Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Fresh off the heels of her 1998 release Mediamente Isterica, Carmen Consoli was back in the studio to record her fourth album, Stato di Necessità, eager to continue the blend of irony, sentimentalism, subtle perceptiveness, poetic lyrics, and '60s-Europop-meets-late-'90s-American-rock guitars she had begun to develop on her third record. Lyrically Stato di Necessità speaks mainly in the first person, but the approach changes from intimate introspection ("Novembre '99 [L'Isola del Tesoro]"), to detached observance ("Equilibrio Precario"), to freely expressed desire ("Bambina Impertinente"), giving listeners a well-rounded, or least multifaceted, perspective of the singer. The same kind of diversity is found in Consoli's music, which can be sensual, edgy, melancholic, hopeful, or a combination of everything, depending on the emotions she wishes to convey. But nothing is overdone: Consoli is a master of descriptive minimalism, using just a few lines and well-placed guitar riffs (either from herself or from longtime bandmember Massimo Roccaforte) to describe an entire situation. "L'Ultimo Bacio," which was also used in the 2001 film of the same name, is one of the most popular songs in Consoli's repertoire, and rightfully so. It's a gorgeous piece, with a bittersweet guitar line, aching strings, and subtle, plaintive lyrics about acknowledging the departure of youth. Equally good is "Orfeo" (an acoustic version of which is hidden 20 minutes into the final track), whose simple opening guitar riff is one of those that just begs to be listened to again and again. There are a few pieces that don't deserve such praise, "Il Sultano (Della Kianca)" for example, with clichéd effects and lyrics bordering on superficial, but overall Stato di Necessità is the work of a mature musician who is confident about her sound and her artistic vision and able to convey it to the world.
© Marisa Brown /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Vocals, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2003 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Presentación del Álbum
Fresh off the heels of her 1998 release Mediamente Isterica, Carmen Consoli was back in the studio to record her fourth album, Stato di Necessità, eager to continue the blend of irony, sentimentalism, subtle perceptiveness, poetic lyrics, and '60s-Europop-meets-late-'90s-American-rock guitars she had begun to develop on her third record. Lyrically Stato di Necessità speaks mainly in the first person, but the approach changes from intimate introspection ("Novembre '99 [L'Isola del Tesoro]"), to detached observance ("Equilibrio Precario"), to freely expressed desire ("Bambina Impertinente"), giving listeners a well-rounded, or least multifaceted, perspective of the singer. The same kind of diversity is found in Consoli's music, which can be sensual, edgy, melancholic, hopeful, or a combination of everything, depending on the emotions she wishes to convey. But nothing is overdone: Consoli is a master of descriptive minimalism, using just a few lines and well-placed guitar riffs (either from herself or from longtime bandmember Massimo Roccaforte) to describe an entire situation. "L'Ultimo Bacio," which was also used in the 2001 film of the same name, is one of the most popular songs in Consoli's repertoire, and rightfully so. It's a gorgeous piece, with a bittersweet guitar line, aching strings, and subtle, plaintive lyrics about acknowledging the departure of youth. Equally good is "Orfeo" (an acoustic version of which is hidden 20 minutes into the final track), whose simple opening guitar riff is one of those that just begs to be listened to again and again. There are a few pieces that don't deserve such praise, "Il Sultano (Della Kianca)" for example, with clichéd effects and lyrics bordering on superficial, but overall Stato di Necessità is the work of a mature musician who is confident about her sound and her artistic vision and able to convey it to the world.
© Marisa Brown /TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 01:08:42
- Artistas principales: Carmen Consoli
- Compositor: Various Composers
- Sello: Universal Music Italia srL.
- Género Pop/Rock Pop
© 2000 Universal Music Italia Srl ℗ 2000 Universal Music Italia Srl
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.