Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
The person most clearly invoked on Lalo Schifrin's Invocations: Jazz Meets the Symphony #7 is his old boss Dizzy Gillespie, who claims composition credit on "Groovin' High" (with Charlie Parker) and "Here ‘Tis." The Schifrin "Jazz Meets the Symphony" series finds the veteran film composer and jazz pianist assembling a small jazz band to interact with a symphony orchestra on his compositions and arrangements; here, he, horn player James Morrison, bassist Pierre Boussaguet, and drummer Tom Gordon joined the Czech National Symphony Orchestra in Prague in July 2010. The problem in mixing jazz music and musicians with an orchestra, the conventional wisdom would have it, is that an improvisatory form and its practitioners have to rub shoulders with people accustomed to reading and playing notes as written. Schifrin gets around this problem, however, much in the way swing bandleaders did in the 1930s and ‘40s. He has the orchestra play set sections, sometimes dropping out entirely, and he has his soloists fit their solos into specific spots at specific tempos. Those tempos vary from piece to piece, with the languid "Invocations" succeeded by the playfully Renaissance-like "Summer Dance" and then the much calmer "Reverie." Another way of getting the musicians to work well together is to vary their level of participation. Generally, the more improvisatory the music, the less the orchestra is to be heard. In "Etude in Rhythm," its participation is much reduced, and for "Here ‘Tis," it lays out completely. Still, this album and the series of which it is a part, must be considered one of the more successful experiments in combining jazz and classical elements into a hybrid, which is not surprising, given that Schifrin has devoted much of his career to doing exactly that.
© William Ruhlmann /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Lalo Schifrin, Composer, Lyricist, MainArtist - Aleph Records, MusicPublisher
2010 Aleph Records 2010 Aleph Records
Presentación del Álbum
The person most clearly invoked on Lalo Schifrin's Invocations: Jazz Meets the Symphony #7 is his old boss Dizzy Gillespie, who claims composition credit on "Groovin' High" (with Charlie Parker) and "Here ‘Tis." The Schifrin "Jazz Meets the Symphony" series finds the veteran film composer and jazz pianist assembling a small jazz band to interact with a symphony orchestra on his compositions and arrangements; here, he, horn player James Morrison, bassist Pierre Boussaguet, and drummer Tom Gordon joined the Czech National Symphony Orchestra in Prague in July 2010. The problem in mixing jazz music and musicians with an orchestra, the conventional wisdom would have it, is that an improvisatory form and its practitioners have to rub shoulders with people accustomed to reading and playing notes as written. Schifrin gets around this problem, however, much in the way swing bandleaders did in the 1930s and ‘40s. He has the orchestra play set sections, sometimes dropping out entirely, and he has his soloists fit their solos into specific spots at specific tempos. Those tempos vary from piece to piece, with the languid "Invocations" succeeded by the playfully Renaissance-like "Summer Dance" and then the much calmer "Reverie." Another way of getting the musicians to work well together is to vary their level of participation. Generally, the more improvisatory the music, the less the orchestra is to be heard. In "Etude in Rhythm," its participation is much reduced, and for "Here ‘Tis," it lays out completely. Still, this album and the series of which it is a part, must be considered one of the more successful experiments in combining jazz and classical elements into a hybrid, which is not surprising, given that Schifrin has devoted much of his career to doing exactly that.
© William Ruhlmann /TiVo
Acerca del álbum
- 1 disco(s) - 7 pista(s)
- Duración total: 01:07:17
- Artistas principales: Lalo Schifrin
- Compositor: Lalo Schifrin
- Sello: Aleph Records
- Género Jazz
2010 Aleph Records 2010 Aleph Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.