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Franz Schubert|Schubert: Schwanengesang

Schubert: Schwanengesang

Florian Boesch & Malcolm Martineau

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Published shortly after Franz Schubert's death in 1828, Schwanengesang is a collection of 14 lieder on seven texts by Ludwig Rellstab, six by Heinrich Heine, and one by Johann Gabriel Seidl, whose poem became Die Taubenpost, claimed to be Schubert's final song. Unlike most performances of Schwanengesang, which follow the published edition, baritone Florian Boesch's rearranged version on Onyx lacks Die Taubenpost, which was not included in Schubert's fair copy of the cycle. Instead, Boesch adds five songs on Sturm und Drang poems by Johann Wolfgang von Goethe, making this recording somewhat controversial among purists. But Boesch and accompanist Malcolm Martineau have delivered a compelling interpretation of this unsettling collection, and overall, this expanded Schwanengesang has a greater scope and a more satisfying duration, comparable to the 20 songs of Die schöne Müllerin and the 24 songs of Winterreise. Boesch's powerful voice communicates the full range of Schubert's emotions, from the melancholy sweetness of Ständchen and the gentle lyricism of Das Fischermädchen to the bleak despair of Die Stadt and Der Doppelgänger, though his reedy tone and the darker quality of his vocal range add a degree of menace at times. This recording has received critical praise, so it is well worth hearing, notwithstanding differences of position on the song order.
© TiVo

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Schubert: Schwanengesang

Franz Schubert

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1
Schwanengesang, D. 957: I. Liebesbotschaft
Florian Boesch
00:02:48

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

2
Schwanengesang, D. 957: II. Frülingssehnsucht
Florian Boesch
00:03:38

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

3
Schwanengesang, D. 957: III. Ständchen
Florian Boesch
00:03:23

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

4
Schwanengesang, D. 957: IV. Abscheid
Florian Boesch
00:04:18

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

5
Schwanengesang, D. 957: In der Ferne
Florian Boesch
00:05:08

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

6
Schwanengesang, D. 957: VI. Aufenthalt
Florian Boesch
00:02:50

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

7
Schwanengesang, D. 957: VII. Kriegers Ahnung
Florian Boesch
00:05:04

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

8
Prometheus, D. 674
Florian Boesch
00:04:56

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

9
Gesänge des Harfners, D. 478: I. Wer sich Einsamkeit ergibt
Florian Boesch
00:03:30

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

10
Gesänge des Harfners, D. 480: II. Wer nie sein Brot mit Tränen aß
Florian Boesch
00:04:18

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

11
Gesänge des Harfners, D. 479: III. An die Türen will ich schleichen
Florian Boesch
00:02:09

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

12
Grenzen der Menschheit, D. 716
Florian Boesch
00:06:36

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

13
Schwanengesang, D. 957: VIII. Das Fischermädchen
Florian Boesch
00:02:16

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

14
Schwanengesang, D. 957: IX. Am Meer
Florian Boesch
00:03:47

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

15
Schwanengesang, D. 957: X. Ihr Bild
Florian Boesch
00:02:34

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

16
Schwanengesang, D. 957: XI. Die Stadt
Florian Boesch
00:02:50

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

17
XII. Der Doppelgänger
Florian Boesch
00:04:03

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

18
Schwanengesang, D. 957: XIII. Der Atlas
Florian Boesch
00:02:08

Franz Schubert, Composer - Malcolm Martineau, MainArtist - Florian Boesch, MainArtist

(C) 2014 PM Classics Ltd. (P) 2014 Florian Boesch

Presentación del Álbum

Published shortly after Franz Schubert's death in 1828, Schwanengesang is a collection of 14 lieder on seven texts by Ludwig Rellstab, six by Heinrich Heine, and one by Johann Gabriel Seidl, whose poem became Die Taubenpost, claimed to be Schubert's final song. Unlike most performances of Schwanengesang, which follow the published edition, baritone Florian Boesch's rearranged version on Onyx lacks Die Taubenpost, which was not included in Schubert's fair copy of the cycle. Instead, Boesch adds five songs on Sturm und Drang poems by Johann Wolfgang von Goethe, making this recording somewhat controversial among purists. But Boesch and accompanist Malcolm Martineau have delivered a compelling interpretation of this unsettling collection, and overall, this expanded Schwanengesang has a greater scope and a more satisfying duration, comparable to the 20 songs of Die schöne Müllerin and the 24 songs of Winterreise. Boesch's powerful voice communicates the full range of Schubert's emotions, from the melancholy sweetness of Ständchen and the gentle lyricism of Das Fischermädchen to the bleak despair of Die Stadt and Der Doppelgänger, though his reedy tone and the darker quality of his vocal range add a degree of menace at times. This recording has received critical praise, so it is well worth hearing, notwithstanding differences of position on the song order.
© TiVo

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