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Steve Lacy|Sands

Sands

Steve Lacy

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This solo soprano saxophone album presents Steve Lacy playing material from one of his practice books -- the "S" book, to be exact -- including material spanning the '70s through the '90s. Recorded in Lacy's home, excellent sound and acoustics bring the horn up close. Extremely lyrical, the pieces progress at a steady, unhurried pace. In fact, the whole album flows without much differentiation (with the obvious exception of track nine, on which wife and longtime collaborator Irene Aebi sings): similar mood, similar tempo, and few pauses. But if it seems rather like a medley, or has the feel of a comfortable demonstration, that's because this recording is, essentially, Lacy practicing. Sands, however, can be quite helpful for students or any fan who wants to hear the method behind the skill of this modern master.

© Joslyn Layne /TiVo

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Sands

Steve Lacy

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Desde 12,49€/mes

1
Who Needs It?
00:02:46

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

2
Gloompot
00:04:07

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

3
Jewgitive
00:04:44

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

4
Naufrage
00:07:09

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

5
The Dumps
00:04:16

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

6
Sands (1) Stand
00:06:45

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

7
Sands (2) Jump
00:05:14

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

8
Sands (3) Fall
00:05:38

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

9
Song
00:07:10

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

10
On Vous Demande
00:03:45

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

11
Morning Joy
00:05:05

Steve Lacy, Composer, MainArtist

1998 Tzadik 1998 Tzadik

Presentación del Álbum

This solo soprano saxophone album presents Steve Lacy playing material from one of his practice books -- the "S" book, to be exact -- including material spanning the '70s through the '90s. Recorded in Lacy's home, excellent sound and acoustics bring the horn up close. Extremely lyrical, the pieces progress at a steady, unhurried pace. In fact, the whole album flows without much differentiation (with the obvious exception of track nine, on which wife and longtime collaborator Irene Aebi sings): similar mood, similar tempo, and few pauses. But if it seems rather like a medley, or has the feel of a comfortable demonstration, that's because this recording is, essentially, Lacy practicing. Sands, however, can be quite helpful for students or any fan who wants to hear the method behind the skill of this modern master.

© Joslyn Layne /TiVo

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