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Dizzy Gillespie|School Days

School Days

Dizzy Gillespie

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An old recording from 1951, this album has been re-released on Columbia from the old Savoy/Regent recordings. The blowing is insane in spots -- in "Pop's Confessin," Dizzy tries to hit the loudest, highest, longest note possible (à la Roy Eldridge). Joe Carroll provides some humor in his vocal work (often performing in duet with Dizzy). Milt Jackson actually goes without his vibes here, singing and playing piano. A young John Coltrane solos on “We Love to Boogie,” which was one of his first appearances on record. According to the original liner notes, other performers on the album are "probably" Bill Graham on baritone sax, Wynton Kelly on piano, Percy Heath on bass, and Al Jones, Kansas Fields, or Joe Hanes on drums. The interplay among trumpet, piano, and Joe Carroll's vocals is some of the best you'll hear from this time period (it gets even better in a couple years, but this is still outstanding). "Lady Be Good" is a tour de force for Carroll, and "School Days" starts to sound a lot like the blues-shouting R&B of the day. For any fan of Dizzy, and the bop of the day, this is a worthwhile investment in listening pleasure. The trumpet is good, the vocals are good, the humor is good. You can barely miss with this one.

© Adam Greenberg /TiVo

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School Days

Dizzy Gillespie

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1
Oh! Lady Be Good
00:02:41

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Dizzy Gillespie, MainArtist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

2
Pop's Confessin'
00:03:32

Ellis Reynolds, ComposerLyricist - Chris Smith, ComposerLyricist - Dizzy Gillespie, MainArtist - Al J. Neiburg, ComposerLyricist - Doc Dougherty, ComposerLyricist - Sterling Grant, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

3
Nobody Knows The Trouble
00:02:35

Dizzy Gillespie, MainArtist - Kenny Clarke, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

4
Bopsie's Blues
00:02:34

John Coltrane, ComposerLyricist - Dizzy Gillespie, MainArtist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

5
I Couldn't Beat The Rap
00:02:57

Dizzy Gillespie, MainArtist, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

6
School Days
00:03:09

Richard Barone, ComposerLyricist - Dizzy Gillespie, MainArtist - Will D. Cobb, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

7
I'm In A Mess
00:02:11

Dizzy Gillespie, MainArtist - A White, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

8
Umbrella Man
00:02:27

Dizzy Gillespie, MainArtist - Vincent Rose, ComposerLyricist - Larry Stock, ComposerLyricist - James Cavanaugh, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

9
Love Me, Pretty Baby
00:03:02

Dizzy Gillespie, MainArtist, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

10
We Love To Boogie
00:02:51

Dizzy Gillespie, MainArtist, ComposerLyricist

℗ 1951 Savoy Records, a division of Concord Music Group, Inc.

Presentación del Álbum

An old recording from 1951, this album has been re-released on Columbia from the old Savoy/Regent recordings. The blowing is insane in spots -- in "Pop's Confessin," Dizzy tries to hit the loudest, highest, longest note possible (à la Roy Eldridge). Joe Carroll provides some humor in his vocal work (often performing in duet with Dizzy). Milt Jackson actually goes without his vibes here, singing and playing piano. A young John Coltrane solos on “We Love to Boogie,” which was one of his first appearances on record. According to the original liner notes, other performers on the album are "probably" Bill Graham on baritone sax, Wynton Kelly on piano, Percy Heath on bass, and Al Jones, Kansas Fields, or Joe Hanes on drums. The interplay among trumpet, piano, and Joe Carroll's vocals is some of the best you'll hear from this time period (it gets even better in a couple years, but this is still outstanding). "Lady Be Good" is a tour de force for Carroll, and "School Days" starts to sound a lot like the blues-shouting R&B of the day. For any fan of Dizzy, and the bop of the day, this is a worthwhile investment in listening pleasure. The trumpet is good, the vocals are good, the humor is good. You can barely miss with this one.

© Adam Greenberg /TiVo

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