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Uriah Heep|Salisbury  (Expanded Version)

Salisbury (Expanded Version)

Uriah Heep

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On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition. Highlights on the song-oriented side include "Bird of Prey," a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and "Lady in Black," a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. The big surprise on this side is "The Park," a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards. It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley. However, Salisbury is undone by its title track, the 16-minute track that dominates the album's entire second side: it feels more like a lengthy jam session instead of a prog epic with distinctive and carefully crafted sections. Another problem is that the overly busy brass and woodwind arrangements that have been grafted onto it intrude on the group's sound instead of fleshing it out. All in all, Salisbury is too unfocused for the casual listener but offers enough solid songs for the Uriah Heep completist. Collector's note: The American version of this album had different cover art (the tank on the British edition was replaced by a gruesome image of man tearing out of his own skin) and replaced "Bird of Prey" with a bluesy B-side entitled "Simon the Bullet Freak."

© Donald A. Guarisco /TiVo

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Salisbury (Expanded Version)

Uriah Heep

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1
Bird of Prey
00:04:11

Paul Newton, Composer - Gerry Bron, Producer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

2
The Park
00:05:37

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, Composer, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

3
Time to Live
00:03:59

Ken Hensley, Composer - Gerry Bron, Producer - Mick Box, Composer - David Byron, Composer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

4
Lady in Black
00:04:40

Ken Hensley, Composer - Hensley, Composer, Writer - Gerry Bron, Producer - Uriah Heep, Composer, MainArtist - David William, Writer - Kenneth Hensley, Writer

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

5
High Priestess
00:03:39

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

6
Salisbury
00:16:01

Ken Hensley, Composer - Gerry Bron, Producer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

7
High Priestess (Alternative Version)
00:03:47

Ken Hensley, Composer - Uriah Heep, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

8
Time to Live (Alternative Version)
00:04:30

Ken Hensley, Composer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

9
The Park (Alternative Version)
00:05:58

Ken Hensley, Composer - Uriah Heep, Composer, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

10
Simon the Bullet Freak (Alternative Version)
00:03:46

Ken Hensley, Composer - Uriah Heep, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

11
Bird of Prey (Alternative Version)
00:04:42

Paul Newton, Composer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

12
Here Am I (Alternative Version)
00:08:33

Ken Hensley, Composer - Uriah Heep, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

13
Lady in Black (Alternative Version)
00:05:17

Ken Hensley, Composer - Hensley, Composer, Writer - Uriah Heep, Composer, Performance, MainArtist - David William, Writer - Kenneth Hensley, Writer

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

14
Salisbury (Alternative Version)
00:16:24

Ken Hensley, Composer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

15
Salisbury (Alternative Version; Live)
00:17:34

Ken Hensley, Composer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, Performance, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2016 Sanctuary Records Group Ltd., a BMG Company

16
Simon the Bullet Freak
00:03:25

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

17
Here Am I (Extended Version)
00:07:50

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

18
Lady In Black (Alternate Version)
00:03:31

Ken Hensley, Composer - Hensley, Composer, Writer - Gerry Bron, Producer - Uriah Heep, Composer, MainArtist - David William, Writer - Kenneth Hensley, Writer

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

19
High Priestess (Single Version)
00:03:13

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

20
Salisbury (Edit)
00:04:20

Ken Hensley, Composer - Gerry Bron, Producer - Mick Box, Composer - David Byron, Composer - Uriah Heep, Composer, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

21
The Park (Edit)
00:05:16

Ken Hensley, Composer - Gerry Bron, Producer - Uriah Heep, Composer, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

22
Time to Live (Edit)
00:04:14

Ken Hensley, Composer - Gerry Bron, Producer - Mick Box, Composer - David Byron, Composer - Uriah Heep, MainArtist

© 1971 Sanctuary Records Group Ltd., a BMG Company ℗ 2003 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition. Highlights on the song-oriented side include "Bird of Prey," a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and "Lady in Black," a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. The big surprise on this side is "The Park," a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards. It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley. However, Salisbury is undone by its title track, the 16-minute track that dominates the album's entire second side: it feels more like a lengthy jam session instead of a prog epic with distinctive and carefully crafted sections. Another problem is that the overly busy brass and woodwind arrangements that have been grafted onto it intrude on the group's sound instead of fleshing it out. All in all, Salisbury is too unfocused for the casual listener but offers enough solid songs for the Uriah Heep completist. Collector's note: The American version of this album had different cover art (the tank on the British edition was replaced by a gruesome image of man tearing out of his own skin) and replaced "Bird of Prey" with a bluesy B-side entitled "Simon the Bullet Freak."

© Donald A. Guarisco /TiVo

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