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George Benson|That's Right

That's Right

George Benson

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George Benson may have changed labels with That's Right, but he didn't change his approach. Like his other '90s albums, That's Right is jazz-inflected quiet-storm soul. It's quietly funky and always grooving, whether he's playing a light uptempo number or a silky ballad. As always, Benson's tone is smooth and supple -- it's a pleasure to hear him play, even if the material he has selected doesn't always showcase his ample skills. In fact, the unevenness in material is the very thing that keeps That's Right from being on par with Benson's early '80s contemporary soul records. Although the sound is right, and Benson's heart is clearly in it, he just doesn't have quite enough memorable melodies to make the album thoroughly engaging. Still, the joy that is readily apparent within his performance makes That's Right a worthy acquisition for fans of Benson's latter-day recordings.

© Thom Owens /TiVo

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That's Right

George Benson

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1
That's Right (Album Version)
00:05:02

John Clayton, Recording Arranger, AssociatedPerformer - BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - MICHAEL WHITE, ComposerLyricist - George Benson, MainArtist - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Tom Tucker, Recording Engineer, StudioPersonnel - Ron Smith, ComposerLyricist

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

2
The Thinker (Album Version)
00:05:37

Gary "Headman" Haase, Composer - BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - Bob Ward, Composer - George Benson, MainArtist - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Gary Haase, ComposerLyricist - Tom Tucker, Recording Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Marvin Said (Album Version)
00:05:20

John Clayton, Recording Arranger, AssociatedPerformer - BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - George Benson, Composer, MainArtist - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Tom Tucker, Recording Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

4
True Blue (Album Version)
00:05:06

John Clayton, Recording Arranger, AssociatedPerformer - BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - George Benson, MainArtist - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Adam Falcon, ComposerLyricist - Trevor Gale, ComposerLyricist - Tom Tucker, Recording Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Holdin' On (Album Version)
00:05:32

George Benson, MainArtist - Joe Mardin, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - RICKY PETERSON, Participant - Gary Brown, Recording Arranger, AssociatedPerformer, ComposerLyricist - Tom Tucker, Engineer, StudioPersonnel - Rod Hui, Mixer, Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Song For My Brother (Album Version)
00:04:16

BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - George Benson, MainArtist - Paul Peterson, Composer - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Tom Tucker, Recording Engineer, StudioPersonnel

℗ 1996 UMG Recordings, Inc.

7
Johnnie Lee (Album Version)
00:05:37

BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - George Benson, Composer, MainArtist - RICKY PETERSON, Producer, Recording Arranger, Participant, AssociatedPerformer - Tom Tucker, Recording Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Summer Love (Album Version)
00:04:37

Curtis Williams, Recording Arranger, AssociatedPerformer - Curtis F. Williams, ComposerLyricist - George Benson, MainArtist - Joe Mardin, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - RICKY PETERSON, Participant - Gary Brown, Recording Arranger, AssociatedPerformer, ComposerLyricist - Tom Tucker, Engineer, StudioPersonnel - Rod Hui, Mixer, Engineer, StudioPersonnel

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

9
P Park (Album Version)
00:04:50

BILL SCHNEE, Mixer, Recording Engineer, StudioPersonnel - Tommy Lipuma, Producer - George Benson, Composer, MainArtist - RICKY PETERSON, Composer, Producer, Recording Arranger, Participant, AssociatedPerformer - Tom Tucker, Recording Engineer, StudioPersonnel - George Peterson, ComposerLyricist

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Footprints In The Sand (Album Version)
00:03:45

BILL SCHNEE, Mixer, StudioPersonnel - Simon Hale, Recording Arranger, AssociatedPerformer - George Benson, MainArtist - Simon Cotsworth, Mixer, Recording Engineer, StudioPersonnel - Gary Brown, ComposerLyricist - John Gallen, Mixer, Recording Engineer, StudioPersonnel - Jean Paul "Bluey" Maunick, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

11
When Love Comes Calling (Album Version)
00:06:39

George Benson, MainArtist - Jean Paul "Bluey" Maunick, Producer, ComposerLyricist - Max Beesley's Hi Vibes, ComposerLyricist

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

12
Where Are You Now (Album Version)
00:05:38

Damon Banks, Composer - George Benson, MainArtist - Joe Mardin, Producer - Tom Keene, Composer - Gary Brown, Author

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

Presentación del Álbum

George Benson may have changed labels with That's Right, but he didn't change his approach. Like his other '90s albums, That's Right is jazz-inflected quiet-storm soul. It's quietly funky and always grooving, whether he's playing a light uptempo number or a silky ballad. As always, Benson's tone is smooth and supple -- it's a pleasure to hear him play, even if the material he has selected doesn't always showcase his ample skills. In fact, the unevenness in material is the very thing that keeps That's Right from being on par with Benson's early '80s contemporary soul records. Although the sound is right, and Benson's heart is clearly in it, he just doesn't have quite enough memorable melodies to make the album thoroughly engaging. Still, the joy that is readily apparent within his performance makes That's Right a worthy acquisition for fans of Benson's latter-day recordings.

© Thom Owens /TiVo

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