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Jonathan Powell|Sorabji: Un Nido di Scatole, Djami, St Bertrand de Comminges

Sorabji: Un Nido di Scatole, Djami, St Bertrand de Comminges

Jonathan Powell

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The piano works of Kaikhosru Shapurji Sorabji are among the most dense, complicated, and virtuosic in the modern keyboard literature, and such flamboyant works as Un nido di scatole (A Nest of Boxes), the nocturne Djâmî, and St. Bertrand de Comminges ("He was Laughing in the Tower") demonstrate his elaborate methods quite well. The 17 miniatures that make up Un nido di scatole have a superficial resemblance to the album leaves of Schumann, largely because of their whimsical titles, sharp characterizations, and abbreviated forms, though Sorabji's intensely chromatic, quasi-atonal harmonies seem a world away from the great Romantic composer, and his brooding music seems much closer in style and expression to the late works of Alexander Scriabin. Djâmî, which Sorabji called "An essay in the hothouse-languorous genre," is the longest track of the album and quite lush and atmospheric in its perfumed evocation of Persian culture. The last piece, St. Bertrand de Comminges, was one of two works Sorabji composed on ideas drawn from ghost stories by Montague Rhodes James, and listeners may note some strong similarities between this sinister fantasia and the diabolical showpieces of Franz Liszt. Pianist Jonathan Powell presents Sorabji's music with abundant energy and emotional volatility, though his instrument seems sharp, cold, and brittle in the highly resonant venue, and the microphone placement seems a little distant.

© TiVo

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Sorabji: Un Nido di Scatole, Djami, St Bertrand de Comminges

Jonathan Powell

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1
Un Nido di Scatole: I. Dapprima ecco la cosa che contengono la scatole. Con impetuosità
00:00:33

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

2
Un Nido di Scatole: II. La prima scatola. Fuggitivo
00:00:43

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

3
Un Nido di Scatole: III. La seconda scatola
00:00:52

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

4
Un Nido di Scatole: IV. La terza scatola. Abbastanza soave
00:02:03

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

5
Un Nido di Scatole: V. La quarta. Un pochino religioso, ma senza ipocrisia alcuna! Piccolo preludio tascabile
00:04:27

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

6
Un Nido di Scatole: VI. La quinta. La mezza via gra legato i distaccato
00:00:46

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

7
Un Nido di Scatole: VII. La sesta. Con impertinenza graziosa
00:02:07

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

8
Un Nido di Scatole: VIII. La settima. ('Omnium ecclesiarum urbis et orbis Mater et Caput')
00:02:47

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

9
Un Nido di Scatole: IX. La ottava. Arabeschi gammatici (Macché!)
00:01:14

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

10
Un Nido di Scatole: X. La nona. Ostitissima come mai
00:04:56

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

11
Un Nido di Scatole: XI. La eecima. Languido e sonnolento
00:03:16

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

12
Un Nido di Scatole: XII. L'undicesima. L'algolagniaco
00:01:31

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

13
Un Nido di Scatole: XIII. La dodicesima. Con vivacissima impetuosità
00:00:46

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

14
Un Nido di Scatole: XIV. La trdicesima. Con raffinamento affettato, quasi di piccola borghese che vorebbe darsi delle arie d'essere gran dama
00:00:51

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

15
Un Nido di Scatole: XV. La quattordicesima. Ein kleines Heldentenorleben. Mit schwung, feurig
00:01:28

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

16
Un Nido di Scatole: XVI. La quindicesima. Toccatissima. Si guarda un tocco sempre con legato cioè quasi spiccato dei violinisti
00:01:15

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

17
Un Nido di Scatole: XVII. La sedicesima. A rivederci! Con grande flessibilità
00:01:53

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

18
Djâmî
00:26:48

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

19
St. Bertrand de Comminges ('He was laughing in the Tower')
00:18:49

Jonathan Powell, MainArtist - Kaikhosru Sorabji, Composer

(C) 2021 Altarus Records (P) 2021 Altarus Records

Presentación del Álbum

The piano works of Kaikhosru Shapurji Sorabji are among the most dense, complicated, and virtuosic in the modern keyboard literature, and such flamboyant works as Un nido di scatole (A Nest of Boxes), the nocturne Djâmî, and St. Bertrand de Comminges ("He was Laughing in the Tower") demonstrate his elaborate methods quite well. The 17 miniatures that make up Un nido di scatole have a superficial resemblance to the album leaves of Schumann, largely because of their whimsical titles, sharp characterizations, and abbreviated forms, though Sorabji's intensely chromatic, quasi-atonal harmonies seem a world away from the great Romantic composer, and his brooding music seems much closer in style and expression to the late works of Alexander Scriabin. Djâmî, which Sorabji called "An essay in the hothouse-languorous genre," is the longest track of the album and quite lush and atmospheric in its perfumed evocation of Persian culture. The last piece, St. Bertrand de Comminges, was one of two works Sorabji composed on ideas drawn from ghost stories by Montague Rhodes James, and listeners may note some strong similarities between this sinister fantasia and the diabolical showpieces of Franz Liszt. Pianist Jonathan Powell presents Sorabji's music with abundant energy and emotional volatility, though his instrument seems sharp, cold, and brittle in the highly resonant venue, and the microphone placement seems a little distant.

© TiVo

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