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Paul Weller|Hit Parade

Hit Parade

Paul Weller

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Teenage rock & rollers often don't last. Certainly, they rarely keep performing into middle age, but Paul Weller has never been ordinary. From the outset, Weller was different -- too tense, too difficult to fit into the crowd even when he was the most popular musician in Britain, as he was when he led the Jam at the turn of the '80s. That ornery side gave his music an edge and also gave it a riveting humanity that earned him a passionate, devoted audience who stuck with him through a roller coaster of ups and downs in his career, from his abrupt disbandment of the Jam to form the slick, soulful Style Council to his comeback as the trad-rocking Modfather in the '90s. It's one of the great careers of the post-punk era, and the four-disc 2006 box set Hit Parade is the first attempt to tell it in its entirety, from the bright, brilliant early years of the Jam to his role as an elder statesman in the new millennium. Given the great wealth of music that Weller made during these three decades, the compilers picked the simplest and best solution to whittling down his rich, complicated career to the basics: they picked the A-sides of all of his British singles. This means that there are great songs left behind -- whether it's the Jam B-side "Tales from the Riverbank" or the soulful "Can You Heal Us (Holy Man)" from Wild Wood -- but that's the nature of hits compilations: great songs get left behind. What's impressive with Hit Parade is not what's absent but what's present, which is not only enough to make a case for Weller's strengths as a songwriter and restless rocker, but which helps explain the transitions in his career in a way that may be revelatory even for longtime fans. For instance, in this context the stylized café-soul of the Style Council seems like a natural outgrowth of the high-octane Motown-pop of the last Jam singles, and while it's hard to argue that the Style Council didn't drift in its latter years, it's easier to hear how revitalized Weller was as a solo artist when "Into Tomorrow" follows the fallow final gasps of the Council. Then again, by trimming his career down to the singles, the weak patches in his career aren't as evident: even when Weller's albums were patchy, the singles were often strong, and when they're taken together they aren't just an enjoyable, exciting listen, they tell one of the greatest stories in rock history, one that provides revelations even to those who have been with him since the beginning. And that's what makes Hit Parade a truly great box set.

© Stephen Thomas Erlewine /TiVo

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Hit Parade

Paul Weller

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1
Town Called Malice
The Jam
00:02:54

Peter Wilson, Producer - Paul Weller, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Producer, MainArtist - Rick Buckler, Drums, AssociatedPerformer

℗ 1982 Polydor Ltd. (UK)

2
Going Underground
The Jam
00:02:55

Paul Weller, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, MainArtist - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer

℗ 1980 Polydor Ltd. (UK)

3
Shout To The Top (Full Version)
The Style Council
00:04:14

Mick Talbot, Keyboards, AssociatedPerformer - Paul Weller, Producer, Mixer, Guitar, Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer - Brian Robson, Mixer, StudioPersonnel

℗ 1984 Polydor Ltd. (UK)

4
From The Floorboards Up
Paul Weller
00:02:28

Damon Minchella, Bass Guitar, AssociatedPerformer - Kevin Metcalfe, Mastering Engineer, StudioPersonnel - Paul Weller, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Joeri Saal, Mixer, Engineer, StudioPersonnel - Steve White, Drums, Percussion, AssociatedPerformer - Steve Cradock, Guitar, Vocals, AssociatedPerformer - Jan Kybert, Producer

℗ 2005 Solid Bond Productions Ltd

5
Down In The Tube Station At Midnight (Single Edit)
The Jam
00:04:03

Paul Weller, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, MainArtist - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer

℗ 1978 Polydor Ltd. (UK)

6
Peacock Suit (Single / Album Version)
Paul Weller
00:03:07

Marco Nelson, Bass Guitar, Sitar, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Producer - Steve White, Drums, AssociatedPerformer - Steve Cradock, Guitar, AssociatedPerformer

℗ 1996 Go! Discs Ltd.

7
The Changingman (Single Edit)
Paul Weller
00:03:32

Dr. Robert, Bass Guitar, AssociatedPerformer - Carleen Anderson, Background Vocalist, AssociatedPerformer - Paul Weller, Producer, Guitar, Piano, Shaker, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Steve White, Drums, AssociatedPerformer - Steve Cradock, Guitar, Vocalist, AssociatedPerformer - Martyn 'Max' Heyes, Mixer, Engineer, StudioPersonnel

℗ 1995 Go! Discs Ltd.

8
The Eton Rifles (Single Edit)
The Jam
00:03:58

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

9
Sunflower
Paul Weller
00:04:10

Paul Weller, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1993 Go! Discs Ltd.

10
Beat Surrender
The Jam
00:03:24

Peter Wilson, Producer - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, MainArtist - Rick Buckler, Drums, AssociatedPerformer

℗ 1982 Polydor Ltd. (UK)

11
Walls Come Tumbling Down
The Style Council
00:03:25

Peter Wilson, Producer - Mick Talbot, Keyboards, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer - DC Lee, Vocalist, AssociatedPerformer

℗ 1985 Polydor Ltd. (UK)

12
That's Entertainment
The Jam
00:03:35

Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Producer, MainArtist - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer

℗ 1980 Polydor Ltd. (UK)

13
Broken Stones
Paul Weller
00:03:22

Paul Weller, Producer, MainArtist, ComposerLyricist - Brendan Lynch, Producer, Mixer, StudioPersonnel - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1995 Go! Discs Ltd.

14
Out Of The Sinking (Original / Single Version)
Paul Weller
00:03:50

Paul Weller, Producer, MainArtist, ComposerLyricist - Brendan Lynch, Producer, Mixer, StudioPersonnel - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1994 Go! Discs Ltd.

15
Long Hot Summer (Single Edit)
The Style Council
00:03:49

Peter Wilson, Producer - Mick Talbot, Keyboards, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocals, Vocalist, AssociatedPerformer, ComposerLyricist - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer

℗ 1983 Polydor Ltd. (UK)

16
You're The Best Thing (Single Edit)
The Style Council
00:04:24

Peter Wilson, Producer - Mick Talbot, Keyboards, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer

℗ 1984 Polydor Ltd. (UK)

17
Wild Wood
Paul Weller
00:03:24

Marco Nelson, Bass Guitar, AssociatedPerformer - Paul Weller, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Producer, Mixer, Recording Arranger, Synthesizer Programming, AssociatedPerformer, StudioPersonnel - Steve White, Drums, AssociatedPerformer - Helen Turner, Organ, AssociatedPerformer - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1993 Go! Discs Ltd.

18
You Do Something To Me
Paul Weller
00:03:39

Yolanda Charles, Bass Guitar, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Producer, Mixer, StudioPersonnel - Steve White, Drums, AssociatedPerformer - Helen Turner, Organ, AssociatedPerformer - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1995 Go! Discs Ltd.

19
Hung Up
Paul Weller
00:02:41

Paul Weller, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Brendan Lynch, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Martyn 'Max' Heyes, Mixer, StudioPersonnel

℗ 1994 Go! Discs Ltd.

20
My Ever Changing Moods (Single Edit)
The Style Council
00:04:02

Peter Wilson, Producer, Synthesizer Programming, AssociatedPerformer - Mick Talbot, Keyboards, Piano, Background Vocalist, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer - Barbara Snow , Trumpet, AssociatedPerformer - Hilary Seabrook, Saxophones, AssociatedPerformer

℗ 1984 Polydor Ltd. (UK)

21
Speak Like A Child
The Style Council
00:03:14

Peter Wilson, Producer - Mick Talbot, Keyboards, AssociatedPerformer - Paul Weller, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - ZEKE MANYIKA, Drums, AssociatedPerformer - The Style Council, MainArtist - Steve White, Drums, AssociatedPerformer - Tracie Young, Background Vocalist, AssociatedPerformer

℗ 1983 Polydor Ltd. (UK)

22
Start! (Single Version)
The Jam
00:02:31

Paul Weller, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Producer, MainArtist - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer

℗ 1980 Polydor Ltd. (UK)

Presentación del Álbum

Teenage rock & rollers often don't last. Certainly, they rarely keep performing into middle age, but Paul Weller has never been ordinary. From the outset, Weller was different -- too tense, too difficult to fit into the crowd even when he was the most popular musician in Britain, as he was when he led the Jam at the turn of the '80s. That ornery side gave his music an edge and also gave it a riveting humanity that earned him a passionate, devoted audience who stuck with him through a roller coaster of ups and downs in his career, from his abrupt disbandment of the Jam to form the slick, soulful Style Council to his comeback as the trad-rocking Modfather in the '90s. It's one of the great careers of the post-punk era, and the four-disc 2006 box set Hit Parade is the first attempt to tell it in its entirety, from the bright, brilliant early years of the Jam to his role as an elder statesman in the new millennium. Given the great wealth of music that Weller made during these three decades, the compilers picked the simplest and best solution to whittling down his rich, complicated career to the basics: they picked the A-sides of all of his British singles. This means that there are great songs left behind -- whether it's the Jam B-side "Tales from the Riverbank" or the soulful "Can You Heal Us (Holy Man)" from Wild Wood -- but that's the nature of hits compilations: great songs get left behind. What's impressive with Hit Parade is not what's absent but what's present, which is not only enough to make a case for Weller's strengths as a songwriter and restless rocker, but which helps explain the transitions in his career in a way that may be revelatory even for longtime fans. For instance, in this context the stylized café-soul of the Style Council seems like a natural outgrowth of the high-octane Motown-pop of the last Jam singles, and while it's hard to argue that the Style Council didn't drift in its latter years, it's easier to hear how revitalized Weller was as a solo artist when "Into Tomorrow" follows the fallow final gasps of the Council. Then again, by trimming his career down to the singles, the weak patches in his career aren't as evident: even when Weller's albums were patchy, the singles were often strong, and when they're taken together they aren't just an enjoyable, exciting listen, they tell one of the greatest stories in rock history, one that provides revelations even to those who have been with him since the beginning. And that's what makes Hit Parade a truly great box set.

© Stephen Thomas Erlewine /TiVo

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