Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Some recordings are love at first sound. Others take a few minutes to work their way into one’s affections. With “Four Visions of France” it’s most definitely a case of the former, because right from the first seconds of its curtain-raising Saint-Saëns Cello Concerto No. 1 you know you’re in for a ripping ride, as that initial fortissimo orchestral chord explodes with a sharp, plump bang around Berlin’s Jesus-Christus-Kirche, followed after a nanosecond by an urgent yet supremely elegant, legato’d, rubato’d Müller-Schott.
Then onwards, and it’s a constant succession of fresh pleasures: the noblesse, sophistication, range of colours and technical finesse that Müller-Schott has brought to the three through-written movements’ continuously shifting landscapes; his capacity for gossamer delicacy, such as his exquisite pianissimo leap up to high A in bar 72 (first movement); then the degree to which the orchestra under Bloch can create an airily floating pianissimo, together with the light transparency and supple flow they’re bringing to the table overall. Essentially, it’s not hard to hear the fruits either of bringing in Alexandre Bloch (chief conductor of the Orchestre National de Lille, and a cellist himself), or of Müller-Schott’s early exposure to this repertoire and the French cello school via his teachers Walter Nothas and Heinrich Schiff – both Paris pupils of André Navarra.
It really is four very distinct visions of French music too, because from the Saint-Saëns of 1872 with its light colours and impressionistic transparency, we then move to Honegger’s Cello Concerto in C major of 1929, full of the influence of Stravinsky and jazz – and make sure you enjoy the terrific trumpet playing, plus the chamber awareness between Müller-Schott and the orchestra as they flex their jazz bones. Lalo’s D minor Concerto (1876) meanwhile brings darker, more Brahmsian colours flecked with Spanish fire.
Add Fauré’s Élégie’s (1880) warm, lyric Romanticism – met but never over-egged by Müller-Schott, his many micro-colourings including some ear-prickingly dark portamenti on the theme’s restatement before the central section – plus Saint-Saëns’s Romance in F major to conclude by bringing is back full circle to light transparency, and this really is a recording to savour. © Charlotte Gardner/Qobuz
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Cello Concerto No. 1 in A Minor, Op. 33, R. 193 (Camille Saint-Saëns)
CAMILLE SAINT-SAENS, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
CAMILLE SAINT-SAENS, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
CAMILLE SAINT-SAENS, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Élégie, Op. 24 (Version for Cello & Orchestra) (Gabriel Fauré)
Gabriel Fauré, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Cello Concerto in C Major, H. 72 (Arthur Honegger)
Arthur Honegger, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Arthur Honegger, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Arthur Honegger, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Cello Concerto in D minor (Édouard Lalo)
Edouard Lalo, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Edouard Lalo, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Edouard Lalo, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) (Camille Saint-Saëns)
CAMILLE SAINT-SAENS, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Daniel Müller-Schott, Artist, MainArtist - Alexandre Bloch, Conductor, MainArtist
(C) 2021 Orfeo (P) 2021 Orfeo
Presentación del Álbum
Some recordings are love at first sound. Others take a few minutes to work their way into one’s affections. With “Four Visions of France” it’s most definitely a case of the former, because right from the first seconds of its curtain-raising Saint-Saëns Cello Concerto No. 1 you know you’re in for a ripping ride, as that initial fortissimo orchestral chord explodes with a sharp, plump bang around Berlin’s Jesus-Christus-Kirche, followed after a nanosecond by an urgent yet supremely elegant, legato’d, rubato’d Müller-Schott.
Then onwards, and it’s a constant succession of fresh pleasures: the noblesse, sophistication, range of colours and technical finesse that Müller-Schott has brought to the three through-written movements’ continuously shifting landscapes; his capacity for gossamer delicacy, such as his exquisite pianissimo leap up to high A in bar 72 (first movement); then the degree to which the orchestra under Bloch can create an airily floating pianissimo, together with the light transparency and supple flow they’re bringing to the table overall. Essentially, it’s not hard to hear the fruits either of bringing in Alexandre Bloch (chief conductor of the Orchestre National de Lille, and a cellist himself), or of Müller-Schott’s early exposure to this repertoire and the French cello school via his teachers Walter Nothas and Heinrich Schiff – both Paris pupils of André Navarra.
It really is four very distinct visions of French music too, because from the Saint-Saëns of 1872 with its light colours and impressionistic transparency, we then move to Honegger’s Cello Concerto in C major of 1929, full of the influence of Stravinsky and jazz – and make sure you enjoy the terrific trumpet playing, plus the chamber awareness between Müller-Schott and the orchestra as they flex their jazz bones. Lalo’s D minor Concerto (1876) meanwhile brings darker, more Brahmsian colours flecked with Spanish fire.
Add Fauré’s Élégie’s (1880) warm, lyric Romanticism – met but never over-egged by Müller-Schott, his many micro-colourings including some ear-prickingly dark portamenti on the theme’s restatement before the central section – plus Saint-Saëns’s Romance in F major to conclude by bringing is back full circle to light transparency, and this really is a recording to savour. © Charlotte Gardner/Qobuz
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 01:09:45
- 1 Libreto digital
- Artistas principales: Daniel Müller-Schott Berlin Deutsches Symphony Orchestra Alexandre Bloch
- Compositor: Various Composers
- Sello: Orfeo
- Género Clásica
(C) 2021 Orfeo (P) 2021 Orfeo
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.