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Nat King Cole|Looking Back

Looking Back

Nat King Cole

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Six months after Nat King Cole's untimely death, Capitol Records issued this compilation LP, which did not bode well for its stewardship of his recorded legacy. Nominally speaking, the album was a collection of tracks from the late '50s previously released only on singles and EPs, which would have made it, if a minor Cole collection, nevertheless welcome to fans and collectors. But the three songs that had been the biggest hits among the selections, "Looking Back," "Send for Me," and "If I May" (all Top Ten records), were not the original recordings, but the re-recordings Cole had done for his album The Nat King Cole Story in 1961. As if that weren't bad enough, the recordings had had new guitar and percussion tracks overdubbed to give the music more of a contemporary sound, circa 1965. The result of course was a travesty that did not reflect Cole's musical taste, even on material that was not among his best work to begin with.

© William Ruhlmann /TiVo

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Looking Back

Nat King Cole

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1
Time And The River
00:02:19

Nat King Cole, MainArtist - AARON SCHROEDER, Composer - Dave Cavanaugh, Musical Director - Wally Gold, Composer

℗ 1959 Capitol Records, LLC

2
The World In My Arms (Remastered 1999)
00:02:03

Noel Sherman, Composer - Jack Keller, Composer - Nat King Cole, MainArtist - Dave Cavanaugh, Musical Director

℗ 1999 Capitol Records, LLC

3
Again (Remastered 1995)
00:02:23

Dorcas Cochran, Composer - Nat King Cole, MainArtist - Dave Cavanaugh, Musical Director - Lionel Newman, Composer

℗ 1995 Capitol Records, LLC

4
Looking Back (Remastered 2005)
00:02:26

Belford Hendricks, ComposerLyricist - CLYDE OTIS, ComposerLyricist - Brook Benton, ComposerLyricist - Nat King Cole, MainArtist - Lee Gillette, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Dave Cavanaugh, Conductor, Recording Arranger, AssociatedPerformer

℗ 2005 Capitol Records, LLC

5
Midnight Flyer (Remastered 1994)
00:02:12

Mayme Watts, ComposerLyricist - Nat King Cole, MainArtist - Dave Cavanaugh, Musical Director - Robert Moseley, ComposerLyricist

℗ 1994 Capitol Records, LLC

6
I Must Be Dreaming (Remastered 1999)
00:01:48

Noel Sherman, ComposerLyricist - Dick Wolf, ComposerLyricist - Nat King Cole, Vocals, MainArtist, AssociatedPerformer - Dave Cavanaugh, Musical Director

℗ 1999 Capitol Records, LLC

7
Is It Better To Have Loved And Lost (Remastered 1999)
00:02:33

Edna Lewis, Composer - Nat King Cole, MainArtist - Lange, Composer - Dave Cavanaugh, Musical Director - Weissman, Composer

℗ 1999 Capitol Records, LLC

8
Send For Me (Remastered 1990)
00:02:30

Robert Norberg, Mastering Engineer, StudioPersonnel - Ollie Jones, ComposerLyricist - Nat King Cole, MainArtist - Lee Gillette, Producer - Dave Cavanaugh, Musical Director - Billy May, Conductor - McCoy's Boys, Vocals, AssociatedPerformer

℗ 1990 Capitol Records, LLC

9
Just As Much As Ever (Remastered 1999)
00:02:14

Larry Coleman, Composer - Nat King Cole, MainArtist - Charles Singleton, Composer - Dave Cavanaugh, Musical Director

℗ 1999 Capitol Records, LLC

10
If I May
00:02:18

Nat King Cole, MainArtist - Charles Singleton, ComposerLyricist - Dave Cavanaugh, Musical Director - Rose Marie McCoy, ComposerLyricist

℗ 1961 Capitol Records, LLC

11
The Sweet Bird Of Youth (Remastered 1999)
00:02:12

Nat King Cole, MainArtist - David Cavanaugh, Musical Director - A. Schroeder, Composer - W. Gold, Composer - Terry Burch, Mastering Engineer, StudioPersonnel

℗ 1999 Capitol Records, LLC

Presentación del Álbum

Six months after Nat King Cole's untimely death, Capitol Records issued this compilation LP, which did not bode well for its stewardship of his recorded legacy. Nominally speaking, the album was a collection of tracks from the late '50s previously released only on singles and EPs, which would have made it, if a minor Cole collection, nevertheless welcome to fans and collectors. But the three songs that had been the biggest hits among the selections, "Looking Back," "Send for Me," and "If I May" (all Top Ten records), were not the original recordings, but the re-recordings Cole had done for his album The Nat King Cole Story in 1961. As if that weren't bad enough, the recordings had had new guitar and percussion tracks overdubbed to give the music more of a contemporary sound, circa 1965. The result of course was a travesty that did not reflect Cole's musical taste, even on material that was not among his best work to begin with.

© William Ruhlmann /TiVo

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