Categorías:
Carrito 0

Su carrito está vacío

Jonathan Richman|Not So Much to Be Loved As to Love

Not So Much to Be Loved As to Love

Jonathan Richman

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

Jonathan Richman has been slowly but surely maturing, which nearly 30 years after the first Modern Lovers album shouldn't be much of a surprise, but it is a wee bit startling to hear the guy who wrote "Ice Cream Man" and "Chewing Gun Wrapper" finally sounding like a full-fledged adult with the advent of the 21st century. Released in 2004, Not So Much to Be Loved as to Love documents the thoughts and feelings of Jonathan Richman at the age of 53, which finds him as playful as ever but exploring some unexpected avenues -- confronting political matters as he sings to free Mumia Abu-Jamal, embracing the French and Spanish tongues, celebrating the art of Vincent Van Gogh and Salvador Dali (both with greater sophistication than he displayed in his famous tune about Picasso), and in his own subtle way confronting the specter of age and the weight of his past. Richman is still a musician who revels in simplicity, with many of the cuts featuring just Jonathan and his longtime percussionist, Tommy Larkins, but the Latin accents in his melodies (and guitar playing) speak of a more sophisticated aural palette than he displayed in the '70s and '80s, and the occasional wind accents from Ralph Carney add depth and texture that are welcome indeed. Not So Much to Be Loved as to Love is immediately recognizable as a Jonathan Richman album -- all these years later, it's still true that no one else sounds quite like him -- but the subtle shifts in his style and lyrical stance serve as evidence that he hasn't been running in place, and this is an engaging and passionate collection of songs from a man who has never failed to sing directly from his heart.

© Mark Deming /TiVo

Más información

Not So Much to Be Loved As to Love

Jonathan Richman

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde 12,49€/mes

1
Not So Much to Be Loved As to Love
00:02:52

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

2
Sunday Afternoon
00:01:17

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

3
Vincent Van Gogh
00:03:03

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

4
Cosi Veloce
00:03:31

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

5
He Gave Us the Wine to Taste
00:02:40

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

6
Salvador Dali
00:02:22

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

7
My Baby Love Love Loves Me
00:03:10

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

8
In Che Mondo Viviamo
00:02:27

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

9
Behold the Lilies of the Field
00:03:07

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

10
Les Étoiles
00:02:13

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

11
The World Is Showing Its Hand
00:02:23

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

12
Abu Jamal
00:02:16

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

13
On a Du Soleil
00:01:54

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

14
I Had a Dream That the Sea
00:02:05

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

15
Not So Much to Be Loved As to Love (Version 2)
00:02:46

Jonathan Richman, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

Jonathan Richman has been slowly but surely maturing, which nearly 30 years after the first Modern Lovers album shouldn't be much of a surprise, but it is a wee bit startling to hear the guy who wrote "Ice Cream Man" and "Chewing Gun Wrapper" finally sounding like a full-fledged adult with the advent of the 21st century. Released in 2004, Not So Much to Be Loved as to Love documents the thoughts and feelings of Jonathan Richman at the age of 53, which finds him as playful as ever but exploring some unexpected avenues -- confronting political matters as he sings to free Mumia Abu-Jamal, embracing the French and Spanish tongues, celebrating the art of Vincent Van Gogh and Salvador Dali (both with greater sophistication than he displayed in his famous tune about Picasso), and in his own subtle way confronting the specter of age and the weight of his past. Richman is still a musician who revels in simplicity, with many of the cuts featuring just Jonathan and his longtime percussionist, Tommy Larkins, but the Latin accents in his melodies (and guitar playing) speak of a more sophisticated aural palette than he displayed in the '70s and '80s, and the occasional wind accents from Ralph Carney add depth and texture that are welcome indeed. Not So Much to Be Loved as to Love is immediately recognizable as a Jonathan Richman album -- all these years later, it's still true that no one else sounds quite like him -- but the subtle shifts in his style and lyrical stance serve as evidence that he hasn't been running in place, and this is an engaging and passionate collection of songs from a man who has never failed to sing directly from his heart.

© Mark Deming /TiVo

Acerca del álbum

Mejorar la información del álbum

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

Maiden Voyage

Herbie Hancock

Maiden Voyage Herbie Hancock
Más en Qobuz
Por Jonathan Richman

Jonathan Goes Country

Jonathan Richman

Jonathan Goes Country Jonathan Richman

Rock 'n' Roll With the Modern Lovers

Jonathan Richman

I, Jonathan

Jonathan Richman

I, Jonathan Jonathan Richman

Live

Jonathan Richman

Live Jonathan Richman

Jonathan Richman & The Modern Lovers

Jonathan Richman

Playlists

Quizás también le guste...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam