Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Preservation is Ray Davies' most ambitious project -- a musical that used the quaint, small-town nostalgia of Village Green as a template to draw the entirety of society and how it works. Or, at least that's what the concept seems to be, since the storyline was so convoluted, it necessitated three separate LPs, spread over two albums, and it still didn't really make sense because the first album, Preservation, Act 1, acted more like an introduction to the characters, and all the story was condensed into the second album. Davies intended all of Preservation to stand as one double-album set, but he scrapped the first sessions for the album, which led to record company pressure to deliver an album before the end of 1973 -- hence, the appearance of Preservation, Act 1 in mid-November. Stripped of much of the narrative, Preservation winds up playing like an explicitly theatrical Village Green, this time with specific characters -- a bit like a novella instead of short stories. There are moments where everything clicks on Preservation and they're the ones that are closest to typical Davies -- the stately "Daylight," the endearingly lazy "Sitting in the Midday Sun," the fairly rocking "Here Comes Flash," "Where Are They Now?," and the absolutely gorgeous "Sweet Lady Genevieve," a real candidate for Davies' forgotten masterpiece. Then, there's the rest of the record: unfocused attempts at story, showtunes, and characterizations, some of which are interesting, but the whole of it is rather tedious. Preservation, Act 1 winds up as listenable due to the strength of those five songs, which form the core not only of this record, but the musical drama as a whole. The rest plays as artistic hubris, which is exactly what swallows Preservation, Act 2 alive.
© Stephen Thomas Erlewine /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Raymond Douglas Davies, Composer, Producer, Guitar, Vocals, Writer - Dave Davies, Guitar, Backing Vocals - The Kinks, MainArtist - John Gosling, Keyboards - Mick Avory, Drums - John Dalton, Bass
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Presentación del Álbum
Preservation is Ray Davies' most ambitious project -- a musical that used the quaint, small-town nostalgia of Village Green as a template to draw the entirety of society and how it works. Or, at least that's what the concept seems to be, since the storyline was so convoluted, it necessitated three separate LPs, spread over two albums, and it still didn't really make sense because the first album, Preservation, Act 1, acted more like an introduction to the characters, and all the story was condensed into the second album. Davies intended all of Preservation to stand as one double-album set, but he scrapped the first sessions for the album, which led to record company pressure to deliver an album before the end of 1973 -- hence, the appearance of Preservation, Act 1 in mid-November. Stripped of much of the narrative, Preservation winds up playing like an explicitly theatrical Village Green, this time with specific characters -- a bit like a novella instead of short stories. There are moments where everything clicks on Preservation and they're the ones that are closest to typical Davies -- the stately "Daylight," the endearingly lazy "Sitting in the Midday Sun," the fairly rocking "Here Comes Flash," "Where Are They Now?," and the absolutely gorgeous "Sweet Lady Genevieve," a real candidate for Davies' forgotten masterpiece. Then, there's the rest of the record: unfocused attempts at story, showtunes, and characterizations, some of which are interesting, but the whole of it is rather tedious. Preservation, Act 1 winds up as listenable due to the strength of those five songs, which form the core not only of this record, but the musical drama as a whole. The rest plays as artistic hubris, which is exactly what swallows Preservation, Act 2 alive.
© Stephen Thomas Erlewine /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:39:20
- Artistas principales: The Kinks
- Compositor: Raymond Douglas Davies
- Sello: Sanctuary Records
- Género Pop/Rock Rock
© 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company
Mejorar la información del álbum
Por qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.