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Altin Gün|Gece

Gece

Altin Gün

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Altin Gün were formed by former members of Jacco Gardner's band to pay tribute to the Turkish psychedelia of the early '70s that they discovered and fell in love with while on tour in Turkey. Bassist Jasper Verhulst fell under the spell of artists like Baris Manço, Selda Bağcan, and Erkin Koray, who blended traditional Turkish folk sounds with the wild sounds of their day, so Verhulst decided he wanted to do something similar in the 2010s, using modern production techniques and synthesizers along with psych guitars and Turkish instruments. The core musical group was formed in the Netherlands by members of Gardner's band, and they were lucky enough to find two Turkish vocalists/players who knew the ins and outs of their country's folk music while also being plugged into the modern psych scene. The group's first recordings were sparkling updates of old songs (often written by Turkish legend Neşet Ertaş) that built the template for their first major release, 2019's Gece. Powered by the rhythm section's elastic bounce, the guitar's fuzzy wandering, the bubbling keyboards, and the bewitching sound of the electric saz (as played with fiery precision by Erdinç Ecevit), the album has a rich sound that rivals anything by modern psych masters like Dungen and King Gizzard, while remaining true to their brief of making the classic Turkish sound come alive for the modern era. Ecevit's alternately mournful and joyous vocals are a clear tie to the past, as is Merve Daşdemir's hauntingly beautiful singing. They give the music a legitimacy it wouldn't otherwise have, no matter how faithful and knowledgeable Verhulst and his crew were. It's no history lesson, though. Tracks like the rollicking "Vay Dunya" or the synth pop/psych hybrid "Supurgesi Yoncadan" are made for dancing, "Yolcu" and "Ervah-i Ezelde" are loose and funky jams that mine the same territory as Khruangbin, and songs as spookily pretty as "Leyla" or "Anlatmam Derdimi" make for perfect soundtrack music for introspective summer evenings when the shadows are just beginning to creep in. Most of the songs are updates of Turkish folk songs -- many by Ertaş -- and the group do right by the originals and the '70s updates, too. It's clear that they respect and love the source material; more importantly, Gece is pure psychedelic music that's thrillingly expansive, wildly melodic, emotionally expressive, and transports listeners to a time and place far from the workaday world.

© Tim Sendra /TiVo

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Altin Gün

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1
Yolcu
00:02:38

Neset Ertas, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

2
Vay Dünya
00:04:18

Ali Ekber Çiçek, Composer - Sadık Doğanay, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

3
Leyla
00:03:17

Neset Ertas, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

4
Anlatmam Derdimi
00:04:12

Asik Veysel, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

5
Şoför Bey
00:03:10

Altin Gün, Composer, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

6
Derdimi Dökersem
00:03:53

Asik Veysel, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

7
Kolbastı
00:03:26

Altin Gün, MainArtist - Cemil Uzal, Composer

2019 Glitterbeat Records 2019 Glitterbeat Records

8
Ervah-ı Ezelde
00:04:45

Aşık Summani, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

9
Gesi Bağları
00:02:02

Ahmet Gazi Ayhan, Composer - Altin Gün, MainArtist

2019 Glitterbeat Records 2019 Glitterbeat Records

10
Süpürgesi Yoncadan
00:05:29

Altin Gün, MainArtist - Mehmet Emmi, Composer

2019 Glitterbeat Records 2019 Glitterbeat Records

Presentación del Álbum

Altin Gün were formed by former members of Jacco Gardner's band to pay tribute to the Turkish psychedelia of the early '70s that they discovered and fell in love with while on tour in Turkey. Bassist Jasper Verhulst fell under the spell of artists like Baris Manço, Selda Bağcan, and Erkin Koray, who blended traditional Turkish folk sounds with the wild sounds of their day, so Verhulst decided he wanted to do something similar in the 2010s, using modern production techniques and synthesizers along with psych guitars and Turkish instruments. The core musical group was formed in the Netherlands by members of Gardner's band, and they were lucky enough to find two Turkish vocalists/players who knew the ins and outs of their country's folk music while also being plugged into the modern psych scene. The group's first recordings were sparkling updates of old songs (often written by Turkish legend Neşet Ertaş) that built the template for their first major release, 2019's Gece. Powered by the rhythm section's elastic bounce, the guitar's fuzzy wandering, the bubbling keyboards, and the bewitching sound of the electric saz (as played with fiery precision by Erdinç Ecevit), the album has a rich sound that rivals anything by modern psych masters like Dungen and King Gizzard, while remaining true to their brief of making the classic Turkish sound come alive for the modern era. Ecevit's alternately mournful and joyous vocals are a clear tie to the past, as is Merve Daşdemir's hauntingly beautiful singing. They give the music a legitimacy it wouldn't otherwise have, no matter how faithful and knowledgeable Verhulst and his crew were. It's no history lesson, though. Tracks like the rollicking "Vay Dunya" or the synth pop/psych hybrid "Supurgesi Yoncadan" are made for dancing, "Yolcu" and "Ervah-i Ezelde" are loose and funky jams that mine the same territory as Khruangbin, and songs as spookily pretty as "Leyla" or "Anlatmam Derdimi" make for perfect soundtrack music for introspective summer evenings when the shadows are just beginning to creep in. Most of the songs are updates of Turkish folk songs -- many by Ertaş -- and the group do right by the originals and the '70s updates, too. It's clear that they respect and love the source material; more importantly, Gece is pure psychedelic music that's thrillingly expansive, wildly melodic, emotionally expressive, and transports listeners to a time and place far from the workaday world.

© Tim Sendra /TiVo

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