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Bryan Ferry|Taxi

Taxi

Bryan Ferry

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Taxi shows a mature Bryan Ferry, suave and controlled, very much in line with his general career from 1979 on. The choice of songs to cover doesn't make for any surprises -- the same selections of classic rock, pop, and soul numbers dominate, with an interesting ringer here and there like "Amazing Grace." As with his other recent solo records, a cast of thousands supports him, ranging from the Grid's Richard Norris on synth programming to Brit guitar legends Robin Trower and Michael Brook, plus vocalist Carleen Anderson. All four feature on the opening "I Put a Spell on You," which manages the neat trick of sounding almost exactly like a Ferry original -- what Screamin' Jay Hawkins would have made of it is anyone's guess. The rest of the album takes a similar tone, either crackling with low-key energy or aiming for a more gentle approach. The former style turns up in some welcome guises -- thus the take on Fontella Bass' "Rescue Me," here benefiting from a quick beat, mysterious samples and noises buried in the mix and near-subliminal guitar. An overall highlight is the take on the Velvet Underground's "All Tomorrow's Parties," which balances a certain winsomeness with a subtle air of threat, the music just beautiful enough on the one hand and just creepy enough on the other. Ferry's treated vocals, made to sound weirdly flat and compressed, heightens the curious mood.

© Ned Raggett /TiVo

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Bryan Ferry

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1
I Put a Spell On You
00:05:27

Jay Hawkins, Composer, Writer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

2
Will You Love Me Tomorrow
00:04:17

Carole King, Composer, Writer - Gerry Goffin, Composer, Writer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

3
Answer Me
00:02:46

Sigman, Composer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Carl Sigman, Composer - Robin Trower, Producer - Gerhard Winkler, Composer - Fred Rauch, Composer - G Winkler, Composer - F Rauch, Composer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

4
Just One Look
00:03:33

Doris Payne, Composer, Writer - Gregory Carroll, Composer, Writer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

5
Rescue Me
00:03:40

Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer - Carl Smith, Composer - Raynard Miner, Composer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

6
All Tomorrow's Parties
00:05:31

Lou Reed, Composer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer - Ferry, Arranger

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

7
Girl of My Best Friend
00:03:26

Sam Bobrick, Composer - Bobrick, Composer - Ross, Composer - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer - Beverley Ross, Composer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

8
Amazing Grace
00:04:01

Traditional, Composer - Bryan Ferry, Producer, Arranger, Piano, Lead Vocals, MainArtist - Robin Trower, Producer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

9
Taxi
00:05:30

BROOKS, Composer, Lyricist - Bryan Ferry, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer - Banks, Composer, Lyricist - Homer Banks, Composer - Chuck Brooks, Composer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

10
Because You're Mine
00:01:44

Bryan Ferry, Composer, Producer, Piano, Lead Vocals, MainArtist - Robin Trower, Producer

© 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited ℗ 1993 Dene Jesmond Enterprises Ltd. under exclusive licence to BMG Rights Management (UK) Limited

Presentación del Álbum

Taxi shows a mature Bryan Ferry, suave and controlled, very much in line with his general career from 1979 on. The choice of songs to cover doesn't make for any surprises -- the same selections of classic rock, pop, and soul numbers dominate, with an interesting ringer here and there like "Amazing Grace." As with his other recent solo records, a cast of thousands supports him, ranging from the Grid's Richard Norris on synth programming to Brit guitar legends Robin Trower and Michael Brook, plus vocalist Carleen Anderson. All four feature on the opening "I Put a Spell on You," which manages the neat trick of sounding almost exactly like a Ferry original -- what Screamin' Jay Hawkins would have made of it is anyone's guess. The rest of the album takes a similar tone, either crackling with low-key energy or aiming for a more gentle approach. The former style turns up in some welcome guises -- thus the take on Fontella Bass' "Rescue Me," here benefiting from a quick beat, mysterious samples and noises buried in the mix and near-subliminal guitar. An overall highlight is the take on the Velvet Underground's "All Tomorrow's Parties," which balances a certain winsomeness with a subtle air of threat, the music just beautiful enough on the one hand and just creepy enough on the other. Ferry's treated vocals, made to sound weirdly flat and compressed, heightens the curious mood.

© Ned Raggett /TiVo

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