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Orchestre Philharmonique Royal de Liège|Respighi: Transcriptions of Bach & Rachmaninoff

Respighi: Transcriptions of Bach & Rachmaninoff

Orchestre philharmonique royal de Liège and John Neschling

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The series of Respighi recordings by conductor John Neschling and the Royal Liège Philharmonic has been consistently well-received, and with this 2021 release, there is the added attraction of music that has been somewhat neglected over the years. Mostly commissioned for performances in the U.S. by Arturo Toscanini in New York and Serge Koussevitsky in Boston, these transcriptions of Bach and Rachmaninov were great successes when they first appeared. The Bach transcriptions appeared on the heels of those done by Leopold Stokowski in Philadelphia yet are entirely distinct from them. They end up sounding more like Respighi than Bach, which may not please historical performance aficionados, but then they are not the audience for this music anyhow. Rachmaninov became interested in the transcriptions of his Etudes-Tableaux, sending Respighi programs for the works that he had previously hidden and praising the results. Neschling makes an excellent case for more frequent performances of these pieces, which display Respighi's considerable and not always recognized gifts as an orchestrator. He uses a large orchestra, but the pieces are not monumental in the way that those of Stokowski were, and he reins in the orchestra for the three chorale settings, where the strings dominate. The Rachmaninov pieces are marvelous little tone poems where instruments develop the atmosphere as the music proceeds. Neschling manages the orchestral balances perfectly to reveal Respighi's small details, and he has strong allies in the engineering team from BIS, working (in 2017, not 2020 as stated online) in the Salle Philharmonique de Liège. An excellent album of music that has been unjustly neglected.

© TiVo

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Respighi: Transcriptions of Bach & Rachmaninoff

Orchestre Philharmonique Royal de Liège

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Prelude & Fugue in D Major, P. 158 (After J.S. Bach's BWV 532) (Ottorino Respighi)

1
I. Prelude
00:04:39

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

2
II. Fugue
00:05:31

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

Passacaglia & Fugue in C Minor, P. 159 (After J.S. Bach's BWV 582) (Ottorino Respighi)

3
I. Passacaglia
00:08:44

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

4
II. Fugue
00:06:40

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

3 Corali, P. 167 (Ottorino Respighi)

5
No. 1, Lento assai (After J.S. Bach's BWV 659)
00:04:06

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

6
No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648)
00:01:08

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

7
No. 3, Andante (After J.S. Bach's BWV 645)
00:05:26

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

5 Etude-tableaux, P. 160 (After Rachmaninoff) (Ottorino Respighi)

8
No. 1, La mer et les mouettes
00:07:19

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

9
No. 2, La foire
00:02:05

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

10
No. 3, Marche funèbre
00:06:13

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

11
No. 4, Le chaperon rouge et le loup
00:03:12

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

12
No. 5, Marche
00:03:47

John Neschling, Conductor, MainArtist - Ottorino Respighi, Composer - Dirk Lüdemann, Producer - Orchestre Philharmonique Royal de Liège, Orchestra, MainArtist - Bastian Schick, SoundEngineer

2021 BIS 2021 (P) BIS

Presentación del Álbum

The series of Respighi recordings by conductor John Neschling and the Royal Liège Philharmonic has been consistently well-received, and with this 2021 release, there is the added attraction of music that has been somewhat neglected over the years. Mostly commissioned for performances in the U.S. by Arturo Toscanini in New York and Serge Koussevitsky in Boston, these transcriptions of Bach and Rachmaninov were great successes when they first appeared. The Bach transcriptions appeared on the heels of those done by Leopold Stokowski in Philadelphia yet are entirely distinct from them. They end up sounding more like Respighi than Bach, which may not please historical performance aficionados, but then they are not the audience for this music anyhow. Rachmaninov became interested in the transcriptions of his Etudes-Tableaux, sending Respighi programs for the works that he had previously hidden and praising the results. Neschling makes an excellent case for more frequent performances of these pieces, which display Respighi's considerable and not always recognized gifts as an orchestrator. He uses a large orchestra, but the pieces are not monumental in the way that those of Stokowski were, and he reins in the orchestra for the three chorale settings, where the strings dominate. The Rachmaninov pieces are marvelous little tone poems where instruments develop the atmosphere as the music proceeds. Neschling manages the orchestral balances perfectly to reveal Respighi's small details, and he has strong allies in the engineering team from BIS, working (in 2017, not 2020 as stated online) in the Salle Philharmonique de Liège. An excellent album of music that has been unjustly neglected.

© TiVo

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