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Various Artists|Le Sacre du printemps - Le roi des étoiles - Petrouchka

Le Sacre du printemps - Le roi des étoiles - Petrouchka

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For its French millennial collection (released in 2005, oddly enough), Deutsche Grammophon has pulled from the vaults three vintage recordings of works by Igor Stravinsky, conducted by Michael Tilson Thomas and Charles Dutoit, comparatively early in their careers. Tilson Thomas' performances of Le Sacre du printemps (The Rite of Spring) and King of the Stars (also known as Zvezdoliki, or "Star-face") date to 1972, while Dutoit's session for Petrushka is from 1976; all were analog recordings, but they have been digitally remastered without a trace of tape hiss. It's hard to fault Tilson Thomas and the Boston Symphony Orchestra for more than the slightest missteps in Le Sacre, which is the most exciting performance of the disc: the playing is subtly shaded as well as blunt and brutal, and the music shimmers with myriad details that are often lost in other recordings. This attack or that entrance may not be precise, but the music on the whole feels incredibly alive and arrestingly violent, especially in the pounding rhythms of the "Glorification de l'Elue" and the murderously hard "Danse sacrale," so minor errors are easy to forgive. The performance of King of the Stars is somewhat less spellbinding, due to the music's subdued quality and brevity, but this evocative cantata for men's voices and orchestra is a little gem that more listeners should hear, especially in atmospheric performances such as this one. Dutoit's reading of Petrushka with theLondon Symphony Orchestra is a respectable effort, but there are many points where either close-up microphone placement or later mixing decisions made the recording sound boosted and artificially highlighted. Such obvious engineering is a distraction from the music, and there are many less polished recordings that are more enjoyable. Still, Dutoit and the LSO give the score a satisfying interpretation, strongly emphasizing the work's puppet theater aspects, so this performance is musically worthwhile, if not exactly realistic in reproduction.

© TiVo

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Le Sacre du printemps - Le roi des étoiles - Petrouchka

Various Artists

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Le Sacre du Printemps - Part 1: The Adoration of the Earth (Igor Stravinsky)

1
1. Introduction
Michael Tilson Thomas
00:03:44

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer, Executive Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Le Sacre du Printemps / Part 1: L'Adoration de la Terre (Igor Stravinsky)

2
2. The Harbingers Of Spring, Dance Of The Adolescents
Michael Tilson Thomas
00:03:20

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

3
3. Mock Abduction
Michael Tilson Thomas
00:01:22

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Le Sacre du Printemps - Part 1: The Adoration of the Earth (Igor Stravinsky)

4
4. Spring Rounds
Michael Tilson Thomas
00:03:42

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer, Executive Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Le Sacre du Printemps / Part 1: L'Adoration de la Terre (Igor Stravinsky)

5
5. Games Of The Rival Tribes
Michael Tilson Thomas
00:01:44

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

6
6. Procession Of The Sage
Michael Tilson Thomas
00:00:40

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

7
7a. Adoration Of The Earth
Michael Tilson Thomas
00:00:22

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

8
7b. Dance Of The Earth
Michael Tilson Thomas
00:01:10

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Le Sacre du Printemps / Part 2: Le Sacrifice (Igor Stravinsky)

9
1. Introduction
Michael Tilson Thomas
00:04:15

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

10
2. Mystical Circle Of The Adolescents
Michael Tilson Thomas
00:03:14

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

11
3. Glorification Of The Chosen One
Michael Tilson Thomas
00:01:29

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

12
4. Evocation Of The Ancestors
Michael Tilson Thomas
00:00:40

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

13
5. Ritual Of The Ancestors
Michael Tilson Thomas
00:03:36

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

14
6. Sacrificial Dance (The Chosen One)
Michael Tilson Thomas
00:04:40

Boston Symphony Orchestra, Orchestra, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Le Roi des étoiles (Igor Stravinsky)

15
Molto sostenuto-Maestoso e tranquillo-Tempo primo
Michael Tilson Thomas
00:05:39

Boston Symphony Orchestra, Orchestra, MainArtist - New England Conservatory Chorus, Choir, MainArtist - Igor Stravinsky, Composer - Michael Tilson Thomas, Conductor, MainArtist - Lorna Cooke DeVaron, Chorus Master, MainArtist, AssociatedPerformer - Konstantin Balmont, Author - Thomas Mowrey, Producer - Günter Hermanns, Balance Engineer, StudioPersonnel - Volker Martin, Producer

℗ 1972 Deutsche Grammophon GmbH, Berlin

Petrouchka / Scene 1 (Igor Stravinsky)

16
The Shrovetide Fair - The Crowds - The Conjuring-trick
Tamás Vásáry
00:07:26

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

17
Russian Dance
Tamás Vásáry
00:02:54

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

Petrouchka / Scene 2 (Igor Stravinsky)

18
Petrouchka's Room
Tamás Vásáry
00:04:25

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

Petrouchka / Scene 3 (Igor Stravinsky)

19
The Moor's Room - Dance Of The Ballerina
Tamás Vásáry
00:03:52

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

20
Waltz (The Ballerina And The Moor)
Tamás Vásáry
00:03:25

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

Petrouchka / Scene 4 (Igor Stravinsky)

21
The Shrovetide Fair (Evening)
Tamás Vásáry
00:01:13

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

22
Dance Of The Wet-nurses
Tamás Vásáry
00:02:38

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Universal Music Domestic Division, a division of Universal Music GmbH

23
Dance Of The Peasant And The Bear
Tamás Vásáry
00:01:29

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

24
The Jovial Merchant With Two Gypsy Girls
Tamás Vásáry
00:01:06

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

25
Dance Of The Coachmen And The Grooms
Tamás Vásáry
00:02:07

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Universal Music Domestic Division, a division of Universal Music GmbH

26
The Masqueraders
Tamás Vásáry
00:01:30

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

27
The Scuffle
Tamás Vásáry
00:00:42

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

28
Death Of Petrouchka
Tamás Vásáry
00:00:51

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

29
The Police And The Charlatan
Tamás Vásáry
00:01:17

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer

℗ 1977 Deutsche Grammophon GmbH, Berlin

30
Apparition Of Petrouchka's Ghost
Tamás Vásáry
00:00:50

Igor Stravinsky, Composer - Charles Dutoit, Conductor, MainArtist - London Symphony Orchestra, Orchestra, MainArtist - Hans Weber, Producer - Tamás Vásáry, Piano, MainArtist, AssociatedPerformer - Klaus Scheibe, Balance Engineer, StudioPersonnel

℗ 1977 Deutsche Grammophon GmbH, Berlin

Presentación del Álbum

For its French millennial collection (released in 2005, oddly enough), Deutsche Grammophon has pulled from the vaults three vintage recordings of works by Igor Stravinsky, conducted by Michael Tilson Thomas and Charles Dutoit, comparatively early in their careers. Tilson Thomas' performances of Le Sacre du printemps (The Rite of Spring) and King of the Stars (also known as Zvezdoliki, or "Star-face") date to 1972, while Dutoit's session for Petrushka is from 1976; all were analog recordings, but they have been digitally remastered without a trace of tape hiss. It's hard to fault Tilson Thomas and the Boston Symphony Orchestra for more than the slightest missteps in Le Sacre, which is the most exciting performance of the disc: the playing is subtly shaded as well as blunt and brutal, and the music shimmers with myriad details that are often lost in other recordings. This attack or that entrance may not be precise, but the music on the whole feels incredibly alive and arrestingly violent, especially in the pounding rhythms of the "Glorification de l'Elue" and the murderously hard "Danse sacrale," so minor errors are easy to forgive. The performance of King of the Stars is somewhat less spellbinding, due to the music's subdued quality and brevity, but this evocative cantata for men's voices and orchestra is a little gem that more listeners should hear, especially in atmospheric performances such as this one. Dutoit's reading of Petrushka with theLondon Symphony Orchestra is a respectable effort, but there are many points where either close-up microphone placement or later mixing decisions made the recording sound boosted and artificially highlighted. Such obvious engineering is a distraction from the music, and there are many less polished recordings that are more enjoyable. Still, Dutoit and the LSO give the score a satisfying interpretation, strongly emphasizing the work's puppet theater aspects, so this performance is musically worthwhile, if not exactly realistic in reproduction.

© TiVo

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