Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
Emerging in 1997 as part of Cleopatra's reissue/release series of nearly everything Damned it could get its hands on, Fiendish Shadows documents a show or shows (recording dates aren't provided) from its 1985/1986 tour in support of Phantasmagoria. At this point, the Scabies/Vanian/Jugg/Merrick lineup had a fair couple of years experience under its belt, first with Captain Sensible and then without; the relative stability of this arrangement likely helped the band put on a crackerjack show. Sound quality is quite good, though the mix is off; for instance, on the fantastic opening cut, a run through the first part of the epic "Curtain Call," Vanian's voice suddenly plunges in volume once the drumming kicks in and only recovers from that a few songs in. About half of Phantasmagoria shows up, with an explosive take on "Is It a Dream" and a bravura "Street of Dreams." A couple of cuts from the not far gone Strawberries make the grade as well, including a great take on "Stranger on the Town" and a sprightly version of "Gun Fury." Faves of yore that turn up unsurprisingly include "New Rose" and "Smash It Up," while "Love Song" makes a brief, fun appearance and the disc as a whole concludes with the always hilarious kiss-off "Disco Man," initially delivered in the 'Val Doonican way, as Vanian puts it. Even more intriguing are the two covers that take a bow; one, the Electric Prunes' "I Had Too Much to Dream Last Night," had originally surfaced via the band's Naz Nomad and the Nightmares incarnation. The other was never formally recorded: Iggy Pop's "Lust for Life" given the energetic blast you'd expect any punk rockers worth their salt would. On a technical note, while a ticket from an American gig is part of the cover art, the recording itself seems to have taken place in London based on Vanian's between-song comments. Go figure!
© Ned Raggett /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Karloff, Composer - Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Merrick, Composer - The Damned, MainArtist - Doctor, Composer - Vanian, Composer - Scabies, Composer - Jugg, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Merrick, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer - Jugg, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Ward, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Nancie Mantz, Composer - Annette Tucker, Composer - The Damned, MainArtist
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Iggy Pop, Composer - David Bowie, Composer - The Damned, MainArtist
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Ward, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Brian James, Composer - The Damned, MainArtist
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Presentación del Álbum
Emerging in 1997 as part of Cleopatra's reissue/release series of nearly everything Damned it could get its hands on, Fiendish Shadows documents a show or shows (recording dates aren't provided) from its 1985/1986 tour in support of Phantasmagoria. At this point, the Scabies/Vanian/Jugg/Merrick lineup had a fair couple of years experience under its belt, first with Captain Sensible and then without; the relative stability of this arrangement likely helped the band put on a crackerjack show. Sound quality is quite good, though the mix is off; for instance, on the fantastic opening cut, a run through the first part of the epic "Curtain Call," Vanian's voice suddenly plunges in volume once the drumming kicks in and only recovers from that a few songs in. About half of Phantasmagoria shows up, with an explosive take on "Is It a Dream" and a bravura "Street of Dreams." A couple of cuts from the not far gone Strawberries make the grade as well, including a great take on "Stranger on the Town" and a sprightly version of "Gun Fury." Faves of yore that turn up unsurprisingly include "New Rose" and "Smash It Up," while "Love Song" makes a brief, fun appearance and the disc as a whole concludes with the always hilarious kiss-off "Disco Man," initially delivered in the 'Val Doonican way, as Vanian puts it. Even more intriguing are the two covers that take a bow; one, the Electric Prunes' "I Had Too Much to Dream Last Night," had originally surfaced via the band's Naz Nomad and the Nightmares incarnation. The other was never formally recorded: Iggy Pop's "Lust for Life" given the energetic blast you'd expect any punk rockers worth their salt would. On a technical note, while a ticket from an American gig is part of the cover art, the recording itself seems to have taken place in London based on Vanian's between-song comments. Go figure!
© Ned Raggett /TiVo
Acerca del álbum
- 1 disco(s) - 15 pista(s)
- Duración total: 01:00:19
- Artistas principales: The Damned
- Compositor: Various Composers
- Sello: Cleopatra Records
- Género Pop/Rock Rock
(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.