Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
"Amerikan people, they have come to take your jobs away!" announces the cover of FUCC the I.N.S., and this Bosnian-Bulgarian-American-Japanese outfit could put a lot of U.S. bands out of business. Their potent mix of punk, metal, and Balkan brass band music (with in-your-face production by Billy Gould of Faith No More) is sarcastic -- there are takeoffs of Right Said Fred's "I'm Too Sexy" and Backstreet Boys as part of the mix -- but it hews closely to traditional Balkan music, played with a fiery intensity. The opening "Nadija" explodes out of the box, with vocalist Gino Srdjan Yevdjevich wailing like a banshee over the guitars and tortuous, stop-time horns (whose sounds are eerily reminiscent of King Crimson's "21st Century Schizoid Man"). But they're equally capable of unaccompanied singing of sheer glory and using thoroughly contemporary house drum loops as part of their musical arsenal. "Montenegro H.C." is as boastful as a rapper talking about his money or genitalia, while "How to Fucc Songs & Irritate People" could almost have come from the Zappa songbook at times, at least if Zappa had been raised in Sarajevo. Whether it's rock, metal, or world music is almost irrelevant; as the album's title implies, boundaries are man-made, not natural, and should be treated with cultural disdain. Quite deliberately incendiary, this isn't an album that asks to be heard; it demands it.
© Chris Nickson /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Kultur Shock, Composer, MainArtist - Oggi Kiossovski, MixingEngineer
2001 Koolarrow Records 2001 Koolarrow Records
Presentación del Álbum
"Amerikan people, they have come to take your jobs away!" announces the cover of FUCC the I.N.S., and this Bosnian-Bulgarian-American-Japanese outfit could put a lot of U.S. bands out of business. Their potent mix of punk, metal, and Balkan brass band music (with in-your-face production by Billy Gould of Faith No More) is sarcastic -- there are takeoffs of Right Said Fred's "I'm Too Sexy" and Backstreet Boys as part of the mix -- but it hews closely to traditional Balkan music, played with a fiery intensity. The opening "Nadija" explodes out of the box, with vocalist Gino Srdjan Yevdjevich wailing like a banshee over the guitars and tortuous, stop-time horns (whose sounds are eerily reminiscent of King Crimson's "21st Century Schizoid Man"). But they're equally capable of unaccompanied singing of sheer glory and using thoroughly contemporary house drum loops as part of their musical arsenal. "Montenegro H.C." is as boastful as a rapper talking about his money or genitalia, while "How to Fucc Songs & Irritate People" could almost have come from the Zappa songbook at times, at least if Zappa had been raised in Sarajevo. Whether it's rock, metal, or world music is almost irrelevant; as the album's title implies, boundaries are man-made, not natural, and should be treated with cultural disdain. Quite deliberately incendiary, this isn't an album that asks to be heard; it demands it.
© Chris Nickson /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:46:55
- Artistas principales: Kultur Shock
- Compositor: Kultur Shock
- Sello: Koolarrow Records
- Género World music
2001 Koolarrow Records 2001 Koolarrow Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.