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Ian Brown|Golden Greats

Golden Greats

Ian Brown

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Whatever its flaws, Ian Brown's debut album, Unfinished Monkey Business, suggested that he was the true visionary behind the Stone Roses, providing the wild mercurial ideas that were grounded by John Squire's classicist song structures. Its sequel, Golden Greats, confirms that notion. Less song-oriented than its predecessor and overflowing with neo-psychedelic sonic textures and dance beats, Golden Greats floats between dazzling peaks and unformed, unrealized ideas that are nonetheless quite intriguing. Some may miss the clear hooks that characterized the Stone Roses (and even parts of Unfinished Monkey Business), but Brown sounds revitalized here and the result is a fresh, frequently exciting record. True, it can get a little indulgent and it's not quite cutting edge (no matter how much he wishes it were), but that doesn't distract from its very real virtues. At its best, the album boasts wonderfully, subtly crafted productions brimming with neat textures (the organ riff, Mellotron, and sampled strings on "Set My Baby Free" are a perfect example) that are intriguing on first listen and grow richer with repeated listens. Like its predecessor, Golden Greats meanders a bit too much and it places a little too much emphasis on surface, but when the surface sparkles like this, it's hard to complain too loudly.

© Stephen Thomas Erlewine /TiVo

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Golden Greats

Ian Brown

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1
Gettin' High
00:04:01

Dave McCracken, Keyboards, Programmer, AssociatedPerformer - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Aziz Ibrahim, Guitar, AssociatedPerformer, ComposerLyricist - Simon Wolstencroft, Drums, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

2
Love Like A Fountain
00:05:13

Dave McCracken, Keyboards, Programmer, AssociatedPerformer - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, Electric Guitar, AssociatedPerformer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Drums, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Simon Wolstencroft, Drums, AssociatedPerformer - Sylvan Richardson Jr., Bass Guitar, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

3
Free My Way
00:04:16

Dave McCracken, Keyboards, Programmer, AssociatedPerformer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Audrey Riley, Cello, AssociatedPerformer - Ian Brown, Producer, Drums, Keyboards, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1999 Polydor Ltd. (UK)

4
Set My Baby Free
00:04:25

Dave McCracken, Keyboards, Percussion, Programmer, AssociatedPerformer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, Mellotron, AssociatedPerformer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Aniff Akinola, ComposerLyricist - Anif Cousins, Drums, Keyboards, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

5
So Many Soldiers
00:05:15

Dave McCracken, Acoustic Guitar, Keyboards, Programmer, AssociatedPerformer, ComposerLyricist - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, Electric Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Dan Bierton, Drums, Asst. Recording Engineer, AssociatedPerformer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Inder Mathuru, Percussion, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

6
Golden Gaze
00:03:54

Michael Bennett, ComposerLyricist - Dave McCracken, Keyboards, Programmer, AssociatedPerformer, ComposerLyricist - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Drums, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Mike Bennett, ComposerLyricist - Simon Wolstencroft, Drums, AssociatedPerformer, ComposerLyricist - Inder Mathuru, Percussion, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

7
Dolphins Were Monkeys
00:05:03

Dave McCracken, Composer, Drums, Keyboards, Programmer, AssociatedPerformer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Composer, Engineer, Keyboards, AssociatedPerformer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Drums, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Inder Mathuru, Percussion, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

8
Neptune
00:03:31

Dave McCracken, Keyboards, Programmer, AssociatedPerformer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, Piano, AssociatedPerformer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Sylvan Richardson Jr., Cello, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Inder Mathuru, Percussion, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

9
First World
00:05:08

Dave McCracken, Keyboards, Programmer, AssociatedPerformer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Aziz Ibrahim, Guitar, AssociatedPerformer, ComposerLyricist - Simon Wolstencroft, Drums, AssociatedPerformer - Inder Mathuru, Percussion, AssociatedPerformer

℗ 1999 Polydor Ltd. (UK)

10
Babasonicos
00:04:04

Diego Castellano, Drums, AssociatedPerformer - Walter Kebleris, ComposerLyricist - Dave McCracken, Programmer - Adrian Hall, Assistant Mixer, StudioPersonnel - Neil Tucker, Assistant Mixer, StudioPersonnel - Stephen Fitzmaurice, Mixer, StudioPersonnel - Tim Wills, Engineer, StudioPersonnel - Dan Bierton, Asst. Recording Engineer, StudioPersonnel - Ian Brown, Producer, Recording Arranger, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Carca, Guitar, AssociatedPerformer - Uma-T, Harmonica, AssociatedPerformer - Diego Uma T, Keyboards, AssociatedPerformer - Deigo Tunon, ComposerLyricist

℗ 1999 Polydor Ltd. (UK)

Presentación del Álbum

Whatever its flaws, Ian Brown's debut album, Unfinished Monkey Business, suggested that he was the true visionary behind the Stone Roses, providing the wild mercurial ideas that were grounded by John Squire's classicist song structures. Its sequel, Golden Greats, confirms that notion. Less song-oriented than its predecessor and overflowing with neo-psychedelic sonic textures and dance beats, Golden Greats floats between dazzling peaks and unformed, unrealized ideas that are nonetheless quite intriguing. Some may miss the clear hooks that characterized the Stone Roses (and even parts of Unfinished Monkey Business), but Brown sounds revitalized here and the result is a fresh, frequently exciting record. True, it can get a little indulgent and it's not quite cutting edge (no matter how much he wishes it were), but that doesn't distract from its very real virtues. At its best, the album boasts wonderfully, subtly crafted productions brimming with neat textures (the organ riff, Mellotron, and sampled strings on "Set My Baby Free" are a perfect example) that are intriguing on first listen and grow richer with repeated listens. Like its predecessor, Golden Greats meanders a bit too much and it places a little too much emphasis on surface, but when the surface sparkles like this, it's hard to complain too loudly.

© Stephen Thomas Erlewine /TiVo

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