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Harry Nilsson|That's the Way It Is

That's the Way It Is

Harry Nilsson

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Well, what do you expect from an artist who's reading Penthouse, surrounded by liquor bottles and cigarettes, on the cover of his album? Perfection? Accessibility? Sanity? Well, you ain't gonna get that from Nilsson, a man who left sanity behind shortly after he entered the mainstream with Nilsson Schmilsson. Instead, you get a record from an artist who's just at the fringe of popular culture, not really caring if he has a hit, but not really wanting to be so weird that he's just a cult. Realizing all of this, the artist also knows that he doesn't need to try so hard -- he can be as lazy as he looks on the cover. So, that means That's the Way It Is is essentially a covers record, with songs ranging from material penned by longtime favorite Randy Newman ("Sail Away") to longtime fan George Harrison ("That Is All") to oldies ("Just One Look/Baby I'm Yours") to obscurities ("She Sits Down on Me" and "Zombie Jamboree"). Only two original songs then: the faux-reggae "Moonshine Bandit" and "Daylight Has Caught Me," co-written with Dr. John. Everything's given a rather lush, but not particularly sleek treatment, placing it closer to soft rock than to the unabashed cult rock that Nilsson was producing at this point. So, this winds up being an album that's not as gleefully weird and funny as its predecessors and yet is stranger because of that. Because, for chrissake, who wants this album? It doesn't have enough perversity or indulgence for those who treasure his weirdness, but it's way too idiosyncratic and odd for anyone who might like the L.A.-style vibe. Not a bad record, really, but certainly not a very good one, even by latter-day Nilsson standards.

© Stephen Thomas Erlewine /TiVo

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That's the Way It Is

Harry Nilsson

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1
That Is All
00:03:10

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - George Harrison, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

2
Just One Look / Baby I'm Yours
00:03:23

Harry Nilsson, Associated Performer, Main Artist - Doris Payne, Composer, Lyricist - Gregory Carroll, Composer, Lyricist - Trevor Lawrence, Producer - Van McCoy, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

3
Moonshine Bandit
00:03:33

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - Nilsson, Composer, Lyricist - Kortchmar, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

4
I Need You
00:03:17

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - Gerry Beckley, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

5
A Thousand Miles Away
00:02:55

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - James Sheppard, Composer, Lyricist - William H. Miller, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

6
Sail Away
00:03:45

Harry Nilsson, Associated Performer, Main Artist - Randy Newman, Composer, Lyricist - Trevor Lawrence, Arranger, Conductor, Producer, Saxophone - Jim Keltner, Drums - Klaus Voorman, Bass - Dennis Budimir, Guitar - Fred Tackett, Guitar - Jane Getz, Piano - Thomas Collier, Piano - Carl LaMagna, Violin - Harris Goldman, Violin - Henry Ferber, Violin - James Getzoff, Violin - Joy Lyle, Violin - Murray Adler, Violin - Ralph Schaeffer, Violin - Tibor Zelig, Violin - William Kurasch, Violin - Allan Harshman, Viola - Rollice Dale, Viola - David Schwartz, Viola - Samuel Boghossian, Viola - Armand Kaproff, Cello - Harry Shlutz, Cello - Jerry Kessler, Cello - Jesse Ehrlich, Cello - Raphael Kramer, Cello - Raymond J. Kelly, Cello - Peter Mercurio, Bass Guitar - Anthony Terran, Bass - Benjamin Powell, Bass - James Bond Jr., Bass - Steven Madaio, Bass - Lew McCreary, Trombone - Johnny Rotella, Clarinet, Saxophone - William Collette, Flute, Saxophone - Charles Gould, Clarinet - David Allan Duke, Clarinet - Gene Cipriano, Clarinet - Vincent DeRosa, Clarinet - Robert Keys, Saxophone - Sidney Sharp, Associated Performer - Bill Lacey - Dennis Ferrante - Eddie Tallia

(P) 1976 RCA Records, a division of Sony Music Entertainment

7
She Sits Down on Me
00:03:59

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - TALBOT, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

8
Daylight
00:03:52

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - Nilsson, Composer, Lyricist - Rebennack, Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

9
Zombie Jamboree (Back to Back)
00:03:03

Harry Nilsson, Associated Performer, Main Artist - Trevor Lawrence, Producer - Conrad Eugene Mauge, Jr., Composer, Lyricist

(P) 1976 RCA Records, a division of Sony Music Entertainment

10
That Is All (Reprise)
00:01:33

Harry Nilsson, Associated Performer, Main Artist - George Harrison, Composer, Lyricist - Trevor Lawrence, Producer

(P) 1976 RCA Records, a division of Sony Music Entertainment

Presentación del Álbum

Well, what do you expect from an artist who's reading Penthouse, surrounded by liquor bottles and cigarettes, on the cover of his album? Perfection? Accessibility? Sanity? Well, you ain't gonna get that from Nilsson, a man who left sanity behind shortly after he entered the mainstream with Nilsson Schmilsson. Instead, you get a record from an artist who's just at the fringe of popular culture, not really caring if he has a hit, but not really wanting to be so weird that he's just a cult. Realizing all of this, the artist also knows that he doesn't need to try so hard -- he can be as lazy as he looks on the cover. So, that means That's the Way It Is is essentially a covers record, with songs ranging from material penned by longtime favorite Randy Newman ("Sail Away") to longtime fan George Harrison ("That Is All") to oldies ("Just One Look/Baby I'm Yours") to obscurities ("She Sits Down on Me" and "Zombie Jamboree"). Only two original songs then: the faux-reggae "Moonshine Bandit" and "Daylight Has Caught Me," co-written with Dr. John. Everything's given a rather lush, but not particularly sleek treatment, placing it closer to soft rock than to the unabashed cult rock that Nilsson was producing at this point. So, this winds up being an album that's not as gleefully weird and funny as its predecessors and yet is stranger because of that. Because, for chrissake, who wants this album? It doesn't have enough perversity or indulgence for those who treasure his weirdness, but it's way too idiosyncratic and odd for anyone who might like the L.A.-style vibe. Not a bad record, really, but certainly not a very good one, even by latter-day Nilsson standards.

© Stephen Thomas Erlewine /TiVo

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