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Bolette Roed - J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder

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J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder

Bolette Roed

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It's hard to believe that the editions by Frans Brüggen (1934-2014) of Bach's works for solo violin and solo cello, transcribed for solo recorder, are now forty years old. But it was in the 1970s that he undertook this remarkable work, and committed it to vinyl. Flautist Bolette Roed has taken a dive into the world of transcriptions – and we can't repeat this enough: the art of transcription, of re-writing, of re-arrangement, of recycling, of transposition, is an integral part of the baroque repertoire, and in particular of baroque itself! Roed has given us the complete recording of what Brüggen transcribed for recorder: eleven movements of the Sonatas and Partitas for Solo Violin (because not everything can reasonably be transcribed for recorder), and the first three suites initially written for cello. For the violin works, Roed has used a whole panoply of different flutes, so as to keep within Bach's original keys; and so she alternates between alto recorders,"fourth" flutes (that is, a flute in B-flat, the fourth in question being calculated from the standard recorder of the baroque era, in F), and a "fifth" flute (see above). These sounds are radically different from one another, of course, which is made quite clear in the recording. As for the Suites for Cello, these are played on a "voice flute", an instrument between tenor and alto, with some very deep low notes. But its range corresponds to the range of a soprano voice... It goes without saying that the move from violin (or cello) to the recorder gives the listener the impression of hearing brand-new works: but they are very much by the Cantor, note for note. © SM/Qobuz

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J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder

Bolette Roed

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Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder) (Johann Sebastian Bach)

1
I. Preludio
00:04:15

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

2
III. Gavotte en rondeau
00:03:08

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

3
V. Bourrée
00:01:40

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

4
VI. Gigue
00:02:16

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Violin Sonata No. 1 in G minor, BWV 1001 (Johann Sebastian Bach)

5
I. Adagio (arr. F. Brüggen for recorder)
00:03:56

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Violin Sonata No. 2 in A minor, BWV 1003 (Johann Sebastian Bach)

6
IV. Allegro (arr. F. Brüggen for recorder)
00:07:20

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Violin Sonata No. 3 in C major, BWV 1005 (Johann Sebastian Bach)

7
IV. Allegro assai (arr. F. Brüggen for recorder)
00:06:05

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder) (Johann Sebastian Bach)

8
I. Allemanda
00:05:17

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

9
II. Courante
00:03:06

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

10
III. Sarabande
00:03:56

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

11
IV. Gigue
00:05:19

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

DISCO 2

Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder) (Johann Sebastian Bach)

1
I. Prelude
00:03:08

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

2
II. Allemande
00:04:46

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

3
III. Courante
00:02:48

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

4
IV. Sarabande
00:02:25

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

5
V. Menuet I and II
00:02:52

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

6
VI. Gigue
00:01:37

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder) (Johann Sebastian Bach)

7
I. Prelude
00:03:43

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

8
II. Allemande
00:03:44

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

9
III. Courante
00:02:41

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

10
IV. Sarabande
00:03:34

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

11
V. Menuet I and II
00:03:01

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

12
VI. Gigue
00:03:05

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder) (Johann Sebastian Bach)

13
I. Prelude
00:03:18

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

14
II. Allemande
00:03:35

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

15
III. Courante
00:03:08

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

16
IV. Sarabande
00:03:33

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

17
V. Bourree I and II
00:03:06

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

18
VI. Gigue
00:03:42

Johann Sebastian Bach, Composer - Frans Brüggen, Composer - Bolette Roed, Artist, MainArtist

(C) 2018 Ondine (P) 2018 Ondine

Descripción del álbum

It's hard to believe that the editions by Frans Brüggen (1934-2014) of Bach's works for solo violin and solo cello, transcribed for solo recorder, are now forty years old. But it was in the 1970s that he undertook this remarkable work, and committed it to vinyl. Flautist Bolette Roed has taken a dive into the world of transcriptions – and we can't repeat this enough: the art of transcription, of re-writing, of re-arrangement, of recycling, of transposition, is an integral part of the baroque repertoire, and in particular of baroque itself! Roed has given us the complete recording of what Brüggen transcribed for recorder: eleven movements of the Sonatas and Partitas for Solo Violin (because not everything can reasonably be transcribed for recorder), and the first three suites initially written for cello. For the violin works, Roed has used a whole panoply of different flutes, so as to keep within Bach's original keys; and so she alternates between alto recorders,"fourth" flutes (that is, a flute in B-flat, the fourth in question being calculated from the standard recorder of the baroque era, in F), and a "fifth" flute (see above). These sounds are radically different from one another, of course, which is made quite clear in the recording. As for the Suites for Cello, these are played on a "voice flute", an instrument between tenor and alto, with some very deep low notes. But its range corresponds to the range of a soprano voice... It goes without saying that the move from violin (or cello) to the recorder gives the listener the impression of hearing brand-new works: but they are very much by the Cantor, note for note. © SM/Qobuz

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