Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
In the '50s, many jazz critics didn't give the Cool School nearly enough credit. Their preference was hard bop, and they failed to acknowledge the richness of either cool jazz's instrumentalists (Stan Getz, Gerry Mulligan, Lee Konitz, among many others) or its singers (who included June Christy, Chris Connor, Helen Merrill, and Julie London). But history proved those critics wrong. Cool jazz has held up well over time, and in the '90s, the vocalists of the Cool School were influencing singers ranging from Claire Martin and Dominique Eade to Barbara Montgomery. Another singer who obviously recognizes the power of cool jazz is Jenny Evans, whose cool-toned vocals on 1996's Shiny Stockings underscore her appreciation of Christy and Connor as well as Anita O'Day and Jeri Southern. There aren't a lot of surprises on this likable, if conventional, release, and Evans makes the mistake of picking too many standards that have been done to death over the years (including "April in Paris," "You Go to My Head," and "Honeysuckle Rose"). This isn't to say that Evans has to be an innovator or that she should avoid well known standards altogether, but it would have been nice if she had offered more surprises instead of playing it so safe most of the time. For example, instead of offering yet another version of "In a Mellow Tone," how about unearthing some of Duke Ellington's lesser known gems? Nonetheless, one can tell that Evans has a lot of potential. Her voice is certainly appealing, and when she provides lyrics for three songs by trumpeter Dusko Goykovich ("The Song of Autumn," "That's What Zoot Said," and "Good Old Days"), it's clear that she is also a talented lyricist. Shiny Stockings indicated that if Evans could take more chances and be more adventurous in her choice of material, she had the potential to deliver a great album instead of one that is merely competent.
© Alex Henderson /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
Jenny Evans, Performer
1997 ENJA Records M. Winckelmann GmbH 1999 ENJA RECORDS M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
David Gazarov, Performer
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
Presentación del Álbum
In the '50s, many jazz critics didn't give the Cool School nearly enough credit. Their preference was hard bop, and they failed to acknowledge the richness of either cool jazz's instrumentalists (Stan Getz, Gerry Mulligan, Lee Konitz, among many others) or its singers (who included June Christy, Chris Connor, Helen Merrill, and Julie London). But history proved those critics wrong. Cool jazz has held up well over time, and in the '90s, the vocalists of the Cool School were influencing singers ranging from Claire Martin and Dominique Eade to Barbara Montgomery. Another singer who obviously recognizes the power of cool jazz is Jenny Evans, whose cool-toned vocals on 1996's Shiny Stockings underscore her appreciation of Christy and Connor as well as Anita O'Day and Jeri Southern. There aren't a lot of surprises on this likable, if conventional, release, and Evans makes the mistake of picking too many standards that have been done to death over the years (including "April in Paris," "You Go to My Head," and "Honeysuckle Rose"). This isn't to say that Evans has to be an innovator or that she should avoid well known standards altogether, but it would have been nice if she had offered more surprises instead of playing it so safe most of the time. For example, instead of offering yet another version of "In a Mellow Tone," how about unearthing some of Duke Ellington's lesser known gems? Nonetheless, one can tell that Evans has a lot of potential. Her voice is certainly appealing, and when she provides lyrics for three songs by trumpeter Dusko Goykovich ("The Song of Autumn," "That's What Zoot Said," and "Good Old Days"), it's clear that she is also a talented lyricist. Shiny Stockings indicated that if Evans could take more chances and be more adventurous in her choice of material, she had the potential to deliver a great album instead of one that is merely competent.
© Alex Henderson /TiVo
Acerca del álbum
- 1 disco(s) - 13 pista(s)
- Duración total: 00:57:55
- Artistas principales: Rudi Martin Jenny Evans Gianni Basso Dusko Goykovich David Gazarov
- Compositor: Various Composers
- Sello: ENJA RECORDS Matthias Winckelmann
- Género Jazz
1997 ENJA Records M. Winckelmann GmbH 1997 ENJA Records M. Winckelmann GmbH
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.