Categorías:
Carrito 0

Su carrito está vacío

Fort Smith Symphony - Price: Symphonies Nos. 1 & 4

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Price: Symphonies Nos. 1 & 4

Fort Smith Symphony, John Jeter

Libreto digital

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

Lists of American music "firsts" often include Florence B. Price's 1933 Symphony No. 1 in E minor, which became the first symphony by an African American woman performed by a major American orchestra. Even that work is not so common these days. With echoes of Dvorák and William Grant Still, the work features a jovial "Juba Dance" in place of a scherzo. More interesting is the first movement, where African American influences -- syncopations, pentatonic scales -- seem to be struggling over the course of the substantial first movement to break out from the rather weighty material. But the highlight of this release from the Fort Smith Symphony of Arkansas and its conductor, John Jeter, is Price's Symphony No. 4 in D minor, composed in 1945 and here receiving its recorded world premiere. Despite the similar four-movement layout, with a juba dance in the same spot, it's a more complex work than its predecessor in every way, and its rediscovery is a major event. Sample the first movement with its subtle treatment of the spiritual "Wade in the Water." The slow movement makes reference to that of Dvorák's Symphony No. 9 in E minor, Op. 95 ("From the New World") and is all the more impressive for making an entirely distinct impression despite the similarities. The Fort Smith Symphony, from Price's home state (she and her husband fled after a horrifying lynching episode), delivers idiomatic performances, and the Symphony No. 4 finale is especially exciting. Highly recommended.
© TiVo

Más información

Price: Symphonies Nos. 1 & 4

Fort Smith Symphony

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 70 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 70 millones de pistas con los planes de streaming ilimitado.

Symphony No. 1 in E Minor (Florence Béatrice Price)

1
I. Allegro ma non troppo
00:16:40

Tim Handley, Producer - John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

2
II. Largo, maestoso
00:12:16

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

3
III. Juba Dance
00:03:40

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

4
IV. Finale
00:04:49

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

Symphony No. 4 in D Minor (Florence Béatrice Price)

5
I. Tempo moderato
00:15:13

Tim Handley, Producer - John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

6
II. Andante cantabile
00:05:40

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

7
III. Juba Dance
00:05:17

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

8
IV. Scherzo
00:05:24

John Jeter, Conductor - Fort Smith Symphony, Orchestra, MainArtist - Florence Beatrice Price, Composer

(C) 2019 Naxos (P) 2019 Naxos

Descripción del álbum

Lists of American music "firsts" often include Florence B. Price's 1933 Symphony No. 1 in E minor, which became the first symphony by an African American woman performed by a major American orchestra. Even that work is not so common these days. With echoes of Dvorák and William Grant Still, the work features a jovial "Juba Dance" in place of a scherzo. More interesting is the first movement, where African American influences -- syncopations, pentatonic scales -- seem to be struggling over the course of the substantial first movement to break out from the rather weighty material. But the highlight of this release from the Fort Smith Symphony of Arkansas and its conductor, John Jeter, is Price's Symphony No. 4 in D minor, composed in 1945 and here receiving its recorded world premiere. Despite the similar four-movement layout, with a juba dance in the same spot, it's a more complex work than its predecessor in every way, and its rediscovery is a major event. Sample the first movement with its subtle treatment of the spiritual "Wade in the Water." The slow movement makes reference to that of Dvorák's Symphony No. 9 in E minor, Op. 95 ("From the New World") and is all the more impressive for making an entirely distinct impression despite the similarities. The Fort Smith Symphony, from Price's home state (she and her husband fled after a horrifying lynching episode), delivers idiomatic performances, and the Symphony No. 4 finale is especially exciting. Highly recommended.
© TiVo

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Songs In The Key Of Life

Stevie Wonder

Songs In The Key Of Life Stevie Wonder

Innervisions

Stevie Wonder

Innervisions Stevie Wonder

Talking Book

Stevie Wonder

Talking Book Stevie Wonder

What's Going On

Marvin Gaye

What's Going On Marvin Gaye
Más en Qobuz
Por Fort Smith Symphony

Symphonies n°2 et n°3 - Wood Notes

Fort Smith Symphony

Symphonies n°4 & 5

Fort Smith Symphony

Symphonies n°4 & 5 Fort Smith Symphony

STILL: In Memoriam / Africa / Symphony No. 1, 'Afro-American'

Fort Smith Symphony

Playlists

Quizás también le guste...

Road to the Sun

Pat Metheny

Road to the Sun Pat Metheny

Debussy, Szymanowski, Hahn, Ravel

Fanny Robilliard

Seasons: Orchestral Music of Michael Fine

The Royal Scottish National Orchestra

Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra

Debussy – Rameau

Víkingur Ólafsson

Debussy – Rameau Víkingur Ólafsson

All Shall Not Die - Haydn String Quartets

Quatuor Hanson

Los Grandes Angulares...
Neoclásico: un nuevo mundo en la frontera entre el electro y el clásico

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... En los últimos años, todos estos nombres tan de moda se han agrupado bajo la vasta e imprecisa etiqueta de «neoclásico». Pero, a decir verdad, este «escenario» se parece más a una banda heterogénea de inquietos artistas que mezclan instrumentos clásicos y producción electrónica –desde una supuesta conexión con los pioneros del minimalismo estadounidense… que deleitan los sentidos, y que abren perspectivas a ambos lados de su espectro musical.

Jorge Bolet & Franz Liszt

Jorge Bolet arrojó una nueva luz sobre la música de Franz Liszt gracias a una visión a la vez poética y lírica, muy alejada del virtuosismo gratuito y chillón oído demasiado a menudo. Al inicio de los años 1980, Jorge Bolet graba para DECCA una antología del compositor húngaro que hará historia, a la que conviene añadir otras grabaciones realizadas para el sello español ENSAYO, RCA en los años 1970, EVEREST en 1960, junto con grabaciones de estudio y de radio en los años 1950, cuando su asombrosa técnica estaba en su apogeo.

Gounod romántico y místico

Artesano mayor de la renovación de la música francesa durante la segunda mitad del siglo XIX junto con su predecesor, Berlioz, al que admiraba, y sus discípulos, Bizet, Saint-Saëns y Massenet que veneraban su fe en el Arte, Charles Gounod (1818-1893), místico y seductor, romántico en pos de un nuevo clasicismo, debe su renombre a unas obras maestras que, sin embargo, reducen su envergadura. Una discografía en pleno auge nos permite descubrir la diversidad de su música: instrumental, vocal, sacra y lírica.

De actualidad...