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Mark Isham|Miles Remembered: The Silent Way Project

Miles Remembered: The Silent Way Project

Mark Isham

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In a Silent Way is one of the most celebrated albums in jazz history and it still sounds fresh decades after it was originally recorded. During the '90s, its evocative sonic textures and blends of acoustic and electric instruments could be heard throughout contemporary music, particularly in electronica artists who seized the more cerebral aspects of the album. Conversely, Mark Isham hears the space and atmosphere within the album, along with the rest of Miles Davis' electric fusion period. That's why his Davis tribute, Miles Remembered: The Silent Way Project, is so interesting. Even on edgier numbers, such as "Right Off" (the closest Davis ever got to metallic hard rock), Isham finds spacious sonic textures. It may be smoother than Davis fusion and have a different sense of purpose, but it's never boring, and it's often quite rewarding, standing as a testament to Davis' original vision and Isham's skills as an arranger and interpreter.

© Stephen Thomas Erlewine /TiVo

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Miles Remembered: The Silent Way Project

Mark Isham

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1
In A Silent Way - Milestones (Album Version)
00:08:24

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Joe Zawinul, Composer - Joe Zawinul, Lyricist - Pate Maunu, Guitar - Doug Linn, Bass - Mike Barsimanto, Drums - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

2
Right Off (Theme from Jack Johnson) (Album Version)
00:05:06

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Performer - Mark Isham, Trumpet - Mike Barsimanto, Drums - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

3
Internet (Album Version)
00:05:08

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Composer - Mark Isham, Lyricist - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

4
All Blues (Album Version)
00:06:33

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

5
It's About That Time (Album Version)
00:07:46

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - M. Davis, Lyricist - M. Davis, Composer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

6
Azael (Album Version)
00:02:48

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Composer - Mark Isham, Lyricist - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

7
Spanish Key (Album Version)
00:15:25

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Miles Davis, Composer - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

8
Ife (Album Version)
00:05:20

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

9
Great Expectations (Album Version)
00:05:45

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Joe Zawinul, Composer - Joe Zawinul, Lyricist - Pate Maunu, Guitar - Doug Linn, Bass - Mike Barsimanto, Drums - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

10
Black Satin (Album Version)
00:05:52

Bruce Somers, Recording Engineer - Ramón Bretón, Mastering Engineer - Pate Maunu, Guitar - Doug Linn, Bass - Steve Cardenas, Guitar - Mark Isham, Producer - Mark Isham, Trumpet - Mark Isham, Performer - Mike Barsimanto, Drums - Miles Davis, Composer - Miles Davis, Lyricist - Jason LaRocca, Mixing Engineer - Lodum, 2nd Engineer - Stephen Krause, Producer - Stephen Krause, Mixing Engineer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

Presentación del Álbum

In a Silent Way is one of the most celebrated albums in jazz history and it still sounds fresh decades after it was originally recorded. During the '90s, its evocative sonic textures and blends of acoustic and electric instruments could be heard throughout contemporary music, particularly in electronica artists who seized the more cerebral aspects of the album. Conversely, Mark Isham hears the space and atmosphere within the album, along with the rest of Miles Davis' electric fusion period. That's why his Davis tribute, Miles Remembered: The Silent Way Project, is so interesting. Even on edgier numbers, such as "Right Off" (the closest Davis ever got to metallic hard rock), Isham finds spacious sonic textures. It may be smoother than Davis fusion and have a different sense of purpose, but it's never boring, and it's often quite rewarding, standing as a testament to Davis' original vision and Isham's skills as an arranger and interpreter.

© Stephen Thomas Erlewine /TiVo

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