Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Conventional in style and fairly predictable in expression, this presentation of Pyotr Il'yich Tchaikovsky's Symphony No. 5 in E minor will surprise no one. But because it is a solid rendition with a distinct point of view, it fills a need that some listeners might have for an unapologetically traditional interpretation. Dmitrij Kitajenko leads the Gürzenich Orchestra of Cologne with intelligence, conscientiousness, and obvious affection for the piece, so the music is played with much the same feeling and understanding associated with mainstream performances of the 20th century, and there are no authenticity issues, scholarly revisions, or historically informed changes. In fact, Kitajenko gives the Fifth a slightly exaggerated post-Romantic style, as if to point in quite the opposite direction, particularly in his extremely slow tempos, homogenous orchestral blend, and ample rubato in long melodic lines. Old-fashioned as this treatment is -- delivered with a kind of weight that one usually associates with Russian performances -- this is all of a piece and consistent within its parts, so liking Kitajenko's conservative interpretation is a matter of taste. The filler piece is the Overture to the opera Pique Dame, which rounds out the album with a dramatic encore. Oehms provides rich multichannel sound that captures the full orchestral palette, though the lower brass and timpani occasionally cut through with startling force.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Symphony No. 5 in E Minor, Op. 64, TH 29 (Pyotr Illitch Tchaïkovski)
Pyotr Ilyich Tchaikovsky, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
Pyotr Ilyich Tchaikovsky, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
Pyotr Ilyich Tchaikovsky, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
Pyotr Ilyich Tchaikovsky, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
The Queen of Spades, Op. 68, TH 10 (Pyotr Illitch Tchaïkovski)
Pyotr Ilyich Tchaikovsky, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
Presentación del Álbum
Conventional in style and fairly predictable in expression, this presentation of Pyotr Il'yich Tchaikovsky's Symphony No. 5 in E minor will surprise no one. But because it is a solid rendition with a distinct point of view, it fills a need that some listeners might have for an unapologetically traditional interpretation. Dmitrij Kitajenko leads the Gürzenich Orchestra of Cologne with intelligence, conscientiousness, and obvious affection for the piece, so the music is played with much the same feeling and understanding associated with mainstream performances of the 20th century, and there are no authenticity issues, scholarly revisions, or historically informed changes. In fact, Kitajenko gives the Fifth a slightly exaggerated post-Romantic style, as if to point in quite the opposite direction, particularly in his extremely slow tempos, homogenous orchestral blend, and ample rubato in long melodic lines. Old-fashioned as this treatment is -- delivered with a kind of weight that one usually associates with Russian performances -- this is all of a piece and consistent within its parts, so liking Kitajenko's conservative interpretation is a matter of taste. The filler piece is the Overture to the opera Pique Dame, which rounds out the album with a dramatic encore. Oehms provides rich multichannel sound that captures the full orchestral palette, though the lower brass and timpani occasionally cut through with startling force.
© TiVo
Acerca del álbum
- 1 disco(s) - 5 pista(s)
- Duración total: 00:53:27
- 1 Libreto digital
- Artistas principales: Gürzenich-Orchester Köln Dmitri Kitayenko
- Compositor: Pyotr Illitch Tchaïkovski
- Sello: Oehms Classics
- Género Clásica
(C) 2012 Oehms Classics (P) 2012 Oehms Classics
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.