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This compilation in Verve's Jazz in Paris reissue series features two long unavailable studio sessions by two somewhat obscure pianists. Art Simmons, who recorded as a sideman with James Moody in 1949 and also appeared on discs by Dizzy Gillespie, Don Byas, Trummy Young, Bill Coleman, and Clark Terry, made his recording debut as a leader in 1956 with English guitarist Terry Donahue, bassist Bill Crow, and drummer Dave Bailey. Although his cool style of playing is a bit conservative, his treatments of standards such as "My Funny Valentine," "Too Marvelous for Words," and "Nice Work if You Can Get It" are worthwhile. Ronnell Bright is primarily known for his work as pianist for Sarah Vaughan and Nancy Wilson, though he did a few dates as a leader. This 1958 session, originally recorded for Polydor, is a trio session with bassist Richard Davis and drummer Art Morgan. The music includes compositions by Johnny Pate (with whom he made his recording debut), Dizzy Gillespie, and Nat King Cole, as well the venerable blues from the Ellington songbook, "Things Ain't What They Used to Be." But the highlight of the second half of this CD consists of Bright's originals, especially the Bud Powell-flavored "Chasing Sarah."
© Ken Dryden /TiVo
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Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1956 Decca Records France
Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1956 Decca Records France
Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1956 Decca Records France
Johnny Mercer, ComposerLyricist - Richard A. Whiting, ComposerLyricist - Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1956 Decca Records France
Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1956 Decca Records France
Cole Porter, ComposerLyricist - Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1956 Decca Records France
George Gershwin, Composer - Ira Gershwin, Author - Art Simmons, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1956 Decca Records France
Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1958 Decca Records France
Duke Ellington, ComposerLyricist - Johnny Mercer, ComposerLyricist - Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1958 Decca Records France
Johnny Pate, ComposerLyricist - Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1958 Decca Records France
Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1958 Decca Records France
Dizzy Gillespie, ComposerLyricist - Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1958 Decca Records France
Nat King Cole, ComposerLyricist - Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer
℗ 1958 Decca Records France
Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1958 Decca Records France
Ronnell Bright, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1958 Decca Records France
Presentación del Álbum
This compilation in Verve's Jazz in Paris reissue series features two long unavailable studio sessions by two somewhat obscure pianists. Art Simmons, who recorded as a sideman with James Moody in 1949 and also appeared on discs by Dizzy Gillespie, Don Byas, Trummy Young, Bill Coleman, and Clark Terry, made his recording debut as a leader in 1956 with English guitarist Terry Donahue, bassist Bill Crow, and drummer Dave Bailey. Although his cool style of playing is a bit conservative, his treatments of standards such as "My Funny Valentine," "Too Marvelous for Words," and "Nice Work if You Can Get It" are worthwhile. Ronnell Bright is primarily known for his work as pianist for Sarah Vaughan and Nancy Wilson, though he did a few dates as a leader. This 1958 session, originally recorded for Polydor, is a trio session with bassist Richard Davis and drummer Art Morgan. The music includes compositions by Johnny Pate (with whom he made his recording debut), Dizzy Gillespie, and Nat King Cole, as well the venerable blues from the Ellington songbook, "Things Ain't What They Used to Be." But the highlight of the second half of this CD consists of Bright's originals, especially the Bud Powell-flavored "Chasing Sarah."
© Ken Dryden /TiVo
Acerca del álbum
- 1 disco(s) - 15 pista(s)
- Duración total: 01:01:19
- Artistas principales: Art Simmons Ronnell Bright
- Compositor: Various Composers
- Sello: Universal Music Division Decca Records France
- Género Jazz
© 2001 Universal Music Jazz France This Compilation ℗ 2001 Decca Records France
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