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BBC Symphony Orchestra|Substratum

Substratum

BBC Symphony Orchestra, Quatuor Diotima, Ensemble Musikfabrik, Stefan Asbury and David Robertson

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The centrepiece of this album is formed by a substantial string quartet in seven movements. To anyone who knows Sam Hayden and his music, the seemingly traditional genre may come as a surprise. Transience, here performed by Quatuor Diotima, explores the sonics of extended techniques - it is a work full of soft, ‘whistling’ overtones as well as microtones. It is dedicated to the late Jonathan Harvey, who was Sam Hayden's teacher, mentor and friend.
Relative Automony, for 16 players, is dense, rich and visceral. A heavy layer of bass instruments – contrabass clarinet and contrabassoon, tuba and bass trombone, cello and double bass – is contrasted with the prominent use of instruments at the opposite extreme, such as piccolo flute and E flat clarinet. Substratum follows in a similiar vein but includes contrast between passages of frantic activity and sudden periods of stasis when notes are sustained as if frozen in time.
This album includes the bonus track Die Abkehr. Hayden explains, ‘the more poetic meanings of the title hint at a critical commentary on the increasingly nostalgic and inward-looking culture of the UK ... the composition is the latest of a cycle of pieces that combine ideas related to “spectral” traditions with algorithmic approaches to composition, where aspects of the pitch and rhythmical materials are computer-generated using IRCAM’s OpenMusic.’ © NMC Recordings

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Substratum

BBC Symphony Orchestra

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1
Relative Autonomy
Ensemble musikFabrik
00:13:55

Stefan Asbury, Conductor, MainArtist - Ensemble musikFabrik, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

String Quartet "Transience" (Sam Hayden)

2
I. —
Quatuor Diotima
00:05:12

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

3
II. —
Quatuor Diotima
00:04:28

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

4
III. —
Quatuor Diotima
00:04:12

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

5
IV. —
Quatuor Diotima
00:04:28

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

6
V. —
Quatuor Diotima
00:03:46

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

7
VI. —
Quatuor Diotima
00:03:55

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

8
VII. —
Quatuor Diotima
00:05:36

Quatuor Diotima, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

9
Substratum
David Robertson
00:24:45

BBC Symphony Orchestra, Orchestra, MainArtist - David Robertson, Conductor, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

10
Die Abkehr
Ensemble musikFabrik
00:11:07

Stefan Asbury, Conductor, MainArtist - Ensemble musikFabrik, Ensemble, MainArtist - Sam Hayden, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

Presentación del Álbum

The centrepiece of this album is formed by a substantial string quartet in seven movements. To anyone who knows Sam Hayden and his music, the seemingly traditional genre may come as a surprise. Transience, here performed by Quatuor Diotima, explores the sonics of extended techniques - it is a work full of soft, ‘whistling’ overtones as well as microtones. It is dedicated to the late Jonathan Harvey, who was Sam Hayden's teacher, mentor and friend.
Relative Automony, for 16 players, is dense, rich and visceral. A heavy layer of bass instruments – contrabass clarinet and contrabassoon, tuba and bass trombone, cello and double bass – is contrasted with the prominent use of instruments at the opposite extreme, such as piccolo flute and E flat clarinet. Substratum follows in a similiar vein but includes contrast between passages of frantic activity and sudden periods of stasis when notes are sustained as if frozen in time.
This album includes the bonus track Die Abkehr. Hayden explains, ‘the more poetic meanings of the title hint at a critical commentary on the increasingly nostalgic and inward-looking culture of the UK ... the composition is the latest of a cycle of pieces that combine ideas related to “spectral” traditions with algorithmic approaches to composition, where aspects of the pitch and rhythmical materials are computer-generated using IRCAM’s OpenMusic.’ © NMC Recordings

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