio Miyagi, Composer - Nanae Yoshimura, MainArtist - JASRAC, MusicPublisher
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Presentación del Álbum
One of the best known of the Japanese instruments, the koto is a kind of long zither with movable bridges offering different tunings, and its history stretches over 12 centuries. To master it is a long and complex task, but Nanae Yoshimura obviously has the talent. In this volume she tackles pieces from the core classical repertoire for the instrument, covering the period between two great koto masters, Yatsuhashi Kengyo (1614-1685) and Miyagi Michio (1894-1956). There's real richness in the material, with "Kaede-No-Hana" a particular standout with its peculiar changes and frequent, rippling lines that cascade and tumble delightfully. It's also especially exacting, demanding two players, one for the high part and singing (in this case Yoshimura) and another for the low part (Fukami Satomi). The shamisen and shakahuchi also feature on the disc, especially on "Onoe-No-Matsu," where its clipped tones form an interesting contrast to the more regal koto to create a textured whole. The six pieces form an overview, if not a truly comprehensive look at an important part of the music for the koto, especially as it comes into modern times, and the ideas expand while still remaining rooted in history. In that regard, "Onoe-No-Matsu" is perhaps the most interesting composition here, daring yet seductive, as the instruments dance around each other in the compelling middle section while "Seoto" flirts with Western ideas and atonality. For those who've merely heard the koto as the glassy tinkling in Japanese films, this forms a fuller picture of the instrument's history and possibilities.
© Chris Nickson /TiVo
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 01:10:02
- Artistas principales: Kifu Mitsuhashi Satomi Fukami Nanae Yoshimura
- Compositor: Various Composers
- Sello: Celestial Harmonies
- Género World music
(C) 2011 Celestial Harmonies (P) 2001 Celestial Harmonies
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.