Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Ronald Stevenson's Passacaglia on DSCH is a work that descends not only from Busoni and Sorabji, but also from Buxtehude and Bach. A traditional passacaglia, a Baroque form, is built on a "ground," a theme that repeats in the bass while "variations" are played above it. In this monumental passacaglia, the theme is the four notes D, E flat, C, and B, the same motif Dmitry Shostakovich used to personalize his music. This theme is ever-present in this work, almost overpowering the interesting, complex juxtapositions of other themes and rhythms that Stevenson has built over the ground bass. It is a work that will take most listeners time to appreciate. The included notes, by Stevenson and McLachlan, help you understand what is going on in the various sections (although the track listing is incorrect). There are times when you wish McLachlan would bring out some of the other elements even more, lessening the presence of the ground bass. It isn't until the very last sections that this ground is moved into other registers or played so softly that you can concentrate on the rest of the music. McLachlan added a few effects that weren't written into the piece. He inserted items into the strings to give them more of a dulcimer sound in the Fandango section, which fits in with the glissandi played on the strings in an earlier section and the pounding of the bass strings in a later section. The electronic effects he added in the middle of the piece are more jarring. McLachlan obviously has spent time studying this piece. He plays it with sympathy and is understanding of the composites of melodies, dynamics, and rhythms. His dedication to this work is comparable to that of a pianist who studies the Goldberg Variations or Beethoven's late sonatas.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Passacaglia on DSCH (Ronald Stevenson)
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Murray McLachlan, Performer - Ronald Stevenson, Composer
(C) 2013 Divine Art (P) 2013 Divine Art
Presentación del Álbum
Ronald Stevenson's Passacaglia on DSCH is a work that descends not only from Busoni and Sorabji, but also from Buxtehude and Bach. A traditional passacaglia, a Baroque form, is built on a "ground," a theme that repeats in the bass while "variations" are played above it. In this monumental passacaglia, the theme is the four notes D, E flat, C, and B, the same motif Dmitry Shostakovich used to personalize his music. This theme is ever-present in this work, almost overpowering the interesting, complex juxtapositions of other themes and rhythms that Stevenson has built over the ground bass. It is a work that will take most listeners time to appreciate. The included notes, by Stevenson and McLachlan, help you understand what is going on in the various sections (although the track listing is incorrect). There are times when you wish McLachlan would bring out some of the other elements even more, lessening the presence of the ground bass. It isn't until the very last sections that this ground is moved into other registers or played so softly that you can concentrate on the rest of the music. McLachlan added a few effects that weren't written into the piece. He inserted items into the strings to give them more of a dulcimer sound in the Fandango section, which fits in with the glissandi played on the strings in an earlier section and the pounding of the bass strings in a later section. The electronic effects he added in the middle of the piece are more jarring. McLachlan obviously has spent time studying this piece. He plays it with sympathy and is understanding of the composites of melodies, dynamics, and rhythms. His dedication to this work is comparable to that of a pianist who studies the Goldberg Variations or Beethoven's late sonatas.
© TiVo
Acerca del álbum
- 1 disco(s) - 31 pista(s)
- Duración total: 01:15:35
- Artistas principales: Murray McLachlan
- Compositor: Ronald Stevenson
- Sello: Divine Art
- Género Clásica
(C) 2013 Divine Art (P) 2013 Divine Art
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.