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Timothy Richards|Italian Album: Arias and Overtures by Giuseppe Verdi and Giacomo Puccini

Italian Album: Arias and Overtures by Giuseppe Verdi and Giacomo Puccini

Timothy Richards, Minsk Orchestra, Wilhelm Keitel

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Italian Album, the debut solo recording by Welch tenor Timothy Richards, includes music of Verdi and Puccini. Most of the scenes and arias are from the standard repertoire, but some of the selections, like "Ah, la paterna mano" from Macbeth and "Ha ben ragione" from Il tabarro, are from somewhat off the beaten path. Richards' warm spinto has plenty of heft for these roles, and his weight sounds ideally suited to Italian Romantic opera. His voice is amply resonant, solid throughout, and his arsenal of colors gives him a broad expressive range. He interprets the roles thoughtfully without simply relying on standard conventions. One of the nicest moments is the opening of "Nessun dorma," which many tenors belt out with such force and volume that it is little wonder no one in Peking can get to sleep. Richards begins the aria contemplatively, which allows his build to the climax to have a real impact. The vocal tracks only take up about 35 minutes, so the album is filled with preludes or interludes from La Traviata, Macbeth, and La forza del destino. The Minsk Orchestra, conducted by Wilhelm Keitel, is fine, and better than perfunctory, but it doesn't have the edge to make its performances truly distinctive. The un-manipulated sound of MDG's SACD is exemplary in its clarity, definition, warmth, and naturalness, but in some of the louder passages the orchestra's prominence is too much for the vocal volume.
© TiVo

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Italian Album: Arias and Overtures by Giuseppe Verdi and Giacomo Puccini

Timothy Richards

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1
La Traviata: Lunge da lei per me non v'ha diletto... De' miei bollenti spiriti... O mio rimorso..
00:05:39

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

2
La Traviata: Preludio
00:03:34

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

3
Rigoletto: Ella mi fu rapita... Parmi veder le lagrime...
00:04:49

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

4
Un ballo in maschera: Forse la soglia attinse? Ma se m'è forza perderti...
00:05:29

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

5
Macbeth: O fi gli, o fi gli miei... Ah, la paterna mano...
00:03:06

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

6
Macbeth: Preludio
00:03:50

Wilhelm Keitel, MainArtist - Giuseppe Verdi, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

7
Il Tabarro: Hai ben ragione
00:02:34

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

8
La Boheme: Che gelida manina
00:04:21

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

9
Turandot: Nessun dorma
00:03:14

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

10
La forza del destino: Sinfonia
00:07:37

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

11
Tosca: Recondita armonia
00:02:32

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

12
Tosca: E lucevan le stelle
00:03:09

Wilhelm Keitel, MainArtist - Giacomo Puccini, Composer - Minsk Orchestra, MainArtist - Timothy Richards, MainArtist

2011 Musikproduktion Dabringhaus und Grimm 2011 Musikproduktion Dabringhaus und Grimm

Presentación del Álbum

Italian Album, the debut solo recording by Welch tenor Timothy Richards, includes music of Verdi and Puccini. Most of the scenes and arias are from the standard repertoire, but some of the selections, like "Ah, la paterna mano" from Macbeth and "Ha ben ragione" from Il tabarro, are from somewhat off the beaten path. Richards' warm spinto has plenty of heft for these roles, and his weight sounds ideally suited to Italian Romantic opera. His voice is amply resonant, solid throughout, and his arsenal of colors gives him a broad expressive range. He interprets the roles thoughtfully without simply relying on standard conventions. One of the nicest moments is the opening of "Nessun dorma," which many tenors belt out with such force and volume that it is little wonder no one in Peking can get to sleep. Richards begins the aria contemplatively, which allows his build to the climax to have a real impact. The vocal tracks only take up about 35 minutes, so the album is filled with preludes or interludes from La Traviata, Macbeth, and La forza del destino. The Minsk Orchestra, conducted by Wilhelm Keitel, is fine, and better than perfunctory, but it doesn't have the edge to make its performances truly distinctive. The un-manipulated sound of MDG's SACD is exemplary in its clarity, definition, warmth, and naturalness, but in some of the louder passages the orchestra's prominence is too much for the vocal volume.
© TiVo

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