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The installation of two organs at the National Shrine of the Immaculate Conception provided an opportunity for Maurice Duruflé and his wife, Marie-Madeleine Duruflé-Chevalier, to present a joint recital. The works range from the Baroque to the twentieth century and display the organs' versatility in various styles. Duruflé opens his performance with Buxtehude's buoyant Fugue in C, and follows it with a subdued rendition of Bach's chorale prelude on "Herr Gott, nun schleuss den Himmel auf." Duruflé's arrangement of Handel's organ concerto in A is the centerpiece of the concert, using both the Great and the Chancel organs. Separated by a distance of 300 feet, the Duruflés coordinate their playing through headphones and successfully circumvent the time lag between instruments. Schumann's whimsical Canon concludes their portion of the program. In Tournemire's Chorale Improvisation on "Victimae Paschali," Duruflé's wife used a registration featuring the Pontifical Trumpet, a penetrating reed sound that is perhaps too strong, despite the piece's post-romantic excess. She also performs Duruflé's Prelude and Fugue on the name A.L.A.I.N., a tour de force in tribute to the couple's friend Jehan Alain. Recorded in 1967, the sound is at floor level and the basilica's resonant acoustic is fully captured.
© TiVo
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Fugue in C major, BuxWV 174
Maurice Duruflé, Performer - Dieterich Buxtehude, Composer
(C) 2012 Gothic (P) 2012 Gothic
Herr Gott, nun schleuss den Himmel auf, BWV 1092 (Johann Sebastian Bach)
Maurice Duruflé, Performer - Johann Sebastian Bach, Composer
(C) 2012 Gothic (P) 2012 Gothic
Organ Concerto No. 8 in A Major, Op. 7, No. 2, HWV 307
Maurice Duruflé, Performer - Marie-Madeleine Durufle, Performer - George Frideric Handel, Composer
(C) 2012 Gothic (P) 2012 Gothic
Maurice Duruflé, Performer - Marie-Madeleine Durufle, Performer - George Frideric Handel, Composer
(C) 2012 Gothic (P) 2012 Gothic
Maurice Duruflé, Performer - Marie-Madeleine Durufle, Performer - George Frideric Handel, Composer
(C) 2012 Gothic (P) 2012 Gothic
Studien für den Pedal-Flügel, Op. 56 (Robert Schumann)
Maurice Duruflé, Performer - Robert Schumann, Composer
(C) 2012 Gothic (P) 2012 Gothic
5 Improvisations (Charles Tournemire)
Marie-Madeleine Durufle, Performer - Charles Tournemire, Composer
(C) 2012 Gothic (P) 2012 Gothic
Prélude et fugue sur le nom d'Alain, op. 7 (Maurice Duruflé)
Maurice Duruflé, Performer - Maurice Duruflé, Composer
(C) 2012 Gothic (P) 2012 Gothic
Presentación del Álbum
The installation of two organs at the National Shrine of the Immaculate Conception provided an opportunity for Maurice Duruflé and his wife, Marie-Madeleine Duruflé-Chevalier, to present a joint recital. The works range from the Baroque to the twentieth century and display the organs' versatility in various styles. Duruflé opens his performance with Buxtehude's buoyant Fugue in C, and follows it with a subdued rendition of Bach's chorale prelude on "Herr Gott, nun schleuss den Himmel auf." Duruflé's arrangement of Handel's organ concerto in A is the centerpiece of the concert, using both the Great and the Chancel organs. Separated by a distance of 300 feet, the Duruflés coordinate their playing through headphones and successfully circumvent the time lag between instruments. Schumann's whimsical Canon concludes their portion of the program. In Tournemire's Chorale Improvisation on "Victimae Paschali," Duruflé's wife used a registration featuring the Pontifical Trumpet, a penetrating reed sound that is perhaps too strong, despite the piece's post-romantic excess. She also performs Duruflé's Prelude and Fugue on the name A.L.A.I.N., a tour de force in tribute to the couple's friend Jehan Alain. Recorded in 1967, the sound is at floor level and the basilica's resonant acoustic is fully captured.
© TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:42:22
- 1 Libreto digital
- Artistas principales: Maurice Duruflé Marie-Madeleine Durufle
- Compositor: Various Composers
- Sello: Gothic
- Género Clásica
(C) 2012 Gothic (P) 2012 Gothic
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