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Amparanoia's debut album falls firmly in the new European mix mold popularized by Manu Chao, but a strong set of songs and Amparo Sánchez's authoritative vocals establish a distinct identity. The jumping-off point for the group's well-structured songs and spare arrangements on El Poder De Machín isn't ska or reggae, but Latin music -- for instance, the percussion section uses congas, bongos, and the flamenco cajon instead of a regular drum kit. Bright horns, propulsive rhythms, and catchy chorus hooks drive festive numbers like "La Semana" and "En la Noche," the latter the first sign of the multi-lingualism (the verses are delivered in Spanish, French, and English) that is a natural part of Amparanoia's style. But the Latin influence extends beyond salsa adaptations -- "Que te Den" and "Mi Amor Se Fue" have Mexican roots, the latter starting off as a boozy cantina lament with accordion before a mid-song shift to an up-tempo celebratory romp. Sánchez's blues-singing background comes into play on "Moreno," and Robert Johnson's electric guitar solos here and on "Me Lo Hago Solo" have a bluesy tinge. Even though the Manu Chao influence is evident -- his "Sidi Beach" anticipates the sound of Clandestino and the Sánchez/Chao collaboration "Buen Rollito" (aka "Welcome to Tijuana") makes its first appearance here -- El Poder de Machín clearly bears Amparanoia's creative stamp. And the main source of that identity is the personality projected through the powerful voice of Amparo -- a voice that sounds good-hearted and generous, open and inviting.
© Don Snowden /TiVo
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Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Manu Chao/Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Eddy Grant/Adaptation Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Manu chao, Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Amparanoia, Performer - Amparo S., Composer, Lyricist
1997 edel music S.A. 1997 edel music S.A.
Presentación del Álbum
Amparanoia's debut album falls firmly in the new European mix mold popularized by Manu Chao, but a strong set of songs and Amparo Sánchez's authoritative vocals establish a distinct identity. The jumping-off point for the group's well-structured songs and spare arrangements on El Poder De Machín isn't ska or reggae, but Latin music -- for instance, the percussion section uses congas, bongos, and the flamenco cajon instead of a regular drum kit. Bright horns, propulsive rhythms, and catchy chorus hooks drive festive numbers like "La Semana" and "En la Noche," the latter the first sign of the multi-lingualism (the verses are delivered in Spanish, French, and English) that is a natural part of Amparanoia's style. But the Latin influence extends beyond salsa adaptations -- "Que te Den" and "Mi Amor Se Fue" have Mexican roots, the latter starting off as a boozy cantina lament with accordion before a mid-song shift to an up-tempo celebratory romp. Sánchez's blues-singing background comes into play on "Moreno," and Robert Johnson's electric guitar solos here and on "Me Lo Hago Solo" have a bluesy tinge. Even though the Manu Chao influence is evident -- his "Sidi Beach" anticipates the sound of Clandestino and the Sánchez/Chao collaboration "Buen Rollito" (aka "Welcome to Tijuana") makes its first appearance here -- El Poder de Machín clearly bears Amparanoia's creative stamp. And the main source of that identity is the personality projected through the powerful voice of Amparo -- a voice that sounds good-hearted and generous, open and inviting.
© Don Snowden /TiVo
Acerca del álbum
- 1 disco(s) - 13 pista(s)
- Duración total: 00:44:37
- Artistas principales: Amparanoia
- Compositor: Various Composers
- Sello: earMUSIC
- Género World music
1997 edel music S.A. 1997 edel music S.A.
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