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MC Lyte|Lyte As A Rock

Lyte As A Rock

MC Lyte

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In the earliest years of the hip-hop game, women were quite frequently overlooked until a new breed of female lyricist came along and gave the proverbial middle finger to a male-dominated game. MC Lyte's debut ushered in the era of the female MC -- confident, brazen, and not afraid to put male MCs in their misogynist place without flinching. The album starts off with a rather slow introduction before kicking things into high gear with the now classic title track, which put Lyte in the center of a media frenzy. With Lyte reasserting her femininity over and over again without compromising production quality or lyric delivery, Lyte as a Rock has aged better than most records that came out during hip-hop's formative years, although at certain moments it has become dated since its release. But what has aged is more than compensated by the classic tunes and the disc's potent historical impact on a generation of women MCs. A classic.

© Rob Theakston /TiVo

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Lyte As A Rock

MC Lyte

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1
Lyte vs. Vanna Whyte
00:02:50

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - KING OF CHILL, Composer - Yoram Vazan, Engineer - Alliance, Producer, Programmer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

2
Lyte as a Rock
00:04:20

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Audio Two, Composer, Producer, Programmer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

3
I Am Woman
00:02:49

MC Lyte, Vocals, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - KING OF CHILL, Composer, Producer, Programmer, Writer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

4
MC Lyte Likes Swingin'
00:03:20

MC Lyte, Vocals, Writer, MainArtist - Prince Paul, Producer, Programmer - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

5
10% Dis Explicit
00:05:01

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Audio Two, Composer, Producer, Programmer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

6
Paper Thin Explicit
00:05:15

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - KING OF CHILL, Composer, Producer, Programmer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

7
Lyte Thee MC
00:04:16

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - KING OF CHILL, Composer - Yoram Vazan, Engineer - Alliance, Producer, Programmer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

8
I Cram to Understand U Explicit
00:04:44

MC Lyte, Lyricist, Vocals, Writer, MainArtist - Dionne Alexander, Contributor - Nat Robinson, ExecutiveProducer - Natalie Macklin, Contributor - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Milk, Composer - Audio Two, Composer, Producer, Programmer - Giz, Composer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

9
Kickin' 4 Brooklyn
00:02:21

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Audio Two, Composer, Producer, Programmer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

10
Don't Cry Big Girls
00:03:58

MC Lyte, Vocals, Writer, MainArtist - Nat Robinson, ExecutiveProducer - Gary Clugston, Engineer - Mike Dee, Engineer - Dan Sheehan, Engineer - Audio Two, Composer, Producer, Programmer - Yoram Vazan, Engineer - Phil DeMartino, Engineer - Shlom Sonnenfeld, Engineer

© 2002 Atlantic Recording Coporation. ℗ 1988 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States

Presentación del Álbum

In the earliest years of the hip-hop game, women were quite frequently overlooked until a new breed of female lyricist came along and gave the proverbial middle finger to a male-dominated game. MC Lyte's debut ushered in the era of the female MC -- confident, brazen, and not afraid to put male MCs in their misogynist place without flinching. The album starts off with a rather slow introduction before kicking things into high gear with the now classic title track, which put Lyte in the center of a media frenzy. With Lyte reasserting her femininity over and over again without compromising production quality or lyric delivery, Lyte as a Rock has aged better than most records that came out during hip-hop's formative years, although at certain moments it has become dated since its release. But what has aged is more than compensated by the classic tunes and the disc's potent historical impact on a generation of women MCs. A classic.

© Rob Theakston /TiVo

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